After the Deluge

Wow!!! Cannot believe I have not seen this show yet. Is it the actors, director, producer or what that makes this series the best I have ever seen? I watched it now (2011) and thought it was made in 2010, it is so timeless. David Wenham is perhaps my favorite Australian actor actually more like my most fav actor of all time. As usual he is splendid in this as well. To get all the other cast members to be just as brilliant must be a combination of direction and what else? Flawless in every way. Aussies are unique and the best filmmakers ever when given half a chance. We really leave the yanks for dead regarding realism in a story. What a real portrayal of dementia. So sad. Enough said.

The international film industry has provided us with many moments of genuine striking emotion, mainly certain memorable scenes in movies, but very rarely does a piece of television come along that can send constant shivers down your spine.

From the very beginning I was drawn completely into this story. While not being an entirely original concept - a family divided by the actions of one member and the feelings of the others, long-hidden secrets, memories of things said in the heat of the moment - what really makes this a brilliant series is the combination of original cinematic techniques and some amazing performances from outstanding Australian actors.

It's fantastic to see Hugo Weaving and David Wenham, not only back on home soil after appearances in big budget blockbusters, but in roles that show the full spectrum of their talent. I found myself not only despising Weaving's character to begin with, but wanting to reach into the tv and hit him for being such a pompous, narrow minded idiot. We also see amazing performances from Samuel Johnson, Rachel Griffiths and Ray Barrett - an actor who has never stopped delivering top notch performances, and delivers another here - I could have believed he really had Alzheimers.

The other fantastic thing about this series is the cross-cutting between the present and the past, and the inclusion of present day characters in scenes set in the past, and vice versa. The editing technique is seamless, and the four stories mesh perfectly into one, creating an awesome display that a cast and crew of this caliber are worthy of.

Don't watch a lot of TV, nor bother to rate movies, but this was exceptional.

It's a deep and complex analysis of three brothers, and the effect that their father had on their lives - a warts and all production portraying humanity in its raw form.

Perhaps it spoke to me because I'm sharing the same stage of my own lifecycle with one of these people (guzzling from the corporate trough with my own young family) - but colleagues felt similarly, and its definitely worth a look...

"After the Deluge" has to be the pinnacle of Australian television. Bringing together an impeccable cast which includes Hugo Weaving, Rachel Griffiths, David Wenham, Samuel Johnson, Catherine Clements and Ray Barrett the show seems set for acting brilliance. But Australian productions have brought together amazing acting talent such as this in the past and failed to deliver.

Fortunately, here we not only have brilliant acting but writing talent that defies words. Moving and inspirational comes close. Andrew Knight who has been responsible for a lot of what is good about Australian TV (Simone de Beauvoir's Babies, My Brother Jack, Kangaroo Palace and Sea Change) has brought it all together with "After the Deluge". Here is an intricate weaving together of the lives of three brothers trying to come to terms with their own failures and the destruction of their hopes and dreams, as their father slips further into his past life via the White Rabbit hole of Altzheimers. What they can never know and what the audience is privileged to be allowed to see, is that their father also suffered through the destruction of his hopes and dreams. To them he was just a cantankerous, domineering father who never showed them or their mother any love. But the audience knows the truth and all the characters are portrayed sympathetically despite their faults.

The imagery of water reflected in the title is used to represent birth, death and rebirth. The score is superb. A combination of classical violin and contemporary rock guitar, it reflects not only the musical generation gap represented by the struggle between patriarch Cliff Kirby (Ray Barrett) and his oldest son Martin (Hugo Weaving), but the movement between the eras as Cliff slips in and out of the past.

`After the Deluge' is superb Television and in this era when Reality TV and lifestyle programs dominate the ratings and Australian production companies, it's so good to see quality dramatic television still getting commercial attention. Kudos to Channel Ten for producing what is usually left up to the beleaguered ABC.

Please don't judge its quality until you see the original 194 minutes long film maker's edition. The current edition on Region-1 disc, released in 2004, is tragically abbreviated. It is no better than a 103-minutes-long-teaser of "After the Deluge".

As for the original 194 minutes edition of "After the Deluge", it richly delineates the conflict and reconciliation among the family members of the Kirby's through a lot of overwhelming episodes such as traumatic memories of war, memories of a beloved woman, the onset of geriatric Alzheimer's Disease, infertility, grief of sinking into oblivion, breakdown as a family man and a business man, and something like Oedipus complex. These are so skillfully interwoven beyond time and place that all of them are indispensable to lead to the finale that is rather bitter but serene and merciful.

FYI, it was the original edition that won several Australian Film Institute Awards in 2003. Hope that it will be fully released worldwide and immerse us in brilliant flood of emotion with its quality of a universal theme, an elaborate and elegant plot, beautiful music, and wonderful ensembles of performers.