भविष्य में पांच सौ साल बाद, एक छोटे से अंतरिक्ष यान में सवार एक दल, आकाशगंगा के अज्ञात हिस्सों में जीवित रहने की कोशिश करता है और साथ ही साथ युद्धरत दल और प्राधिकरण के एजेंटों से बचने की कोश... सभी पढ़ेंभविष्य में पांच सौ साल बाद, एक छोटे से अंतरिक्ष यान में सवार एक दल, आकाशगंगा के अज्ञात हिस्सों में जीवित रहने की कोशिश करता है और साथ ही साथ युद्धरत दल और प्राधिकरण के एजेंटों से बचने की कोशिश करता है.भविष्य में पांच सौ साल बाद, एक छोटे से अंतरिक्ष यान में सवार एक दल, आकाशगंगा के अज्ञात हिस्सों में जीवित रहने की कोशिश करता है और साथ ही साथ युद्धरत दल और प्राधिकरण के एजेंटों से बचने की कोशिश करता है.
- 1 प्राइमटाइम एमी जीते
- 5 जीत और कुल 8 नामांकन
सारांश
फ़ीचर्ड समीक्षाएं
Saw some, weren't that impressed? Get your hands on the DVD.
Loved it? Well, you don't need convincing.
Fox did an incredible disservice to this show by showing the episodes out of order. They still made sense on a very low level, i.e., there weren't a lot of plot points that were part of the continuing arc that ended up being out of order in the order they were aired, but this show is so much better if you see it in the order intended. In the aired episodes, characters would sometimes do things that either seemed out of character or really weird, or sometimes even just boring, that make so much more sense on the DVDs, even though there's a grand total of one scene (and only about 3 lines of that scene) that's different between the DVD and the aired version.
That said, this show is the most innovative thing I've ever seen on TV, even despite its mistreatment. It has nine main characters, all of which are fairly well developed in the pilot episode, who then grow and change but remain true to their characters as originally conceived throughout the rest of the series. I could talk about the incredible attention to detail for the special effects, etc., but special effects are getting really good, so that doesn't really set this apart from a lot of movies out there. The concept seems odd at first, but is amazingly well done, with each world they go to having its own quirks, charms and dangers, but it always comes back to the characters and their relationships with each other.
Maybe the show couldn't stand in the end. Maybe I'm alone in this, and there aren't enough fans to justify what the show cost. But making that call after half a season, with half of the episodes pre-empted for baseball playoffs was a phenomenally stupid thing to do. That show should have been here to stay, and it got axed without a chance to prove itself. I only pray the movie works out. At least we'll have something.
***** out of *****
The series is anti-corporate, anti-government and, while it takes the stand that some things are worth fighting for, it is largely anti-war. No wonder FOX did everything in its power to kill it off, including airing episodes out of order, skipping weeks after airing only three eps and, inevitably canceling the show without even airing episodes 12, 13 and 14 (out of 15). This was particularly damaging, as Firefly had a greater sense of ongoing plot than any other Whedon series in its first year. Viewers were left wondering, on more than one occasion, when a character would reference something we hadn't seen yet.
The backstage dramatics aside, Firefly is intelligent and, like Buffy, mythic - except this time Whedon is dealing with the myth of America: the Frontier, the Civil War, the rise of the Corporation, etc . . .
Firefly is a demanding show. It asks its audience to appreciate the shades of grey in its characters' moral scale. The villains are not comfortingly dressed as an alien race. In 500 years mankind will still be its own worst enemy. Technology will be in the hands of a privileged few, and others will in "The Black" - Whedon's frontier third world - where it is possible to exist without the interference (or benefit) of civilization and government. Things will be dirty, and used. Firefly creates a universe that almost totally opposes that of (that bastion of television sci-fi) Star Trek: its Federation-like central power (the Alliance) is interpreted as being oppressive and dystopic. We are on the side of those who resisted (like the Maqui) and lost.
The acting is strong, the writing as excellent, funny and moving as on any Whedon show, and the effects and sets create a consistent, believable world. It is a shame the series didn't have a more hospitable environment in which to grow and become all it could have been.
क्या आपको पता है
- ट्रिवियाBetween shots, the cast preferred to wait in the ship's lounge instead of their trailers/dressing rooms.
- गूफ़The Chinese characters for "Blue Sun" change from throughout the series. On Jayne's T-shirt, "Blue Sun" is Qing Ri, but in logo signs, it's Lan Ri. In ancient China, as well as Japan, green and blue were seen as different shades of the same color. The character Qing was used to represent both green and blue. In modern China, Lan is the character used for blue.
- भाव
opening song: Take my love, take my land / Take me where I cannot stand / I don't care, I'm still free / You can't take the sky from me / Take me out to the black / Tell 'em I ain't comin' back / Burn the land and boil the sea / You can't take the sky from me / There's no place I can be / Since I found serenity / But you can't take the sky from me
- इसके अलावा अन्य वर्जनThe DVD episodes end with Joss Whedon and Tim Minear's Executive Producer credit washing across the screen, left to right. On the television episodes, instead of their names, a wireframe model of Serenity fades up.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- जुगनू
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि45 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1