IMDb रेटिंग
6.9/10
1.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंJun-young enjoys his carefree life while Yeon-hee seeks a suitable husband. Their intellectual incompatibility contrasts with chemistry, leading to a casual relationship and evasion of commi... सभी पढ़ेंJun-young enjoys his carefree life while Yeon-hee seeks a suitable husband. Their intellectual incompatibility contrasts with chemistry, leading to a casual relationship and evasion of commitment.Jun-young enjoys his carefree life while Yeon-hee seeks a suitable husband. Their intellectual incompatibility contrasts with chemistry, leading to a casual relationship and evasion of commitment.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
फ़ीचर्ड समीक्षाएं
Hip hip hurray! Quite a number of modern Japanese, Korean and Taiwanese women should feel pretty happy after seeing the retributive act of Yeon-hee to "men". She fulfils many women's wishes of money and sex, though not from one body but two (or even more if one dares ^-^): getting hold of her doctor husband's money, social status and the sexual satisfaction with Joon-young, in addition, without being noticed or caught.
Though achieving better economy and international status, South Korea is basically a patriarchal, Confucius and conservative society where every family tries hard to keep everything in harmony, no matter true harmony or artificial. In general, women still don't have many to choose for their life, to have a "capable" (money + well-respected job like medical doctor or lawyer, and so that's why Joon-young is the odd man out on Yeon-hee's marriageable-men list) husband henceforth a stable family is still the ultimate destination of their life (even though it is already 21st century today and the tenth planet has been discovered in the Solar System we are living in). Many Korean women struggle to tolerate their husbands' affairs, no matter that's long or short term fun because financially they maybe depend on their husband to have a better or even luxurious life, or they just don't want to lose face even the marriage has become nominal. Seeing Yeon-hee's devilish but "elegant" machinations, the repressed women may give their cheer and applause.
The wedding at the beginning is a telling symbol that "marriage" is the pillar shoring up the society and human relationship. People still holds the thought that the elder in the family should be married off before the other younger ones. Joon-young somehow is true to himself, he doesn't want to commit to something he doesn't believe, unlike his brother, who is getting married with his fiancée and struggling painfully to keep the dangerous fire burning with his old flame. Hypocrite!
Hormone ignites the libido but heart searches for truth. While the campus hunk is in perplexity and her nerd hubby in the dark, she is the one who has the last laugh. Every play has its ending, happy or not. Joon-young needs to think about the ending with this merry wife of another man.
Even since the Korean TV soap opera "Autumn in my heart" ("Gaeul donghwa") invaded Hong Kong in 2000, people here suddenly got crazy about the Korean pop culture: TV, electronic games and thousands and hundred of movies. You can see that many Korean movies on show in town but not other places. If Korean movies can reach the international stage, some credits should be given to Hong Kong film-makers, for sure, anyway.
A good light entertainment for a Saturday afternoon, it just cost me US$0.13 to rent, what more can I ask for?
Oh, by the way, I am eager to know how Germaine Greer views this movie.
Though achieving better economy and international status, South Korea is basically a patriarchal, Confucius and conservative society where every family tries hard to keep everything in harmony, no matter true harmony or artificial. In general, women still don't have many to choose for their life, to have a "capable" (money + well-respected job like medical doctor or lawyer, and so that's why Joon-young is the odd man out on Yeon-hee's marriageable-men list) husband henceforth a stable family is still the ultimate destination of their life (even though it is already 21st century today and the tenth planet has been discovered in the Solar System we are living in). Many Korean women struggle to tolerate their husbands' affairs, no matter that's long or short term fun because financially they maybe depend on their husband to have a better or even luxurious life, or they just don't want to lose face even the marriage has become nominal. Seeing Yeon-hee's devilish but "elegant" machinations, the repressed women may give their cheer and applause.
The wedding at the beginning is a telling symbol that "marriage" is the pillar shoring up the society and human relationship. People still holds the thought that the elder in the family should be married off before the other younger ones. Joon-young somehow is true to himself, he doesn't want to commit to something he doesn't believe, unlike his brother, who is getting married with his fiancée and struggling painfully to keep the dangerous fire burning with his old flame. Hypocrite!
Hormone ignites the libido but heart searches for truth. While the campus hunk is in perplexity and her nerd hubby in the dark, she is the one who has the last laugh. Every play has its ending, happy or not. Joon-young needs to think about the ending with this merry wife of another man.
Even since the Korean TV soap opera "Autumn in my heart" ("Gaeul donghwa") invaded Hong Kong in 2000, people here suddenly got crazy about the Korean pop culture: TV, electronic games and thousands and hundred of movies. You can see that many Korean movies on show in town but not other places. If Korean movies can reach the international stage, some credits should be given to Hong Kong film-makers, for sure, anyway.
A good light entertainment for a Saturday afternoon, it just cost me US$0.13 to rent, what more can I ask for?
Oh, by the way, I am eager to know how Germaine Greer views this movie.
A Korean movie from 2002. It is as sophisticated as any continental movie about modern relationships but because it is Korean the characters are touching and the intimate scenes aren't salacious. Uhm Jung Hwa has done some daring movies about relationships and she acts well and her character is likeable. Kan Woo Sung is quite believable here as the guy who can't commit to marriage. Their openness about relationships love and marriage is refreshing.
First of all, both characters has really damn good performance, especially that guy. production quality is nice for 2002 korean cinema. overall its really good.
but it has no moral.
The plot is not new, there are some movies in 80s or 90s about same kinda plot. that guy n girl having just sexual OPEN relationship but no serious untill things gets serious slowly but ends up with different person and then rekindle the emotions later after marriage.
the movie has bad moral or lesson , like marriage is all about " honesty , faith , loyalty and respect" , and when adultery happens , then it destroys everything. but here in this movie it shows , that its ok to cheat because its LOVE or emotions?
if the movie ends with some better conclusion then maybe it would be really great romantic drama.
The plot is not new, there are some movies in 80s or 90s about same kinda plot. that guy n girl having just sexual OPEN relationship but no serious untill things gets serious slowly but ends up with different person and then rekindle the emotions later after marriage.
the movie has bad moral or lesson , like marriage is all about " honesty , faith , loyalty and respect" , and when adultery happens , then it destroys everything. but here in this movie it shows , that its ok to cheat because its LOVE or emotions?
if the movie ends with some better conclusion then maybe it would be really great romantic drama.
Marriage Is a Crazy Thing is poet-become-director Yu Ha's second feature, starring Corean pop star Uhm Jung Hwa, now a veteran in the pop scene.
Yu, who also wrote the screenplay, crafts a story about a man, Junyoung, and a woman, Yeonhee, who meet on a blind date and begin a love affair, which only becomes complicated when she gets married. While I think many that watch this film will see a film about a woman who gets to "have her cake and eat it too", in terms of marrying for money and having a lover on the side (see the Eagles song, "Lying Eyes"), the protagonist is actually the man and I read it as a story about a guy who's both too stupid and cynical to understand this woman that he's become attached to.
The film features many cute moments, including times where the two pose as newlyweds or a married couple, which only seems to spike the irony in my mind that the main character doesn't seem to get. And so it appears to be a sort of tragedy and I read it as such. The photography is modern, clean and with a few touches of flourish in an otherwise classical style. The acting is believable and the story is interesting, but not quite engrossing. There are also a few lovemaking scenes with explicit dialog and a very mildly kinky twist.
I think I was most impressed with how neat the entire package is, from a well drafted story, to developed characters, all the visual and audio elements well put together and a rather interesting message that, I feel, is subtle enough that not everyone might get it. As such, I have to say that this was surprisingly enjoyable to watch and left me with a few things to think about as well, as I reach the upper years of my 20s, getting ready to step into the 30s that the principles live in. Recommendable (to mature audiences, of course). 8/10.
Yu, who also wrote the screenplay, crafts a story about a man, Junyoung, and a woman, Yeonhee, who meet on a blind date and begin a love affair, which only becomes complicated when she gets married. While I think many that watch this film will see a film about a woman who gets to "have her cake and eat it too", in terms of marrying for money and having a lover on the side (see the Eagles song, "Lying Eyes"), the protagonist is actually the man and I read it as a story about a guy who's both too stupid and cynical to understand this woman that he's become attached to.
The film features many cute moments, including times where the two pose as newlyweds or a married couple, which only seems to spike the irony in my mind that the main character doesn't seem to get. And so it appears to be a sort of tragedy and I read it as such. The photography is modern, clean and with a few touches of flourish in an otherwise classical style. The acting is believable and the story is interesting, but not quite engrossing. There are also a few lovemaking scenes with explicit dialog and a very mildly kinky twist.
I think I was most impressed with how neat the entire package is, from a well drafted story, to developed characters, all the visual and audio elements well put together and a rather interesting message that, I feel, is subtle enough that not everyone might get it. As such, I have to say that this was surprisingly enjoyable to watch and left me with a few things to think about as well, as I reach the upper years of my 20s, getting ready to step into the 30s that the principles live in. Recommendable (to mature audiences, of course). 8/10.
क्या आपको पता है
- ट्रिवियाJu Jin-Mo was Yoo Ha's initial choice for the role of Jun-Young.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Marriage is a Crazy Thing?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Marriage is a Crazy Thing
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