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Kedma

  • 2002
  • 1 घं 40 मि
IMDb रेटिंग
6.0/10
811
आपकी रेटिंग
Kedma (2002)
इतिहासड्रामायुद्ध

अपनी भाषा में प्लॉट जोड़ेंIn May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.

  • निर्देशक
    • Amos Gitai
  • लेखक
    • Amos Gitai
    • Marie-Jose Sanselme
    • Ghassan Kanafani
  • स्टार
    • Andrei Kashker
    • Helena Yaralova
    • Moni Moshonov
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    811
    आपकी रेटिंग
    • निर्देशक
      • Amos Gitai
    • लेखक
      • Amos Gitai
      • Marie-Jose Sanselme
      • Ghassan Kanafani
    • स्टार
      • Andrei Kashker
      • Helena Yaralova
      • Moni Moshonov
    • 14यूज़र समीक्षाएं
    • 16आलोचक समीक्षाएं
    • 36मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 5 नामांकन

    फ़ोटो5

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार20

    बदलाव करें
    Andrei Kashker
    • Yanush
    • (as Andrei Kashkar)
    Helena Yaralova
    • Rosa
    Moni Moshonov
    Moni Moshonov
    • Klibanov
    Juliano Mer-Khamis
    Juliano Mer-Khamis
    • Mussa
    • (as Juliano Merr)
    Yussuf Abu-Warda
    Yussuf Abu-Warda
    • Yussuf
    • (as Yussef Abu Varda)
    Menachem Lang
    • Menachem
    Sendi Bar
    Sendi Bar
    • Yardena
    • (as Sandy Bar)
    Tomer Russo
    Tomer Russo
    • Milek
    • (as Tomer Ruso)
    Veronica Nicole Tetelbaum
    Veronica Nicole Tetelbaum
    • Hanka
    Liron Levo
    Liron Levo
    • Gideon
    Roman Hazanowski
    • Roman
    Keren Ben Rafael
    Keren Ben Rafael
    • Aisha
    • (as Keren Ben Raphael)
    Gal Altschuler
    • Yigal
    Sasha Chernichovsky
    • Sasha
    • (as Alexander Tchernicovsky)
    Dalia Shachaf
    • Dalia
    Rawda Suleiman
    • Jaffra
    • (as Rawda Sulieman)
    Igor Mirkurbanov
    Igor Mirkurbanov
    • Shimshon
    Blair Portnoi
    • British officer
    • निर्देशक
      • Amos Gitai
    • लेखक
      • Amos Gitai
      • Marie-Jose Sanselme
      • Ghassan Kanafani
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं14

    6.0811
    1
    2
    3
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    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    5dromasca

    interesting subject, original treatment, poor cinematography

    Amos Gitai is one of the best known Israeli directors, quite successful in the circuit of the international cinema festivals. What a pity that his daring and fresh approach to the key moments of the Israeli history is not doubled, unfortunately, at least in this film, by appropriate cinema means.

    The historical setting of 'Kedma' is the moment of the beginning of the state of Israel when immigrants from Europe, survivors of the Holocaust arrive in Israel aboard the illegal immigration boats, just to finds on the promised shore a new land of conflict. 'Kedma' is the name of an immigrants boat, as 'Exodus' was, and it deals with the same period as in Leon Uris's book and film 'Exodus', Certainly this important moment in history deserves a better treatment than the Hollywood one. It's a setting well entrenched in the collective memory of any Israeli and Palestinian. Gitai however is more interested in decomposing the historical myth rather than building or describing it.

    There are a few good moments in this film. Gitai likes long shots, and the first scene of the film is a beautiful rendition of the immigrants boat, with a nice passing from private to very public life. Another set of scenes represent the communication, or rather the lack of communication between the groups in the new country - immigrants from Europe still in shock after the horrors of the Holocaust, local Jews, prototypes of the 'new Israelis' full of confidence but lacking the understanding of the problems of other groups, displaced Arabs, mis-guided by their leaders and terrorized by the show of force of the Jews starting the long march that will become some day the Palestinian refugees problem, opera-style British troops, all these groups of humans get together in well filmed scenes, but do not really communicate. This is one of the problems that lay at the origin of the Israeli-Arab conflict seems the author to say.

    Despite some memorable scenes, the film does not come together as a consistent piece of cinema. Characters get lost, show up and die too fast, they are more an idea of what they could be than real screen characters. The problem is not the lack of message, but the means - the author focuses in two monologues (by the displaced Arab, and by the Polish Jew immigrant) that say a lot about the continuity of conflict and about heroism being no more than a form of despair in front of the vicissitudes of history, but these are theatrical or literary monologues, without a connection with the film environment where they are placed. 'Kedma' is memorable by its setting and message, but not a good film to remember.
    5mleach

    Amos Gitai's latest controversial interrogation of his nation's history.

    Opening with a virtuoso and near-wordless sequence, set in May 1948, in which surviving European Jews arrive by boat in Palestine, eight days before the creation of the state of Israel, the provocative and often controversial Gitaï's latest interrogation of his nation's history and challenging contemporary reality focuses on one of its key originating moments. As the passengers look to disembark, they are shot upon by British troops intent on stopping them, and caught up in the retaliatory fire of the Jewish secret army, seeking to aid their arrival. Proceeding to follow the immigrants on their first steps in the 'promised land', Gitaï casts a considered but unflinching eye over the founding conceits of his country. Putting the issue of territory centre-screen, and given undoubted extra resonance by the current situation in the Middle East, it's also telling about British imperial responsibility in the region. However, at its heart is a personal and communal story, of displacement, anticipation, endurance and comradeship, wide in its appeal and generous, while demanding of all sides, in its understanding.
    1paquiwon

    How many ways can you say Boring? Kedma is one.

    This movie is terrible. This movie attempts to show the frustration of one Holocaust survivor having to fight again for his existence and homeland. Despite what could have been a good story line, this movie was neither a good story, nor was it a war story. First, Kedma has minimal dialog throughout the movie, and the dialog it does have it really pointless. Second, it has no action. Even the battle scene in the movie was boring. Amos Giati looks like he was just trying to stretch out the movie to make it a full-length feature rather than a short story. Third, the whole message of the movie seemed to be about the main character, Yanush's disillusionment with the Promised Land and God's promise of Messiah. He claims in the movie that the Jewish people have no history. If you read the Old Testament or Torah, the Jews have probably the longest and best-documented histories of any people. As for Messiah's coming, 2 Peter 3:9 says, "The Lord is not slow in keeping His promise, as some understand slowness. He is patient with you, not wanting anyone to perish, but everyone to come to repentance." If there was one scene to be salvaged from this movie, it was the Arab man, Yussuf Abu-Warda, showing his defiance of the Jews for taking his home. It is too bad there was not more to the movie than that one scene.
    5lee_eisenberg

    I understand that this got intended as a response to "Exodus"

    First of all, I've never read Leon Uris's "Exodus" or seen Otto Preminger's movie adaptation. I understand that it's drawn controversy for simply romanticizing Israel's founding without looking at the expulsion of the people there. As journalist Norman Solomon described it, the movie depicted Arabs as bloodthirsty killers, while depicting the people moving to Israel as heroes no matter what they did.

    So here we have Amos Gitai's "Kedma". This one also depicts events leading up to Israel's establishment as a country. While it takes a grittier approach and even addresses the eviction of the Palestinians, it falls a little flat. It's not a terrible movie by any measure, but it has stretches where little happens. True, movies don't have to have nonstop action, but they should have more than this one has.

    Basically, it's an OK movie. One that I recommend is Julian Schnabel's "Miral", based on Palestinian author Rula Jebreal's works.
    6claudio_carvalho

    I Expected Much More of This Quite Disappointing Movie

    A group of Jewish immigrants arrive in Palestine, after a travel in the vessel Kedma, to live in a kibbutz. While resting on the beach after the disembarking, British troops shoot them, and some of them escape with the support of a Jewish platoon. Sooner they are ambushed by Arabian resistance, who are trying to protect their lands against the Jewish invasion. Yesterday I saw 'Kedma' on DVD and I confess that I was completely disappointed with this low-budget and personal movie. The back cover of the DVD and the Plot Outline of IMDb provide important information about the 'when' the story takes place, which I have not seen in the movie. The story happens in May 1948, shortly before the creation of the State of Israel. There is also a boring speech of one of the survivors about the fate of the Jewish people. My vote is six.

    Title (Brazil): 'Kedma'

    इस तरह के और

    Kadosh
    6.9
    Kadosh
    Kippur
    6.3
    Kippur
    Die Familie oder Schroffenstein
    Die Familie oder Schroffenstein
    Disengagement
    5.9
    Disengagement
    Chica de Río
    5.6
    Chica de Río
    O Bravo Guerreiro
    7.1
    O Bravo Guerreiro
    Shuttlecock
    6.0
    Shuttlecock
    Kray
    6.5
    Kray
    Os Inconfidentes
    7.0
    Os Inconfidentes
    Valahol Európában
    7.6
    Valahol Európában
    Hafez
    7.1
    Hafez
    7.9
    Révolutions surréalistes

    संबंधित रुचियां

    Liam Neeson in Schindler's List (1993)
    इतिहास
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    ड्रामा
    Band of Brothers (2001)
    युद्ध

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • भाव

      Yanush: We don't have history, this is the fact. I don't know how to say this in Hebrew. But this is what it is. Our history is the way it is because of the Christians. We didn't want it be like this. We don't want it this way ever. They forced this on us,and we can't help it. Because of this, I am telling you, I'm against this. But I didn't say anything. She didn't exist because of me. You may find it hard to imagine that I am so intensely against this. I'm really disgusted. Think about it, what have we found? Repression, slander, persecution, and sacrifice. Imbuing with hatred, uninteresting. No glory, no advantage. No heroes, no conquerers. Merely a lot of unlucky traces, moan and weep. Always looking for pardon. I ban indoctrinating the Jews stories to our children. Why does it have to be this way? I say to them. From the day we were expelled from our homeland, we became a people without history. The class no longer exists. Some people find it heroic, because we've experienced the suffering. I have nothing to say to this heroism. When a man is despair to no end, anyone can become a hero, whether he wants to or not. Do you understand? I'll talk to you about this kind of heroism, at the gathering this evening. Look, I have quietly experienced all this! Who is to say it could be any better? Look, we endured the suffering but we'll never have enough of it. Because if it's not for this, we will not exist anymore. That is what I wanted to say to you, endure, endure, endure, Under this situation,sorrow is better than joy. We replace action with our suffering. We'd rather expiate with slavery. This is an illusion of reality, of our hope for the future, our beautiful belief, so on and so forth, how dreadful! It's misery that makes us Jews. It proves that we are valiant. Whoever We didn't do anything. This makes sense, in other words, You cannot destroy us, You will never destroy us. There's no power on earth can do that. The power is limited. But our endurance is not! This expounds everything about the exile, affliction, and the Messiah... The amalgamate of these three, causes Jews not to be able to stand up.causes Jews to continuously drip from one people to another people. causes us to be pursued by hatred by hatred... in exile and exile. How they like this. The richer they get, the more valuable Jerusalem becomes... In exile, our pyramid is built with affliction at the bottom, with our Messiah at the top. The code of Judaism resembles the book of the nether world ! Thousands of men, all of them.in the 2000 years became insane. How admirable, what abominable people! Abominably insane. This kind of insanity is intentional. It comes out of the belief of the Messiah. It's simply a made-up story. Without this made-up story. Everything will be different. In order to end this nightmare, they should end in Palestine or elsewhere. It will compel them to think about their future. You need not do the things you need to. The Messiah will come soon, and he will settle everything. Likewise, anything you should do is to be banned. Banned! We should go on in exile in perpetuity, until the Providence feel that he should rescue us? I... I think... Israel is no longer the country of Jews, not now, but at least in the future. Time will tell us. It's all over. Finished.

    • कनेक्शन
      Featured in Independence: Around the Film 'Kedma', a Film by Amos Gitai (2002)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Kedma?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 मई 2002 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
      • इज़राइल
      • इटली
    • आधिकारिक साइट
      • Israel Film Fund (Israel)
    • भाषाएं
      • यहूदी
      • अरेबिक
      • जर्मन
      • पोलिश
      • रूसी
      • यीदिश
    • इस रूप में भी जाना जाता है
      • Кедма
    • फ़िल्माने की जगहें
      • Hadera, इज़राइल(boat scenes)
    • उत्पादन कंपनियां
      • Agav Hafakot
      • Arte France Cinéma
      • Agav Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $10,067
    • दुनिया भर में सकल
      • $2,99,293
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 40 मि(100 min)
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

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