The In-Laws

Hollywood is littered with bad remakes of great films. One wonders why studios even bother. The original with Peter Falk and Alan Arkin is one of the funniest films ever made. On the other hand this updated version lacks in so many ways. Albert brooks and Michael Douglas do have good chemistry but he script is not up to the challenge of reviving this classic. The first half of the movie is pretty good, slowly but surely goes downhill. There are some good moments but they are few and far between during the last half of the movie. The ending is just plain stupid. Too bad, it could have been a contender. Im glad I saw this on television instead of spending money at a movie theater. Otherwise I would be writing a more negative review.

Steven Tobias (Two Time Oscar-Winner:Michael Douglas) is a CIA Operative, who's pretends to be an international armed dealers to the European Bad Guys. But he has a tough week, when his only son (Ryan Reynolds) is getting married in a couple of days to his sweet girlfriend (Lindsay Sloane). But he hasn't meet his son's girlfriend or her father Jerry Peyser (Albert Brooks) and his wife Katherine (Maria Ricossa). Now Steven has to make up for lost time for his son and his new family in-laws. But the problem is that Steven is still working undercover, when he takes them to a Chinese Restaurant. When Jerry goes to the bathroom, he overhears Steven talking to a informer (Tamara Gorski) and seeing Steven fighting with a guy, who has a gun. Now Jerry finds himself in hot water, when Steven is forced to protect Jerry from the bad guys and especially the FBI. Which the FBI Agents (Lead by A. Russelll Andrews) thinks Tobias is a rogue agent. Now Jerry has to play along with Steven. Steven wants Jerry to pretend to be an assassin as "The Fat Cobra" to impress a french terrorist (David Suchet). But this french bad-guy has a secret about his sexuality and he tries to put the moves on Jerry! Now Steven and Jerry are forced to get along as the wedding is coming soon. Which they have to accept each other differences for their kids and being future in-laws as well.

Directed by Andrew Fleming (The Craft, Dick, Nancy Drew) made an amusing comedy that has plenty of laughs and an heart as well. This is a remake of the well-remember 1979 film, a movie that i haven't seen yet. Douglas and Brooks are excellent in this movie, which sadly it was an Box Office disappointment. When it was release in the spring of 2003. Which it's too bad, because this movie is certainly more enjoyable than the average Hollywood comedy. The cast seems to be having a great time including Robin Tunney and Candice Bergen, who have their own funny moments as well. But it's Suchet is the biggest scene stealer in the movie, along with Douglas and Brooks. Suchet is the funniest character in the picture in his memorable supporting role. The soundtrack is good as well. If you are a fan of Fleming's work or especially that cast, don't miss it. Watch for some amusing cameos as well. Screenplay by Nat Mauldin (Downtown, Dr. Dolittle, Open Season) and Ed Solomon (Bill and Ted's Excellent Adventure, Men in Black, Super Mario Bros). Based on a screenplay by Andrew Bergman (Blazing Saddles, Fletch, Striptease). (****/*****).

A buddy comedy with action, a mismatched couple of in-laws, loose ends and a general lack of sense. I can't claim that I had high expectations for this... but I gave it a chance, and I wanted to like it, I really did. Michael Douglas is good, as always. He delivers, action, acting and comedy. The only real problem is, apart from the first-mentioned quality, no one else delivers in this film. Brooks is usually good... at least as far as acting goes, and I could have sworn he had me laughing in at least one of his roles... maybe not film-wise, but his guest-roles on The Simpsons were hilarity itself. Reynolds has limited talent, and he's unfortunately cast, in that he isn't playing the typical womanizing teen-ish guy that we've grown used to him being. I haven't seen enough of Sloane to rate her performance according to how well she typically is, or compare her role to what she usually portrays. Tunney isn't really bad, she just has too little to do, and a character that is fairly uneven. She is a tool to bring about certain circumstances throughout, and that's too bad, because she does have some talent. One of the problems is that it's quite simply not very easy to accept these characters as people... they're too extreme, caricatures of perceptions of people. The ex-wife, for example, is stitched together of all the bad and "far out" qualities one could think of. One would hope that fairly few people in the world are quite that bizarre. The seemingly endless sub-plots are another mistake... for a film that lasts just over an hour and a half, there's story enough for a *saga*. Shakespeare could hardly have thought up more story for just one production. And they seem to just show up at random... as if the writer didn't want to deal with just one story or one pile of complications, so he had to think up more, and just kept adding until he had enough to make a film out of. The material just doesn't work well. We've seen the "odd couple" before, the idea of putting two people who have little in common isn't new... and it really isn't put to terribly good use here. The spy stuff and the action aren't bad... though the tension did seem tame at times, and the threat of the bad guys, the sense of danger just... isn't really there. Douglas makes a fine spy, though I'd wager that Peter Falk made a better one(I have yet to see the original, though I certainly intend to look for it). I didn't find the film particularly humorous... occasionally entertaining, but never really funny. The music was almost all good, though. And that's pretty much it... for those wanting spy-stuff, it'll do. And if you like your movies with a side of feel-good music, this certainly isn't the worst you could do. But for most anything else that this could offer, there are better movies out there. I rate this just above average, for the good things that it does hold. I recommend this to fans of the actors and the genre, and anyone with an hour and a half to kill who'd prefer something spy-related with music that is kind to the ears. 6/10

'The In-Laws' has a mediocre script but the actors successfully elevate the material. Albert Brooks in particular is very good as a neurotic podiatrist. Michael Douglas gives an energetic performance and the two work work well off each other. There are some consistent laughs throughout the film. David Suchet is fine as (MINOR SPOILERS) the gay international arms smuggler who falls in love with Brooks. The script is a gentle spoof of spy films and works well as long as you ignore the various plot holes. Douglas's family is shortchanged by the script, his relation with his estranged wife specially feels incomplete. Still watchable.

Overall 7/10

Judging by reviews in the press and the user comments here, this version of The In-Laws is a pale imitation of the 1979 classic with Peter Falk and Alan Arkin. I didn't find it so, this film has a lot of good laughs in it and some fine comic performances.

In his TCM tribute to his father Michael Douglas says that when he was starting out in the picture business he avoided taking roles as action heroes because he did not want comparison with his father. At this point though he's definitely not worried about that. The part that Michael Douglas plays, the CIA agent whose life prevents him from having any kind of home life that was done by Peter Falk in the original, I could easily see being done by Kirk Douglas in the Forties or Fifties.

Douglas's son Ryan Reynolds is going to marry Lindsay Thorne the daughter of a mild mannered podiatrist who has more phobias going on than Adrian Monk. But Albert Brooks as the podiatrist is just a little concerned about this mysterious father of the groom that keeps avoiding meeting. When Brooks and family eventually do meet Douglas, he bungles his way into a mission that Douglas is on. After that it's one wild ride from Chicago to Paris and back with both bad guys and the FBI trailing both.

The In-Laws has some very nice moments and the stars work well together. But the best performances are from David Suchet as the international arms trafficker who's gay and who Douglas convinces that Brooks is a regular Dirk Diggler. And the other great performance is from Candice Bergen who is Douglas's estranged wife and Reynolds mother. As she says she's the only one who really has her husband's number, but she's still crazy about him in certain ways.

This version of The In-Laws is an amusing comedy, a worthy next century successor to the original.