Heimat 3: Chronik einer Zeitenwende

I've posted this comment on Heimat 3 after sitting through all the Heimats over the past 3 months. It is of course excellent cinema, perhaps there is no need to explain why, considering it's fame. I have one major criticism of the director's vision, The whole work is cleansed of minorities.

I began to find this troubling about 2/3s of the way through Heimat 2. It struck me as an outrage that the bohemian "salon" & it's circle of bright young things in Munich in which Herman lived whilst a student was completely devoid of any gay representation. Unthinkable, considering it's exactly the sort of situation in which gay people would have been welcomed & to which they would have gravitated. I found this absence unforgivable by the end of Heimat 2. I got annoyed by the repeated variations of heterosexual love that were being depicted.

There was a great injustice in this exclusion. I felt the same in Heimat 3 about ethnic minorities. Here, the film moves firmly into the familiar contemporary life of big cities. Berlin is a city of ethnic variation. As the film's main theme came to the fore like a great wave; namely the aim to reclaim back from fascism the right of Germans to consider what it means to be German and to celebrate that relationship of people to place, the absence of racial representation struck me as inherently suspect, even sinister. There were 2 very very brief images of black Americans as iconic emblems of 'other', of 'not us' therefore acceptable, even exotic, liberating. There was also a very brief image of a group of Indian boys silently working in a sweat shop. This last image is suspect, because Germans traditionally envied the idea of Britain's colonial empire & this image evokes a German simulation of a Raj they never had. At the very least the image feeds into the existence of that National envy.

White ethnicity is covered. The proximity to the former USSR & former Eastern Europe provides characters who show us this European condition of multiple boundaries & how they contribute to ideas of national identity. But somehow it still portrays a localised preoccupation with notions of racial purity & belonging. That kind of thinking which is fundamentally blind to 'difference' is a cul de sac. I felt the director was somehow giving permission to think like this over & above questioning thinking of this kind.

All the people who are given place in the story are essentially good people. They are liberal, kind, intelligent, angry feeling people. But they are all white & heterosexual & the patriarchal flows through their lives. Even the revolution of the sixties depicted the fury of the establishment liberal but failed to portray any minority. I found this unacceptable. It's the one tremendous flaw in this work & for me these absences are as huge as the trilogy itself. It distorts reality, and raises questions about subliminal fascism in what the director selects when posing this very big idea. Is the frustration of the Liberal German really it's failure to abandon a mental "homeland" that consists of traditional heterosexual whiteness ?

A story as brilliantly told as the first Heimat...I did not think that would be possible, but this truly is a masterpiece...I want it on DVD!! I was 19, and at university as a fresher when the Berlin Wall fell - an event that, looking back, none of us ever thought would happen. The euphoria is captured as I remembered at the time. Then the football World Cup in 1990, Gunnar's marriage breakdown, Hartmut's clumsy attempts to usurp his father, through to the deaths of Anton and Ernst, the cancer suffered by Clarissa - all of these events can be related somehow to all our own experiences of the 1990s. That is why Heimat 3 ranks so highly - the director managed to get me to feel nostalgic for events that occurred so recently. In the years to come, these feelings will grow stronger and Heimat 3 will become even more poignant for me.

I went to the German movie premier last weekend. It was a wonderful experience to be able to see all 6 of the series during a 2 day sitting at the ProWinz Kino in Simmern, Germany. Although the series was originally sponsored by the German TV group, the original heimat 1 and 2 did not fit into typical programming slots. Heimat 3 production came under pressure to confirm more into regular TV slots, as German TV is becoming more Americanized and working on more similar schedules than they have in the past.

The series was more than I had ever expected,and are a beautiful tribute to artistry, and talents of the filmmaker, Edgar Rietz. If you have seen Heimat 1 or 2, you will definitely want to see 3, but each part of 3 is a film in itself; a work of art, that is enjoyable on it's own. The acting, photography, and story line are all excellent, and I am sure he will win many awards. This film will only reinforce the feelings you have about the quality of film that comes from Edgar Rietz. It is a must. For Heimat fans the photo book that has been published to coincide with the release of Heimat 3 will also be a must too, and is well worth the investment for real fans. They will not be disappointed, as they will not be disappointed with Heimat 3.

Although the last episode in particular is absolutely sublime, this was a slight disappointment after the incredible Heimat 1 and Heimat 2. I felt it was more difficult to connect to the characters here. They're not as interesting, but this could be exclusively because Heimat 3 describes a period of time that's closer to us. There also seems to be less focus on capturing the big picture: This feels more like a conventional drama than the others. Overall, however, if you get a chance to see it, there's no reason to hesitate. And the soundtrack by Nikos Mamangakis is, again, excellent.

Those who are unfamiliar with the Heimat series, should start out with number 1 or 2.

I need to point out that I've not seen Heimat 1, nor 2.

However, I would say that with much recent changing history in Germany; the fall of the Wall, monetary unification and US military bases withdrawing, this hardly seems to matter, as it's all fairly fresh in the mind. We (us Brits) also view it all as slight outsiders as real people (well, fictionalised actors) are affected by those changes and that gives us a freshness, a keenness as another country's scenarios are new to us.

I thought it would plod, be very proper and maybe a bit righteous. However, it was fresh, breezy and superbly presented with a vibrant colour and excellent sound. Acting too, is first rate.

I found myself being swept along with the various characters involved, their almost normal activities keeping it real, but also compelling, as we can relate to their family and business issues. Then, a change of scene, location, and new people the story branches off and you enjoy that route. Cleverly, though, the sub-plots seem to relate or interlink with characters manifesting themselves just as you'd nearly forgotten them.

If I recall, I viewed all of it just over a year ago, over one week. Though it changed its pace from thriller to intense drama, it was never boring. I wasn't riveted to all of it 100%, possibly one can't, with so much going on and human nature warms us to threads that hold particular interest to each of us differently.

Naturally, I'd like to see the original, first and critically most acclaimed box set. This, the second and my third part are collector's items and expensive ones at that. Ones to show off to any knowing and adventurous movie/DVD collector. You'll be comforted in knowing that you're almost unique owning one, let alone having watched it all and even more than that, been thoroughly and decently entertained by it. Now, that IS a talking point...