IMDb रेटिंग
6.1/10
3.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA man has the power to see the fate of missing people - with the exception of his own beloved wife.A man has the power to see the fate of missing people - with the exception of his own beloved wife.A man has the power to see the fate of missing people - with the exception of his own beloved wife.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Maria Canals-Barrera
- Esme Palomares
- (as Marí'a Canals)
Anthony Diaz-Perez
- Policeman 1
- (as Anthony Díaz Pérez)
Carlos Kaniowsky
- Rubén Mendoza
- (as Carlos Kaniowski)
María Nydia Ursi Ducó
- Plaza Mother 1
- (as Maria Nydia Ursi)
फ़ीचर्ड समीक्षाएं
based on real events - the military dictatorship in Argentina during 1976 - 83. touching story and fine acting overall.
you will see antonio banderas in a kind of role that he has never acted in before and he has come up trumps.
the director has succeeded in portraying the shocking situation in argentina during that period, without being overly visual. the psychic quality of antonio banderas is quite believable and i am sure everybody has heard of such individuals even though they are rare.
i recommend this movie to all movie buffs who love good drama and one that is a bit different from mainstream cinema. and such movies try and ensure that the darkest hours in history won't be forgotten that easily.
you will see antonio banderas in a kind of role that he has never acted in before and he has come up trumps.
the director has succeeded in portraying the shocking situation in argentina during that period, without being overly visual. the psychic quality of antonio banderas is quite believable and i am sure everybody has heard of such individuals even though they are rare.
i recommend this movie to all movie buffs who love good drama and one that is a bit different from mainstream cinema. and such movies try and ensure that the darkest hours in history won't be forgotten that easily.
This was truly enjoyable movie in many ways.
The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.
This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.
This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.
Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.
Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.
This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.
This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.
Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.
Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
Imagining Argentina (2003)
The story, and the facts behind the story, of innocent people being kidnapped, tortured, and killed in Argentina is so disturbing and emotionally draining it's hard to see this movie objectively. I wish it was a better movie, both in its construction (the filming and editing) and in the storytelling decisions (too much emphasis on empty searching, and too much torture, even after we get the point).
Cruelty needs no sympathy, and this movie gives it none. But it gives it attention, offering only a solution in perseverance and romantic love. There are lots of evocative scenes of dancing and music, of wide open countryside, and of warmly lit interiors. It paints a picture of a beautiful country with a beautiful culture, just to show how a small tilt in a great place can turn to horrors.
The final statistics of all the people "disappeared" under the Argentine dictatorship is an indictment of cruel dictators. The movie serves to remind us, and to paint the horrors, and it goes half way. I wish it had been a poetic, or raw, or inventive success as well.
The story, and the facts behind the story, of innocent people being kidnapped, tortured, and killed in Argentina is so disturbing and emotionally draining it's hard to see this movie objectively. I wish it was a better movie, both in its construction (the filming and editing) and in the storytelling decisions (too much emphasis on empty searching, and too much torture, even after we get the point).
Cruelty needs no sympathy, and this movie gives it none. But it gives it attention, offering only a solution in perseverance and romantic love. There are lots of evocative scenes of dancing and music, of wide open countryside, and of warmly lit interiors. It paints a picture of a beautiful country with a beautiful culture, just to show how a small tilt in a great place can turn to horrors.
The final statistics of all the people "disappeared" under the Argentine dictatorship is an indictment of cruel dictators. The movie serves to remind us, and to paint the horrors, and it goes half way. I wish it had been a poetic, or raw, or inventive success as well.
I am pretty sure that it is not possible for someone other than an Argentine to make a film about this subject and have it matter. These are people who at the beginning of the terror supported it wholeheartedly. The military simply responded to what they saw was a terrorist threat by arresting without process and torturing. Starting small means starting; once you cross the line, everything else is trivial. And so 6 years of what ramped up to 3o police murders a day in Buenos Aires.
So this thing lacks power as a story about Argentine horror. But even through all its faults, it still rings true and haunts about things at home: power corrupted and evil. Torture to protect citizens never does.
The film is incredibly muffed, in pretty much all dimensions except...
There are two good scenes. One is when the husband of the newly missing wife is comforted by his daughter in a somewhat sexual way. This was made for American consumption, and though the interaction may be genuinely Latin, the implication in this context is plain. It was a powerful scene and sets up all that follows.
The second powerful scene is the unveiling of a spy. There is only a second that matters, when the man knows he is revealed and you see not panic but blame to his informant. It happens fact but it matters.
Otherwise, what we have is a powerfully conceived set of folding narratives: a man as a playwright (precisely as in "The Lives of Others") in a film with deliberate dissonance. And him further as a psychic, telling the story to us and other characters as it happens to him. In other hands, this could have worked, especially with the intended fold from then there to now here.
Tangos, l'exil de Gardel, was not good, but still better and at least genuine.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
So this thing lacks power as a story about Argentine horror. But even through all its faults, it still rings true and haunts about things at home: power corrupted and evil. Torture to protect citizens never does.
The film is incredibly muffed, in pretty much all dimensions except...
There are two good scenes. One is when the husband of the newly missing wife is comforted by his daughter in a somewhat sexual way. This was made for American consumption, and though the interaction may be genuinely Latin, the implication in this context is plain. It was a powerful scene and sets up all that follows.
The second powerful scene is the unveiling of a spy. There is only a second that matters, when the man knows he is revealed and you see not panic but blame to his informant. It happens fact but it matters.
Otherwise, what we have is a powerfully conceived set of folding narratives: a man as a playwright (precisely as in "The Lives of Others") in a film with deliberate dissonance. And him further as a psychic, telling the story to us and other characters as it happens to him. In other hands, this could have worked, especially with the intended fold from then there to now here.
Tangos, l'exil de Gardel, was not good, but still better and at least genuine.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
The first thing I'd like to say is I've been reading people's comments about this movie, and I'm really touched at how much people round the world know about the worst period in Argentinian history. As regards the movie itself, I wouldn't like to disrespect anyone, but I think it is a lousy portrayal of real events. I agree with someone that the title allows for the viewer to expect a free interpretation rather than an accurate historical account. I disagree with someone about the images of torture being too many and too cruel. I think they were too soft. I've seen at least twenty Argentinian movies dealing with this topic (actually, I'd say nine out of ten Argentinian movies have at least one referent to it). The point is, no one can make a movie about "El Proceso" but an Argentinian citizen. It's nothing to be proud of, but it's our burden. I didn't have anyone missing, but I grew up with this, and it'll never be over for us. I understand the good intentions of everyone involved in this movie, and I think it's important that people in other countries let the world find out what happened here, but if you really want to know, you should see local accounts, without fake accents (subtitles are not that bad once you get used to them). Oh, and just for the record, the oppressors were ten times more somber and disgusting than what the movie shows. Most of them still feel the same way about everything they did, and as someone said, justice in this country is a lost cause. I just pray it never happens again. Thanks for reading.
क्या आपको पता है
- ट्रिवियाWhen it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
- गूफ़When Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Imagining Argentina?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $8,899
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,752
- 13 जून 2004
- दुनिया भर में सकल
- $3,83,106
- चलने की अवधि1 घंटा 47 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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