तीन बचपन के गहरे दोस्त अभी कॉलेज से बाहर निकले हैं. उनके बीच कुछ भी नहीं आता है - जब तक वे प्रत्येक प्यार में नहीं पड़ते. रिश्तों के लिए उनका बेतहाशा अलग दृष्टिकोण तनाव पैदा करते है.तीन बचपन के गहरे दोस्त अभी कॉलेज से बाहर निकले हैं. उनके बीच कुछ भी नहीं आता है - जब तक वे प्रत्येक प्यार में नहीं पड़ते. रिश्तों के लिए उनका बेतहाशा अलग दृष्टिकोण तनाव पैदा करते है.तीन बचपन के गहरे दोस्त अभी कॉलेज से बाहर निकले हैं. उनके बीच कुछ भी नहीं आता है - जब तक वे प्रत्येक प्यार में नहीं पड़ते. रिश्तों के लिए उनका बेतहाशा अलग दृष्टिकोण तनाव पैदा करते है.
- पुरस्कार
- 28 जीत और कुल 40 नामांकन
- Shalini
- (as Preity Zinta)
फ़ीचर्ड समीक्षाएं
The story is simple at first, and is largely interspersed with a lot of English. Even I could understand the story without any subtitles. (Although you might turn it on for intense moments of extreme speed Hindi) Three spoilt rich best friends grow up, and in doing so, learn that their relationships between themselves, women and their families becomes tense as they mature and travel.
"What the Heart Wants" is a sort of theme that persists throughout the film. One friend is stuck to a girl he cannot get, another to an older woman, and the last one is just struggling with many girls he cannot choose between. For a Hindi film, the dance-music numbers are not terrible (but of course not great) and the music without the dance is quite nice, with a lot of meaning attached to it. So after a major fallout they realize many things separately, and learn about their own relationship in turn.
I recommend this film to anyone as a primer to Bollywood films I know I used it as one. High marks for this film since it beat the Bollywood standard of being completely incoherent and inane, although still sticking to the three plus hours.
"Can what the Heart Want be controlled?" RATING: 9/10
They don't make films like this in the West - and more's the pity but hence the freshness. The three lead actors are gorgeous - so it hardly matters that they must be the oldest students in town. The cinematography is beautiful - especially in the Australian sequences. The song and dance routines are as welcome as they are surprising.
As with all Hindi films, it is pure melodrama of course. The ability to suspend one's disbelief is a necessity. But that aside, it has all the attributes of a good old fashioned Hollywood romance. Boy meets girl, boy loses girl... etc., times three.
The core theme of friendship is a delight - as are the subtle homo-erotic overtones of Akash and Sid's relationship. Intended or not, I wouldn't have minded if they'd ended up together - but this is Bollywood remember!
All in all, fantastic fun which I plan to watch again and again. Highly recommended.
Build a story about the people you spend most of the time with - your friends, your dawgs, your posse, and ponder how you guys are going to sort out the really important things in your life. Like falling in love. Cracking on your friend who seems to fall for every girl he sees. Or your sensitive friend Sid who is in love with a much older woman - is he crazy? Wince as two of your best friends get into a very heated argument which splits them up and wonder what you will do now that you're caught in the middle. Hope for love and friendship to find a way through to reconciliation.
Make a smart movie, without elaborate dance pieces set to a sweet soundtrack that remains in the top 10 a year after the film's release. In fact have a song that parodies the 'running around trees' segment that every other Hindi film since the 1950s has had and that the guys at school used to kid about. I mean, guys don't express their love for girls that way! Keep out guns, drugs, politics, strife, and family melodrama. Lace up your script with generous doses of humor which brings to light the hereunto underused Saif Ali Khan. Finally make sure the 'heroes' have shown some growth at the end of it. Of course it's been done to death in LA. That it could have been done so well in Mumbai is the astonishing thing.
Finally, make reality cool again. Whatever your heroes wear, however they cut their hair, right down to the way they interact has to be believable. Make short hair and a goatee beard the national craze amongst guys. Put some real thought into color coding and matching outfits and give a laid-back style to the proceedings.
Welcome "Dil Chahta Hai". The film that has had the largest influence of the look and hopefully the story of the biggest Bollywood films to follow it. A film that many people have been able to relate to. It seemed so obvious until Farhan Akhtar did it. Now watch how his ideas permeate through Bollywood.
Here's looking forward to "Don" in 2006.
Aamir Khan, though initially seems to be miscast in the role of the completely cynical womaniser Akash, demonstrates a very fine versatility in this role and successfully shows the gradual growth in his character with depth and humour. Saif Ali Khan, in his best performance up until that point, is just brilliant as the insecure and very kindhearted Sameer. He displays confusion and fear with great conviction and a fantastic pinch of comedy. Akshaye Khanna is outstanding in this wonderful dramatic role of a serious and sensitive guy who falls for a woman much ahead of his age. Preity Zinta is marvelous as Shalini and skillfully sensitises her character. She plays the part with grace and restraint, and her inner feelings are perfectly understood thanks to her expressive eyes. Dimple Kapadia adds another accomplished performance to her vast repertoire. Sonali Kulkarni's real talent is unfortunately wasted, though she does try to do the best of what she is given.
Overall, Dil Chahta Hai is a remarkable picture about life, and it should provide a great deal of quality entertainment to each and every viewer, whoever and wherever he is. A great film which is according to me the best Hindi film of 2001.
क्या आपको पता है
- ट्रिवियाAamir Khan's ex wife Kiran Rao plays Deepa's friend in the scene when Khan's character hides behind the plant.
- गूफ़When the guys are talking on the fortress ruins in Goa Sid refers to a ship that he is watching about to go over the horizon. The clip clearly shows a ship which is moving toward them, not away.
- भाव
Siddharth Sinha: Deepa, why do you like Akash so much?
Deepa: What do you mean?
Siddharth Sinha: [after a brief pause] Sometimes I think why we like someone. Why do you like him?
Deepa: I don't know. I just do.
Siddharth Sinha: Despite knowing that Akash...
Deepa: ... doesn't love me? Yes, even then.
Siddharth Sinha: Deepa, you're beautiful, intelligent. You can get so many guys.
Deepa: [saying in between] If I'm so beautiful then why can't I get Akash?
Siddharth Sinha: I don't know. Yes, I know that if you're in any trouble, then Akash can do all he can for you. But Deepa, you should not hope for such things which...
[Sid stops and takes some sand]
Siddharth Sinha: Now you see this sand? The more you try to hold it tightly, the more it slip through your fingers.
Deepa: [understanding Sid] Thanks, Sid.
- क्रेज़ी क्रेडिटThe closing credits roll while the last scene featuring the cast eating still continues.
- कनेक्शनFeatured in 47th Filmfare Awards (2002)
- साउंडट्रैकDil Chahta Hai
Music by Shankar Mahadevan, Ehsaan Noorani & Loy Mendonsa
Lyrics by Javed Akhtar
Performed by Shankar Mahadevan
टॉप पसंद
- How long is Dil Chahta Hai?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- ₹14,00,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,16,221
- चलने की अवधि
- 3 घं 3 मि(183 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1