I'll Sleep When I'm Dead

You'll sleep while it's on

As you might guess, I'm not Clive Owen's biggest fan, having suffered through his woodenly monotonous performances, but I forced myself to see this because Mike Hodges has made some good films in the past (as well as cack like MORONS FROM OUTER SPACE). Sadly, this manages to be even worse than MORONS, a numbingly tedious movie where the semi-comatose leads are at least three hours behind the audience in guessing the plot. The shock revelation was obvious from the start and Hodges never makes you interested in getting there. He's not helped by his cast. They're either overacting like McDowell or Meyers or totally incapable of showing signs of life, like Rampling and Owen. Even before it was invented Rampling has always looked like she's had too much botox, but inexperienced filmgoers might think she'd OD'd here she's so stiff. Her expression doesn't change from its deathmask once. Owen is more hopeless than usual, shuffling through like a zombie from a cheap George Romero ripoff. He still can't act and his vocal performance is still like a bored photocopier salesman demonstrating some clapped out machine with one eye on the clock for the pub's opening.

Contrary to other posters, it's not thoughtful or atmospheric. The plot is obvious, the characters infantile. There's no depth, no ideas, just a dragging running time to fill out. And it is achingly slow in the doing it. From a first-timer this picture would have been laughed out of the office at script stage it's so empty and predictable.

British audiences shunned the film (as they did CROUPIER) but Americans might just mistake his accent for a performance. But for the rest of us, it's another pitiful performance in the dullest British gangster film of the past twenty years. That's quite an achievement, but it's the film's only one.

If you really want to see a good new British revenge movie, check out Dead Man's Shoes instead - that really is the business. This is just a photocopy of a photocopy.

Not predictable like most revenge dramas. Nice to see Clive Owen's character actually in love with someone his own age. Interesting music, if a little distracting. Very dark. Not a family flick. Not a date flick. Well written. Great acting by most characters. It was too short. It was a big build up to a very short denouement, but I guess that suits the tone and the theme of the film. Not sure why people gave this such low marks. I guess they were expecting Lock stock or snatch seeing as its kind of in the British gangster genre. If you go in expecting that, then you will be disappointed. What was great about this movie was that we slowly got to know the characters without much of significance being said about them outright. It was slow in creating a mood without ever being boring.

After the suicide of the small time drug dealer and thief Davey (Jonathan Rhys Meyers), his brother and former powerful gangster Will Graham (Clive Owen), who is living a peaceful recluse life trying to redeem himself from his past, returns to his homeland to investigate the motives for such desperate act. Will hires an independent autopsy and the coroner informs that Davey had been raped the night before his death. Will returns to his past life seeking for revenge.

"I'll Sleep When I'm Dead" is a deceptive thriller with an absolute absence of originality. In spite of having a great cast leaded by Clive Owen, Charlotte Rampling, Jonathan Rhys Meyers and Malcolm McDowell, and a beautiful and stylish cinematography, the screenplay is very weak and confused, with a storyline similar to many other better movies. The characters are badly developed, and who they are and their motives are disclosed in a confused way. Further, the motives of Boad for the stupidity against Davey are unbelievably ridiculous. My vote is six.

Title (Brazil):" Vingança Final" ("Final Revenge")

This is a great movie laden with enigmatic style. A modern, gritty film noir with a powerful and restrained performance by Clive Owen. Compared to other contemporary gangster movies, this one does without cheap action and unmotivated aspects of humor. This is a film taking itself and its moviegoers seriously. The pace and rhythm of the movie and great cinematography accentuates the underlying and half hidden aspects of the script, Clive Owen's acting really proves here that less is more. This movie is indeed one of the two best crime movies to come out of Britain around the turn of the millennium, the other being, of course, "Sexy Beast". These films both combine great style, magnetic performances from the currently best British actors, compelling story lines and sense of warmth emanating from perfectly cast protagonists; Owen and Winstone, respectively.

This story starts with several sets of mostly low life characters in various settings and slowly shows how the characters relate. Davey(Jonathan Rhys Meyers) is the self absorbed party animal, low level drug dealer whose tragic events form the glue to tie the characters together. Will (Clive Owen) first appears as a hard working back to nature recluse, but we soon learn he is Davey's brother. We learn that this morose woodsman was some kind of crime boss. His return to deal with Davey's tragedy kicks off the pivotal events that make up the rest of the movie. What looks at first like several disjointed stories slowly starts tying together. This is not your glorified crime life like the Godfather, or the Sopranos. This story is not about action, it's about how criminals think and feel and act based on those thoughts and feelings. It is a dark world, full of bad choices and painful consequences. It is a somewhat complicated story like these kinds of things are in real life. There are old relationships: loves, friends, enemies that must be dealt with in a time when emotion is hard to control. If you want something fast, are looking for clear cut plots, and easily understood characters you will be disappointed. I personally like movies sometimes that are not afraid to break with clear cut formulas and don't feel compelled to explain everything in clear terms. I found the movie very intriguing. This is a movie about how characters, in this case, criminals, process tragic events. These dark characters living in this dark world had to deal with something that was especially dark to them. The story moves slowly because it is not about action, but the dark setting, the subtle effects on the characters as the story progresses and so on. In reality tragic events are often not clear cut, and the movie is real in its development of the story. I found myself feeling for the characters, albeit mostly sadness and a little pity with a little admiration, compassion, and understanding thrown in. If you enjoy film noir I think you might like this film.