IMDb रेटिंग
6.5/10
18 हज़ार
आपकी रेटिंग
एक परेशान और बिगड़े परिवार के सदस्य, एक रहस्यमय अजनबी को अपने बीच पाते हैं, जो उनके अशांत स्वभावों को संतुलित करने में मदद करता है.एक परेशान और बिगड़े परिवार के सदस्य, एक रहस्यमय अजनबी को अपने बीच पाते हैं, जो उनके अशांत स्वभावों को संतुलित करने में मदद करता है.एक परेशान और बिगड़े परिवार के सदस्य, एक रहस्यमय अजनबी को अपने बीच पाते हैं, जो उनके अशांत स्वभावों को संतुलित करने में मदद करता है.
- पुरस्कार
- कुल 3 जीत
फ़ीचर्ड समीक्षाएं
I rented Visitor Q on DVD because I've seen Takashi Miike's name in the newspapers recently. I wanted to get a taste of what this guy was about before I saw any of his new movies. And you know what? When it comes to the criminally insane, Takashi Miike is KING!
Visitor Q is not something that i was ready for. At the very base, it is the story of a dysfunctional family trying to come together. But on the surface, I couldn't even begin to explain how INSANE this movie is.
I know I liked it because I was glued from beginning to end, and I was severely punished and rewarded at the same time.
This movie probably contains 5-10 fetishes in it, none of them which excite me in the least. However, I gathered that this movie was a huge metaphor for the need of a family to stick together and maintain closeness. Hopefully, you'll be able to hold back your vomit to discover this.
A definite 7/10
Visitor Q is not something that i was ready for. At the very base, it is the story of a dysfunctional family trying to come together. But on the surface, I couldn't even begin to explain how INSANE this movie is.
I know I liked it because I was glued from beginning to end, and I was severely punished and rewarded at the same time.
This movie probably contains 5-10 fetishes in it, none of them which excite me in the least. However, I gathered that this movie was a huge metaphor for the need of a family to stick together and maintain closeness. Hopefully, you'll be able to hold back your vomit to discover this.
A definite 7/10
This was the fourth Miike film I've seen (Audition, Ichi, Gozu...well 5th if you count his short from Three Extremes) and I think this was by far the most bizarre and disturbing. I'm not squeamish or easily affected by movies so it didn't really disturb me but I can see where it would be disturbing to the average viewer. Miike did manage to hit upon almost every taboo in the books. I'll admit that I did feel somewhat dirty because I got turned on by the opening scene...but hey, it's a just a movie.
Overall I think it was a unique take on the reality TV craze and voyeourism in general. While I didn't like it as much as his other movies that I've seen it's definitely worth checking out.
Overall I think it was a unique take on the reality TV craze and voyeourism in general. While I didn't like it as much as his other movies that I've seen it's definitely worth checking out.
This was the fourth Miike film I have seen and I have to say like Ichi the Killer, Audition and Dead or Alive I liked it immensly. Like all Miike's films it is disturbing but it wouldn't be a Miike film if it wasn't. Fans of Miike would definitely like it but others may think it is a little too disturbing. the film is very funny but the only downside is that it is alittle short but other than that it is very good. I recommend it.
Amazing movie playing around with the idea of reality TV, voyeurism and even the nature of reality itself.
Among all the scenes -- of which there are many many memorable ones -- I thought the one which has the key to the movie is when the father is frantically taping the attack on his house and speaking at the same time and among a frenzy of "reporter-talk" he says,
"What are we supposed to feel?"
The key to the movie is, you are never allowed to know what you are supposed to feel. These days, in movies and TV, we are frequently "told" what to feel. Takashi Miike takes this and pulls the carpet from under all of us. he builds his film around the phenomenon of TV/media, emotion-building, exposing, exploiting... Yet keeps this tension through the movie and does not allow us for a moment to settle in our armchairs, does not for one moment let us get into that comfy zone of being told what to feel.
And hence watching this movie becomes this eerie, stressful process as noted by everyone else. Am i disgusted, indignant, amused, sympathetic, angry, confused? You are never told. You have to go through it on your own. And that is the point.
Among all the scenes -- of which there are many many memorable ones -- I thought the one which has the key to the movie is when the father is frantically taping the attack on his house and speaking at the same time and among a frenzy of "reporter-talk" he says,
"What are we supposed to feel?"
The key to the movie is, you are never allowed to know what you are supposed to feel. These days, in movies and TV, we are frequently "told" what to feel. Takashi Miike takes this and pulls the carpet from under all of us. he builds his film around the phenomenon of TV/media, emotion-building, exposing, exploiting... Yet keeps this tension through the movie and does not allow us for a moment to settle in our armchairs, does not for one moment let us get into that comfy zone of being told what to feel.
And hence watching this movie becomes this eerie, stressful process as noted by everyone else. Am i disgusted, indignant, amused, sympathetic, angry, confused? You are never told. You have to go through it on your own. And that is the point.
Another world exists, and we are given a glimpse into that world: where sons beat their mothers, fathers are attracted to their daughters, and random strangers take up residence in a home and begin to run the household as they see fit. This is the world of "Visitor Q".
I've been on something of a Takashi Miike kick lately, thoroughly enjoying "Audition" recently. He's more offbeat and push-the-envelope than much of what passes for horror in America. This film is no exception. While the violence is much less than I've seen from Miike, the bizarre sexual aspects are pushed to new limits.
I don't know what I can write here without being obscene, but it's hard to describe this film without at least mentioning a few of the extreme sexual cases presented: incest, necrophilia, sex with feces, a woman who enjoys making herself lactate until she's flooded the room. And that's just the tip of the iceberg. If you're looking for something weird, this is your best bet. The only film that comes close to being this strange is "Slaughtered Vomit Dolls", which is more gross and artistic than this -- this film is just weird in general.
So, how do you judge a film that's bizarre? As art? Because the plot is really hard to pin down (not much happens, and the visitor is never explained). The acting is amazing, at least as far as they really pulled off the dark humor (I think most people will miss the fact this is supposed to be funny, but you can tell the violence is exaggerated on purpose). I really liked it, if for no other reason than that every time I thought it couldn't get weirder, I was wrong.
If you watch the opening scene and don't mind what you see, watch this film. I was uncertain at the beginning because the use of video quality made it seem all too real. But after the initial shock faded, I really few in love with this family and wanted to know what was going on. Not sure I understand it, but that just leaves me wanting to see it again. So, yeah, if you're into bizarre films or Miike (or both), put this on the top of your list!
I've been on something of a Takashi Miike kick lately, thoroughly enjoying "Audition" recently. He's more offbeat and push-the-envelope than much of what passes for horror in America. This film is no exception. While the violence is much less than I've seen from Miike, the bizarre sexual aspects are pushed to new limits.
I don't know what I can write here without being obscene, but it's hard to describe this film without at least mentioning a few of the extreme sexual cases presented: incest, necrophilia, sex with feces, a woman who enjoys making herself lactate until she's flooded the room. And that's just the tip of the iceberg. If you're looking for something weird, this is your best bet. The only film that comes close to being this strange is "Slaughtered Vomit Dolls", which is more gross and artistic than this -- this film is just weird in general.
So, how do you judge a film that's bizarre? As art? Because the plot is really hard to pin down (not much happens, and the visitor is never explained). The acting is amazing, at least as far as they really pulled off the dark humor (I think most people will miss the fact this is supposed to be funny, but you can tell the violence is exaggerated on purpose). I really liked it, if for no other reason than that every time I thought it couldn't get weirder, I was wrong.
If you watch the opening scene and don't mind what you see, watch this film. I was uncertain at the beginning because the use of video quality made it seem all too real. But after the initial shock faded, I really few in love with this family and wanted to know what was going on. Not sure I understand it, but that just leaves me wanting to see it again. So, yeah, if you're into bizarre films or Miike (or both), put this on the top of your list!
क्या आपको पता है
- ट्रिवियाShot in just 7 days.
- गूफ़(at around 52 mins) In the dinning room while the father, son, and the guest are having their dinner, the boom mic is totally visible and continues for a while.
- भाव
Kiyoshi Yamazaki: This isn't a mystery of life! It's a shit!
- कनेक्शनFollows Tôkyô gomi onna (2000)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Visitor Q?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- JP¥70,00,000(अनुमानित)
- दुनिया भर में सकल
- $15,678
- चलने की अवधि1 घंटा 24 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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