Gojira × Mekagojira

This Godzilla movie has a better storyline than any of the other originals. The special effects used were excellent, however the Godzilla and MechaGodzilla (Kiryu) costumes were similar to the ones used in the early Godzilla movies.

The performance of Japanese Pop Idol Yumiko Shaku (Yuki from Shura Yukihime/The Princess Blade) was great, she really portrayed her character (Akane Yashino)'s emotions well.

The overall its a good movie to watch for fun!

The story starts with truck load of unknown object being moved out of Tateyama city. Shortly after that, Godzilla appears in Tateyama city. What's the connection ? The object that was moved out of Tateyama city was the remains of the original Godzilla that attacked Tokyo in 1954. Japanese special defense force JXSDF (Japan Counter-Xenomorph Self Defense Force) attacks Godzilla but it's weapons are ineffective against the Godzilla. Prime minister Takushoku (Kumi Mizuno) assembles a team of scientists to build a robot based on the original Godzilla's skeleton named Kiryu (Mechanical Dragon) to counter Godzilla's attack.

This movie had good special effects, the Mecha Godzilla (which only Dr. Uhara and his daughter refers to in this fasion in the movie) 's design was by far the best of all Mechagodzillas. They really took the effort to get the details right on this movie with cool looking cargo planes Shirasagi (White Heron) to transport Kiryu from its base to battle ground. Yumiko Shaku's performance as Akane Yashiro was engaging, and acting was believable. The plot was good and the score which was performed by Moscow International Symphonic Orchestra was in my opinion best of all Godzilla series.

This Godzilla was just as entertaining as the original Godzilla of 1954 which it pays homage to. None other Godzilla film even comes close to the quality of finish this movie has except for the 1954 original, and for this reason, movie scores a high mark.

After the giddy heights of "GMK," the Godzilla series returns to pleasant mediocrity with this strangely "Top Gun"-like entry. Godzilla himself has a very minimal role; most of the film deals with the construction of new version of Mechagodzilla, who looks rather like a glorified Transformer. The battle scenes are pretty cool (especially the missiles!), but as another reviewer observed, Godzilla is motionless in several shots and looks either like a big action figure or, during one especially embarrassing moment, a cardboard cutout (for the curious, it's when he blows up one of the jets). Still, I liked the heroine and the fun flashbacks to the old Godzilla, so on balance I'd have to say this is above-average for the series. I just don't understand fans who tout this as a "return" to the classic Godzilla after the controversial GMK - a return to cheesiness, you mean?

Godzilla Against MechaGodzilla (2002) is a movie that I recently watched on a random streaming service. The storyline follows the Japanese discovering the skeleton of the original Godzilla from 1954. They use these bones to build Mechagodzilla and face the real Godzilla and hopefully destroy him forever.

This movie is directed by Masaaki Tezuka (Godzilla vs. Megaguirus) and stars Yumiko Shaku (Godzilla: Tokyo SOS), Shin Takuma (Godzilla 1985), Kô Takasugi (Godzilla: Final Wars) and Yûsuke Tomoi (Kamen Rodger Agito).

The premise for this movie is okay and I liked how their tied in previous Godzilla pictures into the storyline. MechaGodzilla was really good and I enjoyed the way he was depicted. The military vehicles, weapons and battles with Godzilla were great. I did miss the Godzilla theme music, though his intro was still good. The cinematography and models were solid and the final battle was excellent.

Overall, this is a worthwhile addition to the Godzilla monster universe that's an absolute must see. I would score this a 6.5-7/10 and strongly recommend it.

GODZILLA AGAINST MECHAGODZILLA (2002) Like others in the Godzilla series, this new entry establishes itself as a direct sequel to the 1954 original, even using digitally altered footage from that film, as well as clips from MOTHRA and WAR OF THE GARGANTUAS to once again illustrate Japan's troubled history with unruly giant creatures. When Godzilla once again threatens her shores, Japan's female prime minister (Kumi Mizuno) calls together her greatest scientific minds, including cyber-biologist Tokimitsu Yuhara (Shin Takuma), whose inclusion in this group gives his precocious daughter Sara (Kana Onodera) a backstage pass to witness the creation of a new bioweapon developed using the recently-uncovered original Godzilla bones.

The elite JSDF team assembled to pilot the machine is augmented by the lone survivor, Akane Yashiro (Yumiko Shaku), of an eight minute opening Maser-gun battle with Godzilla, her presence made all the more uncomfortable by the vindictive suspicions of a teammate whose brother perished in that disaster. Christened Mechagodzilla, this robo-beast amounts to the re-arming of Japan, something the rest of the world finds rather dismaying, and when the unit's memories of its demise in 1954 are stirred by Godzilla's roar, the battle's a draw, the combatants stand down, and the Prime Minister's out of a job. When Godzilla returns, there's no choice but to reprogram MechaGodzilla and send it back into battle, during which, not surprisingly, Akane herself must take the helm to not only save her country and discourage the naysayers, but to prove to herself - and, of course, to young, conveniently motherless Sara - that no life is worthless. Both of the 'final' shots in the movie - take your pick; there's a sequence after the closing credits - are fitting.

GODZILLA VS. MEGAGUIRUS director Nasaki Tezuka returns to the series with a highly worthy effort, finding a pitch-perfect blend of suits and CGI in his impressive battle sequences, while allowing for reflection (as always) on Japan's nuclear-tainted history, nodding to the ever- increasing empowerment of women in Japanese society (though neatly reminding us that they, too can fail on a large scale before earning redemption) and, as in GODZILLA 2000 and many others in the series, cleverly constructing a modern family dynamic between the pilot, the scientist and his daughter.

People groused that Shinsuke Kaneko's GODZILLA, MOTHRA, KING GHIDORA: ALL OUT GIANT MONSTERS ATTACK, while simultaneously jump starting a moribund franchise with still-vastly-improved visual flare, lacked the dynamism and realism of his 90's GAMERA trilogy, but they were missing the point. Save the first film, GODZILLA has always been for kids, maybe not as young as the original GAMERA series of the 60's, but kids nonetheless. And, I suppose, kids-at-heart. The stories can be pure formula, the character dynamics refried from earlier entries (in fact, many of the most subtle FX in this movie, simple dialogue scenes on catwalks around the Mechagodzilla hangar with the behemoth in the background, are simply more convincing updates of scenes we saw in the 70's), but as long as there's enough razzle-dazzle and a vicarious point-of-entry for the kids, the movie's probably a done deal in the eyes of Toho executives. Here, the Sara character is our vicarious tour guide to the inner workings of the JSDF and all its stoic patriotism (even her friends, walking home with her from school, are slack-jawed at her privileged access to headquarters).

Where the GAMERA updates were intended to make full use of the character's added features (mainly flight) and the advances in modern special effects and high-concept screenplay writing to draw in more savvy audiences, the Millennium Godzilla series, like those that came before, have always retained a comparatively simple modus operandi: appeal to the kids, and make the adults wish they were still kids. On this level, GODZILLA VS. MECHAGODZILLA probably surpasses the previous three entries and at a lean, nicely paced 96 minutes (88 in its American incarnation I'm told; WHY DO THEY BOTHER!), it's certainly the easiest on the behind and quietly sets up the sequel, GODZILLA, MOTHRA, MECHAGODZILLA: TOKYO S.O.S. (2003). I give it an 8.