American Idol

It's such a disservice to the incredible singers who don't make it through because they don't have a good enough back story, or not popular with the audience for whatever reason. It's almost become unwatchable. The 2023 season may be worst of all. The three that missed the cut down from 11 to 8 were better singers by far than a few who made it. The kid from Hawaii has no business still being on the show. He's likeable but that's where it ends. May be my last season watching. Shame on you American idol!!! The kid Colin not even close to the three who didn't make it. He's probably popular with the teen girls but he sounds just like the last three male winners, just not as good. I hope changes get made so the gifted singers aren't sent home. "The Voice" is just blowing Idol away now. Please get your credibility back, and keep from being categorized with Desperate Housewives.

I hate this show with a passion. seriously. it's just the prospect. omfg people who can sing deserve record contracts! great! so you have a several octave vocal range and you can dance on stage--- yeah, so what? so you deserve a record contract and a chance to machine gun singles into the mainstream market because of this? No. Just.. NO. I'm sick of it. where is your artistic vision? where's your musical innovation? just because you can sing and nothing else doesn't mean anything. I'd rather listen to Bob Dylan, who was never really the best singer over these punks anyday-- at least Bob had vision, was a master of lyrics and had an instrument in his hand. If you can sing well and you've got whats needed to be a rock star, by all means, sign up, like you're innovative, you're creative, you have your own style about you that isn't just restricted to what your voice sounds like and you can play an instrument you deserve a record contract. If all you can do and all you'll ever can do is sing well then join a bloody choir. thats exactly what this show promotes. artists being shot into the oversaturated and underartistic and visionless pop market of today that are spoonfed dumbed down material to regurgitate-- music is art man, it's about expression creation innovation and exploration and mood. it's not about crooning into a microphone and dancing. when are idiots going to realize this. American idol is an insult to all these principles and contradicts what music is all about.

Also I find it amusing that people seem to diss this show out then say "listen to real music like KORN Linkin Park and the ICP!!" don't you realize that that music is almost completely no different from the rubbish that American idol churns out? hypocrisy!

American Idol, amounts to the same old same old talent show, repackaged and fancied up for your viewing entertainment. Oh yes, and the audience does get to phone in and cast their vote, which probably accounts for much of the popularity of this weekly song fest.

American Idol travels the country holding tryouts for tens of thousands idol wannabe's in several major cities through out the U.S. Contestants have been known to wait in line for days in hopes to get their big break. It is never made clear how some of these people are chosen to audition. The producers seem to want a mix of the very awful, the just OK, and the very good. The really awful ones are meant to entertain us in the preliminary rounds so that we can ridicule them along with the judges. Of all these early contestants, only 119 were picked to go to Hollywood to try and become one of the chosen 32. We are led to believe that these 119 are hand picked by the judges Simon Cowell, Paula Abdul, and Randy Jackson. However, it is never made clear to us whether these judges sat and watched every single one of the tryouts, or how much input the producer of the show has into who makes it and who doesn't.

Once in Hollywood, the final 119 are given several tasks to perform in order to show their worthiness of becoming one of the 32 finalists. It was at this point that I began to smell a rat. First off, these tasks were not only unfair, but there was little logic in assigning them. For instance, each contestant was given a list of song subjects. From this list they had to choose on item, write a song about it and perform it the next day. Since there is no requirement that you have to be able to write a song to be an Idol, the task didn't make much sense to me. Sensing that most of America was probably as puzzled as I was, the host Ryan Secrest, explained it wasn't important as to whether or not the song was any good, it was to see how each contestant did under pressure. That would have been acceptable but when it came time to perform, the comments of the judges had little or nothing to do with that aspect of it. For instance, one contestant had written some rather clever lyrics and performed them quite well. She was able to do this whereas many contestants couldn't even remember the words to the songs they had written. Yet, Simon criticized her by asking her if she wanted to be a comedienne or a singer. The contestant seemed to be as taken aback as I was. How good the song was or what the song was about was not supposed to be an issued. She had performed well under pressure but it didn't matter. So much for fairness in this round.

The next task that each contestant had to get with two other contestants and perform a song together. This didn't make a whole lot of sense either and seemed even more ridiculous than the songwriting contest. If a contestant happened to get paired with two other good singers it made them look good. However, there were several unlucky good singers who were paired with mediocre contestants who refused to even practice.

When the 32 are picked we are given no reasons or criteria as to how they were judged. The girl Simon called a clown was history, although she had performed admirably at every phase. In her last appearance when she performed solo, she toned down her vivaciousness and performed an outstanding number. After she was finished, Simon, who had earlier asked her if she wanted to be a comedienne or a singer, now called her boring. Go figure. Two brothers who had also performed with mediocrity throughout the Hollywood auditions also made the final 32. There were other numerous unexplained choices, too many to even begin to pick apart here. Again we are not told if the three judges had the final say so or whether the shows producers or whoever had input into the decision.

The contestant the judges have heaped the most praise on has always moved on. The second contestant that has moved on has been kind of like a roll of the dice, there is never any certainty about it. Call me a cynic if you will, but I find it strange that the phone-in votes has always agreed with the judges on their first choice. You would think that at some point just by figuring the odds that this wouldn't happen every week. It can only lead one to two possible conclusions: 1. Either the American viewing public is a race of sheep unable to decide for themselves who they think is best or 2. There's some monkey business going on with the voting on this show. Neither choice is very palatable, especially when you consider some of the decisions made by the judges.

There are some other hard fast rules to remember about American Idol. First, never sing a slow song if you can get around it. No matter how good you are or how good you may sing, it is the kiss of death. You will be called either boring, a lounge singer, a café singer, or someone who is unwilling to take chances. Second, despite what I said above, never take chances or be original. These judges frown on it. One singer who took a chance on a jazz number was quickly banished because it wasn't the type of song the judges were looking for. That she sang and performed well didn't matter. Third, when you get to the end of your song, sing very very loud, and hold your last note as long as you can. These are sure fire audience pleaser's and the judges eat it up. Proof of this can be found in each of the contestants that the judges have lavished their highest praises on in the first three weeks of season three.

There is plenty more wrong with this show, and I could write a thousand more words about it. All I can say is tune in, have an open mind, and ask some questions about legitimacy. Somebody should.

My Grade F

There comes a time in every reasonable man's life when he must sit down in his living room and watch an episode of American Idol. Truth is I'm not a reasonable man. Or even a reasonable woman, now that I think about it. I have, however, watched an episode of American Idol and will go so far as to say that I have religiously watched three seasons of it. First season was great. Second season was good. During third season, I got wiser and realized that the show wasn't as good anymore, but still I watched. It had lost its magic, its X-Factor, you could say. During fourth season, I watched four or five episodes. By then, I had rediscovered sitcom television. Now comes fifth season, and the inevitable disappointment that lurks around the show reappears again. Yet, people still watch the show because they are too brainwashed not to.

Then again, what else is there to watch on Tuesdays? Or Wednesdays. Or Thursdays. Or any other night of the week, for that matter. I mean, why watch anything else when I can watch the new season or reruns of past performances made readily available via my Handy-Dandy DVD player? (Yes, we bought the Best of Season One. So sue me.) I must say that American Idol has become predictable. A "dude, man, dawg" from Randy Jackson. An "I just want to eat you up and make all our viewers sick to their stomachs with my infinite well of gaga comments" from Paula Abdul. And "Enter sarcastic, British remark here" from Simon Cowell. Cue Ryan Seacrest's idiotic retort and make-the-girls-swoon smile. The contestants are the same: air-headed bimbos, wannabe rockers, real rockers, melt-the-camera-with-a-stare heartthrobs, belters, and the like. For goodness sake, give us something good to watch again! Every now and then we get fantastic singers like Kelly Clarkson, Tamira Grey, and Clay Aiken. The rest are a little more or less than mediocre. Come to think of it, I can't remember the last time I heard Ruben, Fantasia, or Diana on the radio. Don't even mention Justin Guarini. What a waste of his perfectly good talent. The only thing Idol can do for you is give you a year, if that, of fame, then send you on back home to the karaoke bars in Oneida, Tennessee. Tough break, kids.

It is just unfair to see what they do to these contestants. They get the same amount of men as they do women to avoid any legal problems about gender bias. Completely bogus! Sometimes, there are better men than some of the women on that show (and vice versa), so why should they be cut just so the Idol producers won't be accused of discrimination on the cover of tabloids. The real crime is letting a bunch of less-than-worthy singers get on just to balance things out. And then some of the singers get scolded for song choices. Oh, no, Heaven forbid someone does a Mariah or a Whitney! No, no! Those are untouchable. I just have my fingers crossed that one contestant will finally lash out at Randy, saying, "Well, Mr. Jackson, you give me a list of songs I'm not supposed to do, and I'll make sure I sing them all just for you." Even if they are really good, nothing is as good as the original, so just give up.

The producers of Idol need to take a step back from the show they've created and look at what it has become: a rigged popularity contest. The only thing Idol is good for is delaying House episodes for weeks at a time. What a waste of an Emmy and Golden Globe winning show. Producers, you need some variety in this show. Just keep your fingers crossed that you choose the correct Idol this time, as you seem to think that America is too intellectually inept to do so themselves. Greenlighting this overstayed-it's-welcomed show for another season and thinking that the same people are still going to love it would be optimistic to the point of foolishness. But then again, what do I know? I'm just a kid with a television and a telephone.

I've had really little interest or even a great liking for this show. I did laugh hysterically at the first few seasons of horrible singers that auditioned but after that, I didn't care about the show or it's contest at all.

Reason being is, in my opinion, even though a selected number of these performers "do" have the talent and many with very good voices... I don't feel this is a legitimate way of trying to "hit the big time."

What, "really" have most of these singers done to earn or deserve to be famous? Some of them have have been in school chorus or maybe even done a localized solo career / band maybe. They are ametuers and the judges way of practically slamming for their inexperience turns my stomach.

Especially when singers try to do songs before their time. Nine out of ten times, I feel no emotional connection with their renditions of classic pop & rock songs. In my view,they don't have the proper emotional connection to the songs or understand their meaning.

Making their performance seem empty. After a few years of it, it was nothing short of redundant.

I don't mind what others here call the contestant's "sob stories" , as they are legitimate and great difficulties they have experienced in their lives. (No doubt anyone in charge at the show has these things checked out, beofre alowing them to tell the story. )

I doubt it has any bearing on the judges decision, it's just the contestants telling about themselves. They win for singing , not for being the most pitiful.

I will say, Kelly clarkson still stands out to me as the most talented and I was glad to see her become more than just anohter female who sings about love, break ups or power ballads like, "A Moment Like This."

I've been a bit more than suspicous in the past watching winners after her, just 'fly' immediately up the Billboard Hot 1200 or even debut at the top suddenly and then fall and become immediately forgotten (except Carrie Undrwood, who's the only other that's truly lasted.)

Still, even her debut at #1 that knock Mariah Carey out of the top for a wek back in 2005, seemed fixed, although I know Billboard magzine would get invesigted if that werre the case.

Anyhow, as for the judges? Cowell is no longer there and was horribly mean at times and other judges ranked from understanding to almost as bad as Cowell. I know they want to be honest with these hopefuls but , lighten up.

Imagine, when Cowell ws still there. A young girl, self-conscious about herself already and he makes her feel 10 times worse about herself and her weight. He's changed since then and is on America's Got Talent.

Anyhow, the show by now has become quite repetitive and not even the bad singers could make me tune in again. It's a shadow of it's former self. I enjoyed it for awhile, for the things I mentioned but not anymore, I've moved on.

I'm surprised that America hasn't moved on from this. (END.)