Martin and Lewis

MARTIN & LEWIS was the 2002 TV movie that traced the rise and eventual destruction of one of the greatest show business teams in Hollywood history. Even though I have always felt Martin and Lewis are worthy subjects of a theatrical biopic, I will take this over nothing. This movie starts in the 1940's and showcases the beginning of both of these show business legends and implies that both were struggling and about to go under when, according to this film, both were booked at the same club and Lewis inserted himself into Martin's act and the audience thought they were so funny together that they became an act that sold out nightclubs and eventually segued into a lucrative movie career. I don't know for sure how close it is to the truth, but this film depicts Jerry Lewis as an insecure, career-driven ego maniac who sincerely thought he was the brains of the act and that they would be nowhere without him and Martin is the guy who just sort of allowed Lewis to push and prod him through their success until Lewis' ego got to be too much for Dean to take. Whether or not this is what really happened, I guess only Dean and Jerry can say for sure, but it made for an immensely entertaining TV movie that had me riveted from start to finish. Sean Hayes received an Emmy nomination for his nearly flawless recreation of Jerry Lewis, from an insecure unknown comic begging for his dad's approval to the egomaniac whose insecurities, paranoia, and control issues drove Martin and everyone else to the edge. Jeremy Northam's powerhouse turn as Dean Martin matches Hayes note for note. Martin's singing voice is dubbed in for the musical sequences, but the rest is Northam, who brings Martin's easy and laid back persona beautifully to life here. He may not really resemble Martin physically, but Martin's personality, spirit and even his speaking voice were on the money for me here and the interaction between Northam and Hayes is kinetic here...a joy to watch. Mention should also be made of Paula Cale as Dean's first wife, Bettya and to Kate Levering as Dean's second wife, Jeanne. This TV movie was a triumph and one of the few times I wished a film could have been longer. This one definitely left me wanting more. I'm still hoping it will inspire a theatrical look at this legendary team.

More and more, as the evolution of television leaps forward with such groundbreaking shows as 24, Band of Brothers and 6 Feet Under, we are taught how antiquated and limited your basic TV Movie has become. No better example here in MARTIN AND LEWIS which in years past would shine as your basic movie-of-the-week. But now, with those shining comparisons, it seems like a low-budget, commercial-laden highlight reel of a much longer and complex tale. That being said, the one thing that does rise above it's medium here is the talents of both Northam and Hayes. Jeremy Northam has a twinkle in his eye as he dances around the murmuring voice cadences of Dean Martin (who seems to be positing that Martin sounded drunk even when he wasn't...if that is possible). I don't know another actor who could so effortlessly play Martin's playful masculinity. Unfortunately the actor is forced to go from 0-60 because he must portray divorce, conflict and then playful boozer in scenes back-to-back. The same can be said of Hayes ,who has the unenviable job of homaging an actor still alive and is under that scrutiny (with the apparent well-wishing Lewis on-hand). Both actors live up to their spot-on casting but the production seems bogged down by it's limited time-length and by the length of ground it needs to cover (which it wearily tries to compensate for by endless scrolls of posters portraying the countless films these two did together). All in all, a great effort but, once again, it leaves one asking..."Why didn't they do this on HBO?" which is less a criticism of the movie than of network programming altogether.

Let me state from the start that this film certainly could have been worse. With that said, it was far from a stellar offering. The actor that played Jerry Lewis did a good job. However, the actor that played Dean Martin didn't looked at all like him. But that's just casting. The problems with this film is much deeper. To make it brief, the film is a one-sided story filled with inaccuracies, mostly in regards to Dean Martin, his life, his attitudes, and his contributions to, and feeling about, the Martin & Lewis partnership. It's easy to see why Jerry Lewis liked this film. To be fair, the film does touch on Lewis' jealousies of Martin and his need to always be the center of attention. However, it only does so in passing, and avoids really getting into the huge role Lewis' jealousies and bad attitude played in breaking up the team. Furthermore, its portrayal of Dean Martin, and his personal life, is riddled with clichés. Anyone who knows the least thing about the real Dean Martin - not the roles he played in his films or his nightclub act - can easily point out where the film substitutes fiction for truth because it makes a more interesting story, and makes Lewis come out looking better. In short, if you're looking for the truth, this film does not deliver.

Save for a slight alteration of a fact in the genesis of the Dean Martin and Jerry Lewis saga, this made-for-television bio-pic is perfect in its story and depictions. The alteration concerns how the duo got together for what would be the triggering of their memorable 10-year partnership. The film shows Lewis, about to bomb himself out of his engagement at the 500 Club in Atlantic City, phoning Martin's (first) agent, Lou Perry. Lewis specifically asks him to send Dean to reprise their earlier-shown, spur-of-the-moment, stage collaboration (at the Havana-Madrid Club). In reality, it was the compassionate Perry who, upon receiving a frantic call from a sobbing Jerry Lewis asking for help, decides to send Dean Martin to the rescue. The result correctly is shown to be alchemic, and, for at first better-then-worse, the Martin and Lewis team is truly born. In 1973, Arthur Marx penned an outstanding bio-novel about the duo, "Everybody Loves Somebody Sometime." As Marx, the writers/producers of this film are admirably unafraid to present full character profiles of Martin and Lewis. As human beings, the performers sometimes glaringly left much to be desired. Jeremy Northam and Sean Hayes, as Dean and Jerry, give excellent performances, as do Paula Gale and Kate Levering as Martin's first and second wives, Betty and Jeanne. This is a first-rate production, not the least of its values is its capturing of the post-war cultural flavor of the period in which the Martin and Lewis tandem flourished.

If you liked Martin and Lewis movies, then you'll like this movie. It tells of the rocky history that may not have known about these two. I was pleasantly surprised when I saw it. Even though it was a made for TV movie, You'll still like it. I would even watch it again.