The Day After Tomorrow

How many times do I need to read other's reviews on disaster films before I remember most people on here writing these think they are actual film critics? It is a disaster movie. Yes, the science is terrible. Yes the coincidences are fantastical. If you watch these for ground breaking stories with rich plots, or for an Oscar worthy performance by one of the actors, then you are watching these for the wrong damn reasons. This movie shows a future where due to the rise in global temperatures, a modern ice age is triggered. How it is ushered in is by these violent, giant hurricane-like storms that cause flash freezing, and bring in a myriad of disasters with them. These include tsunamis and blizzards that drop so many feet of snow that people are walking level with the signs on the interstate that you would normally drive under. It also tries to throw in a lot of relatable human elements, such as the struggle of a man that is an absentee parent because of his job, trying to connect with his son, a lonely boy dying of cancer, and just the human death that this kind of disaster would bring. Do not watch this for the science, though I do feel that they had the causation of another ice age correct. Do not watch this for deep plot. Watch this for the enjoyable ride on which it takes you.

Now before you judge me for my 8/10 rating you gotta understand that you can't judge this film for its wacky science and all. It's a disaster film and none of them ever abide by science or the laws of physics and all. It's story and characters are pretty good and straightforward and the acting. Dennis Quaid is a good lead, Jake Gyllenhaal is alright, Emily Rossum is good, Ian Holm is always great to see etc. The story is straightforward and I won't spoil that but it flows well and makes sense mostly but I'll get to that in a bit. The effects are very good and still hold up almost 20 years later! That alone makes it worth a watch.

The only downsides to the film that I don't like are that 1) they cut out some good deleted scenes that would help build up things more and show more chaos around the world. And beyond what they cut I wish there was more to see how the whole world was effected. 2) the first half of the film is very strong. The build up and the unfolding disaster and how things get worse and how everyone reacts and the phony science babble, I love it! But the second half is a tad underwhelming in comparison and turns into a rescue film. It's not bad but it weighs the film down and I wish it was more about the various disasters and climate change instead of all that time spent on the rescue.

Overall a fantastic disaster film and one enjoy watching on a rainy spring or summer day.

The Day After Tomorrow is not a bad movie by all means. In fact, it's an uneven but decent film. The film does start off absolutely brilliantly, with a wonderful idea for a story and truly spectacular special effects. As a matter of fact, the whole film is well worth watching for the special effects alone. The acting is not too bad; Jake Gyllanhaal is rather bland, but Dennis Quaid is a superb lead. Plus Emmy Rosum looks positively radiant and Ian Holm is as reliable as ever. The direction from Roland Emmerich was surprisingly good, there have been times when I have found his direction too murky and unfocused, but no it was above decent here.

However, the second half isn't as impressive. Whereas the first half is very like a typical disaster movie, the second half for me as it focused on the rescue mission felt more of a thriller. The screenplay in general could have done with more precision and focus too, there is good interplay sometimes but on the whole I found the screenplay and some of the characters underdeveloped. My main problem though with The Day After Tomorrow was the pace, for my liking it was too leisurely and too stodgy.

All in all, uneven it is but it is a decent disaster movie. The first half I can watch again and again, but the second half for me was a bit of a letdown. 7/10 Bethany Cox

One of my all favorite time disaster movies! It's got the right mix of over the top weather moments, dramatic storylines, and Dennis Quaid. Endlessly rewatchable and surprisingly heartfelt.

Roland Emmerich's The Day After Tomorrow is one of those textbook disaster flicks where every recognizable element is in full swing: determined scientist, sure of his curveball theories that no one else buys, saddled with a dysfunctional family and a clock that's quickly ticking down towards some looming cataclysm, in this case severely bat tempered weather. It's cliche after cliche, but this is one of the ones that works, and I have a theory why. These days it seems like the formula for the disaster film is pretty dead, or at least doesn't carry the same magic it did throughout the 90's and early 00's.

Stuff like San Andreas, 2012, Geostorm (shudder) just feel dead on arrival, and instead we go back and revisit things like Armageddon, Independence Day, and for me, ones like this. There's a quality, a feel for time and place that got lost somewhere along the way as time passed in Hollywood, and this is one of the last few that serve as a milestone as to where that happened. The first half or so is cracking stuff, followed by a slightly underwhelming final act. Dennis Quaid is the scientist who gets all in a huff about an extreme weather front that's apparently barrelling towards the east coast, threatening to give the whole region one wet day in the park. There's an exaggerated halfwit Vice President (Kenneth Welsh) who scoffs at him, an excitable veteran professor (Bilbo Baggins) who eagerly supports him, and an estranged family right in the storm's crosshairs who he must rescue. The special effects are neat when the maelstrom slams into New York like a battering ram, pushing over buildings with walls of water and chucking hurricanes all about the place. Quaid's wife (Sela Ward) and wayward son (Jake Gyllenhaal) are of course stuck in this mess, as he races to find out what's causing it, and how to escape. The initial scenes where it arrives are big screen magic, especially when Gyllenhaal's girlfriend (Emmy Rossum) is chased down main street by a raging typhoon and barely scapes into a building, a breathless showcase moment for the film. The second half where the storm levels off isn't as engaging, despite attempts to throw in extra excitement, such as wolves, which I still can't quite figure out the origin of, despite watching the film a few times now. Holed up inside a library, it's a long waiting game in the cold dark where the writing and character development is spread a bit thin for the time they have to kill, but what can you expect here. Should have thrown in a T Tex or some ice dragons to distract us from sparse scripting. Still, the film gets that initial buildup deliciously right, the nervous windup to all out chaos, the editing between different characters and where they are when the monsoon shows up, and enough panicky surviving to make us thankful for that cozy couch and home theatre system all the more. One of the last of the finest, in terms the genre.