May

I cant say much about this movie other than its wonderfully strange. It has an appeal that is not only beautiful but scary and intelligent and never asks the viewer to understand whats going on fully it just guides you through the story with a slightly sick feeling in your stomach because deep down in some small way you know that you relate to the central character even if its just for a passing moment.

This is not a run of the mill slasher type horror movie and explores the characters more than most in the genre especially the first relationship between may and the man with "perfect hands" i wouldn't rent the movie if your looking for a no brainer but if you want a horror with a little more substance and just the right amount of dark humour this is the one for you.

I bemoan horribly low-budget movies, but this production is proof positive that money does not make the movie. I am still so disturbed by this effort that I am finding it hard to find the words...

This movie was absolute brilliance. It was creatively written, realistically portrayed, inspirationally directed, and disturbingly sad and dark at the same time.

Angela Bettis is astounding as May. May was born with a lazy eye which caused her have to wear an eye patch. Her mother, a neurotically judgmental woman, raised May to believe that her only choice for friendship was to either hide her differences, or withdraw into her own fantasy.

But there are more differences within May than even her mother could see, and after May realizes that people are not perfect, she goes to any and all lengths to make herself seen.

This is one of the darkest, saddest, most disturbing movies I have EVER seen. Bittersweet and truly mad.

It rates a full 10/10 on the "B" scale.

That's an 8.9/10 from...

the Fiend :.

Some movies use gore to distinguish themselves from other horror movies in a unique way, and boy, do they ever succeed. DEAD-ALIVE, EVIL DEAD, RE-ANIMATOR. Others, rather than settle for OTT gore, try to creep you out with old-school tactics that wriggle under your skin into places that are anything but comfortable...places that you only visit in your dreams. THE OTHERS, THE SIXTH SENSE and SIGNS are those kinds of films.

And then you get those rarities...those exceptional films that are not for everyone, that manage to be both creepy and gory at the same time, in a way that's not quite easily classifiable, and so they are never considered "mainstream" by mass audiences in the multiplexes, or critics into selling sound-bites rather than writing decent reviews.

Films like TOURIST TRAP, THE FUNHOUSE, George Romero's MARTIN, ALICE, SWEET ALICE, SISTERS and SILENT SCREAM are some prime examples. To this list, we can now add MAY.

The less you know about this film going in, the more shocking the denoument is. And even those who have heard quite a bit about it, shouldn't be too quick to make assumptions. MAY goes in a direction that most films of this genre hint at, but never commit to. The result is a tale alternating between twisted tenderness and tremendous terror, like nothing you've seen in a long while. And in the true tradition of creepy/gory/blackly comic films, there's no middle of the road with this one. You will love it or absolutely hate it, but either way, you will not walk away from it unaffected. First-time writer/director McKee has seen to that, and then some.

Angela Bettis may need some serious therapy, following up her role in the CARRIE TV remake with this one. I'd be tempted to call it a pattern, since May does share a lot of similarities with Carrie White; the overprotective, overbearing mothers, the role of societal outcast set at an early age. But that's where the similarities end. Where Carrie's weapon of choice was her soon-to-be-not-so-latent telekinetic powers, May's power lies in her very deceptive talent to appear shy, docile, reclusive and weird, but supposedly "harmless." Obviously lacking in the social interaction department, she still has a quality about her that elicits our empathy and sympathy. The characters she meets in the story feel the same way and...well, you have to see what happens to belive it.

Indie faves Jeremy Sisto (SIX FEET UNDER), Anna Faris (the SCARY MOVIE series) and James Duval (A RIVER MADE TO DROWN IN) round out the principal cast. Not to mention May's first 'friend' that serves as a catalyst for the story...a doll given her by her mother, which may have you swearing off dolls for the rest of your life!

I'm not going to give away the main plot, leaving that to other reviewers and their assessments. I will say this: if your horror movies usually have to be series sequels with a number plastered in front of them, MAY might be too much imaginative derangement for you to handle. But if you're in the mood for something completely different, then rent it NOW, by all means. Just make sure you have a good, stupid comedy to take your mind off of it afterward. Trust me on this; even if it's DUDE, WHERE'S MY CAR? for the fifteenth time, TAKE IT. You'll feel...well, maybe a little better after watching this.

I'm so glad people are re-discovering horror as a serious genre because the endless SCREAM rip-offs were getting more tiresome than even the previous decade's endless HALLOWEEN rip-offs. MAY not only operates as a great horror film, it also is a wonderful character study of social dysfunction. Angela Bettis is wonderfully painful to watch in her attempts at love. She's an actress to keep your eyes on in the future. The ending gets a little more standard but is just creepy enough to keep you on the edge of your seat.

You want infatuation, the twisted kind brought upon by someone longing for something true, but only to be strung along and heartbroken. Lucky McKee's "MAY" is an indie film that draws you in; slowly forming its basis around vivid characters, ongoing interactions, developing pathos, and relationships to only turn it upside down. From quirky one minute, to startling the next, but always underlining its twitchy psychological makeup is a certain calamity that no one can escape. What it really does thrive on though, is the edgy dynamics of Angela Bettis' affectingly misunderstood, yet adorably offbeat lead performance brought upon by her character's awkward naivety, stemming from her constant loneliness that can be traced back to when she was a child. Her best friend is a doll in a glass case that was given to her by her mother as a child, and it seems to somehow communicate, getting into her unstable head. Bettis' portrayal is great, not to take anything away from a mild-mannered Jeremy Sisto and seductive Anna Faris who were equally so, in their characters' careless selfishness of their treatment of May. However it's definitely all about Bettis and her character's slow, crippling descent in finding that someone, who's 100% perfect. How she gets there, can be darkly humorous, but also insanely morbid, as McKee gets it spot on blending these two elements together.