Crime Spree

All they needed was Jean Reno. Depardieu, Hallyday, Renaud, Taghmaoui and the lesser known, Freiss and Dray make up a gang of complete screw-ups who are set up to take a fall and wind up robbing Keitel, always great as a mafioso, and get involved in every kind of mess-up imaginable. The ending is charming and remindful of the ending in Lock, Stock and Two Smoking Barrels. Although the film is quite violent, and liberally sparkled with gallows humor, it comes off incredibly well as a dark comedy. Depardieu does well with comedy and his chemistry with the rest of the bunch is superb in all their antics.

If you haven't seen it, do. If you have, rent it again. I had to, in order to pick up on some of the laughs I missed while guffawing the first time around. Even if you don't speak French, the subtitles are cleverly apt and capture most of the witty dialogue among these veteran French actors.

I have to say I've been a frequent visitor of the IMDb and I cannot believe some of the comments said about this movie. Rather than judging this movie by how funny it was, they try and find little problems that they can come and complain about. I honestly feel this was a good movie. There was many bad movies made in Canada, but this is not one of them. Maybe it was because I didn't expect much, but I laughed really hard and have been talking about this movie for quite some time now. It far exceeded my expectations, therefore, for those who want to watch a good and funny movie, I definitely recommend it. I gave it an 8 out of 10. And for those who gave this movie a below 6 rating, I think you should alter your way of rating a movie.

A crew of fairly inept French burglars are given one last chance to impress their boss by pulling off a jewel robbery in Chicago. To help (or hinder) them, they are given the support of a couple of less savoury hoods and an incompetent Algerian. What follows is almost as predictable as the above might indicate - but not, I'm glad to say, without some quality laughs.

Crime Spree is NOT an excellent film. The script is flawed (the stolen car from the latin gang is a woeful subplot); the acting is too laid back at times and, as has been said below (on Jan 6th 2004), the director often can't decide on the cinematic style he prefers. But let's be balanced here - the director of this film is only as inconsistent as his above detractor. I mean - anyone who thinks the saving of the girl in the hallway is stolen from The Untouchables is being majorly tenuous and then to neglect to mention that De Palma actually (and totally) stole his particular scene from a much earlier movie is not really playing the game. By all means love or hate films - but don't force flawed arguments on those who disagree with you. Please.

The muffled phone sex scene is funny; the ariel shot of Marcel blasting his way through the hotel is excellent; the death scene of one of the gang members is poignant and the styles and verities that work serve the film well. It's not excellent cinema but it is amiable and of a welcome, off-beat quality that deserves appreciation and more respect than some might wish it. Then again - that's just my opinion. Each to their own.

If you are familiar with both American and French culture, this movie is hilarious. If you are not familiar with the frog culture, you won't get all the jokes, but there should be enough jokes left to enjoy yourself seriously. This is one very well-made crime-comedy. The movie does not suffer from overacting and the jokes are not laid on heavily. The actors are superb and seem to have had a great time making this movie. The script is intelligent and funny.

Let me explain one joke for those who are not familiar with French culture: during the bar scene in Paris, the Johnny Halliday and Renaud characters (they are popular singers in real life) repeatedly switch off the other guy's music to play their own recording. And I was impressed by the way they played tough criminals. Good acting !

On a personal note, this movie was a very nice surprise for me, who have lived in France for many years and speak French fluently. I had picked up the DVD in the video store only because I saw Harvey Keitel's name on the cover. The title did not mean anything to me and I did not bother to read anything else on the cover. Harvey Keitel was enough assurance the movie would at least be OK. Then the movie starts in total darkness, with some people whispering. At first I did not understand what was said, as I was expecting to hear English, but no, they spoke French. And for the next 10 to 15 minutes, it was a French movie set in Paris. I was sure they had put the wrong DVD in the box, but I did not mind so much as I found the movie entertaining. Then of course the action moved to the USA...

I picked this up in Poundland expecting very little except that the word 'crime' in the title got my attention, and I'll watch any type of heist film. It was past one in the morning when I saw it, and I considered going to bed instead, then, after watching the first few scenes of the 95m movie (it said 84m on the box) I thought I'd watch half of it today and the other half tomorrow but it kept me watching till the end, occasionally laughing out loud. Comedy caper films nearly always fail. The Italian Job is over-rated. Don't even get me started on public-school- educated Guy Ritchie's films. But any fan of Donald Westlake's Dortmunder books, in which a hapless crime planner is saddled with a team of non-starters and has to extricate himself from increasing complications, will see that this is the best Dortmunder movie the late Westlake never wrote. The only successful Dortmunder adaptation was How to Steal a Diamond in Four Uneasy Lessons (also known as The Hot Rock). All the others failed to a lesser or greater extent. Despite the predominantly French tone, and the minimal characterisation of Depardieu's character (Dortmunder is usually silent, unless complaining, anyway) this is what a Dortmunder adaptation should be, even though it isn't. Not a great movie, by any means, with too many respectful nods to Tarantino (surely the greater influence here, and not Ritchie?) but a very watchable one that keeps you wanting to know what happens next. Wayne Newton's (yes, that's a man singing) 'Danke Schoen' is used to great effect.