The Last Detective

I don't like violence or sudden nasty surprises in my watching, but I do like well-written drama/comedies/series and so have taken to this to the extent that I'm binge watching the whole lot at the moment - about to start season 4. I love that authenticity of the settings, the characters (there really isn't anyone who doesn't stand scrutiny) and the dialogue. It's very well written, in that while you know the good will out and a solution will be found (usually by Dangerous) , you are not spoon fed the answer and have to try and work it out yourself. I agree with the other reviewers, it's a pity there were only four series, but best to leave us wanting more. Excellent. I must try and find the books. Did they change the dog?

I'm 32 years old and somehow this reminds me of what I imagine Dixon of Dock

Green was like.

Each story is layered out with care and attention, good humor and the sort of warmth that only Peter D. can put into a performance. See his previous work in 'A very peculiar practice' or 'Meet the Braithwaits' for examples of what I mean.

It will never be as successful as 'Inspector Morse' or as breathtakingly fresh as 'Spooks' but to count these as negatives would be a mistake. Its like watching a favorite uncle telling a familiar and yet fascinating story. You know your in good hands and its very safe, but you just can't help but love it.

Its the St. Bernard dog of detectives.

The excuse for this gem of a series that it was losing viewers just doesn't ring true. From 1990 onwards every single programme was losing viewers due to sky TV, I'd like to think that many were videoing this and it never lost many viewers at all.

Anyway to the important stuff. Peter Davison is as ever brilliant. I watched him when I was a lad in "all creatures" and having read all the books thought he brought Tristan to life exactly the way Herriot wanted. Sean Hughes is a great foil, I also remember him as a young comedian and his show. The rest of the cast are top notch and you believe every character....even the daft ones. The cast progression through the series is paced very well letting you into each one a bit more, Emma Amos in particular.

All good things must end and people move on to new projects so this series must be remembered for what it was, classic British comedy drama which is done better here than anywhere else. A must see.

'The Last Detective' is again being shown on ABC1-TV in Australia late on a Saturday night. I reckon this is at least the third showing of some episodes, and I'm still watching them. So, what does this mean? If I can watch anything for the third time and still be entertained, then it's well written, well acted, and probably quite unique.

Peter Davison is perhaps best well known as playing Dr Who in the first half of the 1980's. As 'dangerous' Davies, he walks a fine line between being a hero and being a loser. Mostly he manages to squeeze into the hero role, much to the derision of his work colleages, DC's Pimlott and Barrett. PC Davies is an old-fashioned copper who would like an old fashioned life, but between being given the soft cases by his boss, DI Aspinall, and being given the shove by his bitchy wife - well played by Emma Amos - his life is usually one long uphill climb. Peter Davison handles this role with the skill we have come to expect from him.

Whist the scripts verge on the comedic, genuine light relief is provided by Sean Hughes as Mod, Davies' mate and confidant.

Mod: What do you call a dozen rabbits walking backwards?

Davies: What?

Mod: A receding hairline.

After which follows a discussion about whether a bunch of rabbits can be called 'hares', since hares are completely different from rabbits.

Gentle, but addictive and entertaining.

I'm currently watching the latest series on ITV1 in the UK. This show works for me because of its treatment of the 'everyman' character of Dangerous Davies.

This is a man who you'll usually find in every workplace: the chap who just doesn't fit in. But that doesn't mean that he's not good at his job, only that his colleagues assume that he can't be very good at it because he's not 'one of the lads' at work.

He doesn't have the 'nasty' qualities (nor the ambition) that would help him to rise above the rank of detective constable in the CID. And it's this niceness that seems to be the reason why his marriage has failed.

Peter Davison does a great job of showing that 'nice guys finish last' most of the time, but not all of the time. Meanwhile the script has an appropriate balance of humour and drama. Sean Hughes, as Mod, is also a good character, not only laying on the comedy, but also as a device that allows us to see a bit more of Dangerous's character through their conversations.

I plan to read the books (although they were published a long while back), and will have a look at the Bernard Cribbins film version from the early 80s. But please, please keep this version going for at least another series ITV!!