Tais-toi!

Objectively - not bad comedy with two good actors. Classics. Subjectively - always were very annoying films about idiots. There have never been funny for me random "flat humor" situations.

Well this movie is one of the greatest comedies I've ever seen. If the movie lasts 1h 20 min you'll laugh maybe 1h 20min. Gerard Depardieu and Jean Reno's (perhaps the two greatest French actors) performances are amazing. They play the part of a fool (Gerard Depardieu) and an intelligent murderer (Jean Reno). The story is also good, not too silly and not too serious. The movie isn't very long which is great too (you know comedies mustn't be too long).I strongly recommend this film for people of all ages (I'm 13 years old, i saw it with my mom and she thought the movie was great too). I had seen some French films before and they were good, I'm starting to like French films and this is not the exception.

Veber is one of the rare French cineasts who manages to make people laugh the world over ( quite a feat ). He has directed and scripted many films over the years which have given hours of pleasure and laughs to millions. This is because he has found the secret of universal humour which appeals to the vast majority of people, whatever their origins. This film is in keeping with his standards. A little weak during the last half hour ( unlike "Le Placard" ) the film nevertheless maintains the spectator amused for most of its length. Many of Veber's films are about two central characters who are very opposed to each other but who nevertheless remain together. Some may criticize this idea for its lack of novelty but the hard fact it that people like it, so we can say that Veber is a cineast for the vast public and not for his own particular idiosyncrasies. In this film, Depardieu plays the "weaker" person ( in previous films it was Pierre Richard, Daniel Auteuil or Jacques Villeret ) and Depardieu played the "tougher" character ( Les COmpères, La Chèvre, Les Fugitifs and to a certain extent Le Placard, though he ends up weakened ). The "Tough" character in this film is played by Jean Reno. The plot is not as good as that of Le Placard but Depardieu's acting of the part of "Quentin from Montargis" is superb and is enough to carry the film on its own, plot failings aside. I predict that the film should have an international success but perhaps slightly less than that of Le Placard. But one does laugh loud and it would certainly be a shame to miss it !!

That's another movie of great Francis Veber, the master of French comedy. After masterpieces like "La chèvre", "Le diner des cons" and "Le placard" Veber creates a new story, where two prisoners escape from jail. Veber's formula is always the same: putting together two people who have nothing in common, like a cat and a dog. From that we have many situations of misunderstandings.

The film is fun, although not among the best Francis Veber works. The first part is great and lively, in the second one the movie loses some speed and the story is less exciting.

Some moments are nevertheless memorable, for example all the prison scenes and the beginning of the friendship between Gérard Depardieu and Jean Reno. These situations are really hilarious!

Depardieu and Reno are big actors and work well together. Dialogs, once again, are the main ingredient in Francis Veber style.

Not a masterpiece, as I said, but enjoyable.

Francis Veber has been known for his ability to construct extremely entertaining films. Most of his films are built in the same way, very classical. This mix includes 2 main characters, who basically shouldn't have anything to do with each other but who due to circumstances get together. Then you add a couple of truculent second roles and a series of inevitable clashes between those two. This structure was used among others in "La Chèvre (The Goat) 1981", starring Pierre Richard and Gerard Depardieu. An interesting point about Depardieu is that while he played the tough guy in The Goat, he got the opposite role, the stupid, nice guy in "Tais-toi (Ruby & Quentin)". Needless to say he is evenly amazing in both, even more as the stupid character where he brings such a pure, simple sense of humanity that you can't feel sympathy for him. Both films deserves their place in an anthology of french humour. Francis Veber likes those -a little bit simple- guys because they offer a lot of potential for comic situations. And while you laugh at these naive character, it's never aimed to make fool of them. Their humanity always eventually prevail and even the tough guy, the one who just wanted to get rid of them at the beginning of the film, finally likes them. In their simplicity, they saw or did things a tough guy would never do, but in a certain unlikely way, they helped. So Tais-toi is a skillfully crafted piece of pure enjoyment, I would even say a master work in the comedy category. No dead moments, every single line of the script is there for a single purpose: to entertain us without appealing to our worst instincts. On the contrary.