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NEW SUIT is a pure delight,starring Jordan Bridges, (son of Beau & grandson of Llyod & nephew of Jeff Bridges) He looks likes his Dad & has the charm & talent of all three.

This is a comic satire about Hollywood writers, agents & producers. The plot & story are not new, But the entire cast (mostly unknowns to me at any rate) are all well cast.

It is definitely worthwhile to rent along with another film to make a nice double feature.

In fact if this were 40 or more years ago, this would be a co-feature

My only criticism is the music, This problem has been occurring much lately where we have the actors speaking & music is playing as loud as they are talking. WHY WHY WHY.

Do not however, let this gripe stop you from seeing this.

my rating is ***/4 81 points/100 IMDb 7/10

If you have not seen the film and are looking at the generally positive (if limited in number and possibly associated with the production) comments about "New Suit", you must be puzzled about why this independent film was not picked up for theatrical release.

A movie about a struggling screenwriter in Hollywood who sells a screenplay without having a real script! Sounds like "The Big Picture" and "Office Space" (but trust me - "New Suit is not nearly as funny). Also sounds like another of those situations where an actual screenwriter had so little real life experience that the only thing he could write about is the movie business.

So they take an old concept from "The Emperor's New Clothes", "As Young as You Feel", or "Being There" and change the setting to Hollywood; partly because it's the only world they know anything about, partly because it lends itself to super cheap production design, and partly because those in "the business" are subject to a conceit that those outside the business are just dying to see a detailed examination of Hollywood workplace dynamics. Kevin Taylor (Jordan Bridges), an aspiring screenwriter by night and a lowly assistant to a producer (Dan Hedaya in a good supporting performance) by day, invents a writer named Jordan Strawberry (a Baskin Robbins employee and the flavor Keith orders) and an unseen script titled "New Suit". His agent and sometimes girlfriend (Marisa Coughlan) cleverly parlays it into something everyone must have, with producers bidding millions for the rights to produce it. You have to suspend disbelief a little here but Coughlan's manipulations are pretty convincing.

Now if this is starting to sound like something with extremely limited viewer appeal I haven't mentioned the worst part. Just as things are getting fun and you begin to identify with the two schemers, Kevin changes his mind and confesses rather than take advantage of the situation. So instead of being able to get off on the situation and have some vicarious glee, the viewer is subjected to an extremely tired lecture on morality and personal integrity (as if anyone actually believed this story was anything more than a satirical fantasy). And they wonder why these things lose money.

A word about Marisa Coughlan, this is the third of her films I have seen ("Pumpkin" and "Teaching Mrs Tingle" were the others). All three were lousy films made watchable by her performances-"New Suit" was the best if only because it was her biggest part. Coughlan strikes me as a actress who brings 200% to the set each day and whose performance must be restrained by the director rather than motivated-a problem that directors wish they had to deal with all the time. Hopefully she will get work in some decent ventures soon because she more than deserving.

Then again, what do I know? I'm only a child.

What can be said about "New suit"? What can be said about "New Suit" inside "New Suit"? What can be said about the people around "New Suit" in this movie called "New Suit"? While this constant words repetition may sound stupid, it's just silliness. I'm playing with the movie's plot; which involves a frustrated writer, who has a girlfriend who works in Hollywood (and so does he), and invents the name of a script and a screenwriter, because he is tired of hypocrisy in the business. The name of this script, you already know it.

What you don't know and haven't seen in a while is this story. You haven't seen the creation of this people's own "Hollywood", and what happens in it. An awkward mix of professionals and inexperienced try to show the "experienced" world to us with a surprising result. The fact that this movie is fun comes from the notable, but not exaggerated, ridicule of Hollywood world. With his first screenplay, screenwriter Craig Sherman came up with a world inside a film studio; where he developed his characters.

Kevin Taylor (Jordan Phillips) is a worker in this cinematographic studio; he got the work after he dropped writing…He was positioned close to Muster Hansau (Dan Hedaya); the studio's producer; his inspiration. There's also a lot of companions there for him: Juan (Benito Martinez), Andy (Dan Montgomery Jr.), Girard (Andrew Ableson) and the bosses (stupid also); Molly (Heather Donahue) and Smokey (Mark Setlock). There are more characters, of course, but you'll get to know their personalities also. Kevin then finished his relationship with Marianne (Marisa Coughlan), and what I said before happens…Sooner than they realize, Marianne and Kevin are having fun, François Velle is having fun, and we are having fun! With some editing problems, soft score, and simple shots (with not much quality) leading to a tranquil direction; Velle managed to work perfectly with his inexperienced actors (not all of them were inexperienced, of course. This gives credit to Sherman's script, so well developed and believable: I really wanted things to go right for everyone here… I was talking about the actors (they're so many)… Jordan Bridges (Kevin) emerges as a natural, dominating each of his lines with confidence. He comes from a family of actors; nephew of Jeff Bridges, son of Beau Bridges…Marisa Coughlan (Marianne) gets to play the predictable and tiring "bitch" character: she succeeds, but I hope that's not the only role she can play. Heather Donahue (Molly) doesn't have the necessity of showing acting abilities. She just puts faces and stands there wisely. Andrew Ableson (Smokey) doesn't need to act much either, but he manages to create funny moments in the appropriate times. Benito Martinez (Juan) is outstanding and original with his manners and voice tones; a great future's ahead of him. The most surprising character, even when he didn't do much, was Dan Montgomery's Andy; so subtle and unexpectedly funny. The irregular and experienced Dan Hedaya (Muster Hansau) is reduced to the usual clichés, and not capable of giving something more. Interesting to talk also about ER's Paul McCrane, who's Braggy is so intimidating and laughable; with an Asian girl that tells him about good and bad waves and how to things. Or Muster Hansau, who can only look for a script when his prostitute tells him. As all of this was happening, I wondered several times: "Could this really happen?". For other reasons, I came to the conclusion it didn't matter.

The ending of the movie is rarely unpredictable and unexpected; although it comes totally unsatisfying. When the ride finishes, it prepares you for another ride. With laughs and great development moments, I liked the first ride, but I wouldn't join in for the second time…I'm glad the second ride didn't come.

I was in New York and saw this film at the GenArt festival. I didn't know what to expect, but was pleasantly surprised with this smart comedy. With the kinds of movies the studios are releasing, it's refreshing to see such a well made, fun and entertaining indie film. The characters are hilarious, with an especially funny depiction of a desperate Hollywood producer by Dan Hedaya. The audience loved it and I was glad I got to see the film.

Watching HBO on a Tuesday afternoon is rarely a very rewarding activity. Wanna be films pour for more than eighty minutes on screen, making me wonder whether sleep doesn't truly have an intellectual purpose. However, from time to time, like once or twice every six months, it just so happens that there's film on, Tuesday in the afternoon, which has a title that appeals in even the faintest regard. Now, that's a day to keep in mind. When there's even a concept behind the thing, a tiny eye-hole vision, then you might just have yourself a funky time on your head.

"New Suit" is by far not an impressive film, but, given the circumstances above mentioned, it gathers some attention for itself, considering the allegorical context: Hollywood living in it's flawless suit of "despickability". Maybe there's not much to laugh at during the movie, but it's a pleasant feeling to sense someone small and innocent portraying Hollywood's fakeness and forgetting that everyone is a "victim" in the system. Of course, it doesn't go too deep and about half of the movie feels just like a dumped story of its kind, but being candid is that which makes it worth its while.

The actors are so well picked - total anonymity dispersed among some familiar faces - that they conjure this fantasy like atmosphere, cleverly backed up by some very lively, nearly surreal colors, obviously denoting that it doesn't take itself too serious. I have to appreciate "New Suit" for being smart, even though it remains somewhat hollow at times.

I am enrolled in a film course at Pepperdine University, and had the unfortunate opportunity to see this film in class. The professor said he loved bringing in indepedent films where the class knew nothing about the film. I was sorry that I didn't know something about the film, or I would have known better to attend more films during the earlier part of the semester so I would not have to see this mess. It is a very sloppy attempt at comedy with pitiful character development. The director commented to my class that he took a "leap of faith" on some issues in development of characters. Looks like he leaped in the wrong direction.

I counted three occasions where the class laughed, I laughed only twice. The first laugh came nearly 1 hour and 5 minutes into the movie... talk about slllooooooww. Mixed in with the drab attempt at humor is an unlikable main character, a bizarre mix of filler characters who the audience knows nothing about, a story line that seems like we are missing major clips, and a time line that jumps months with no acknowledgement of the jump. The movie was also poorly edited - as I noticed an obvious error in the first five minutes. It only went downhill from there. The script was weak, and I see why this is an independent film.

If you enjoy films with little plot, non-developed characters, and films that appear to have major parts missing - then this is the film for you. Otherwise, you best find your enjoyable film experiences elsewhere. Film Critic Dirty Mike did not enjoy it either.

2/10

What a refreshing, well-written movie is the comedy New Suit. Talented fresh faces backed by solid veterans comprise a very able cast. The clever shooting was done in digital 24P a la George Lucas with fine results -- The framing, colors and scenes are quite lovely. This magnificent send-up of Hollywood is a delight to behold... Quite amazing considering its modest $1 million budget. New Suit is an excellent comedy and a fantastic tonic for the mediocre drivel that the big studios distribute. This movie is obviously the work of a great team -- it's a winner.

I just saw this film screened in Aspen, CO last week. Had no expectations (I walked into the wrong screening room!) and loved this movie. I wish I knew when/if it will be released so I can tell my movie-loving friends to see it.

I have seen plenty of trite comedies (you too?) so when something unique comes along it really grabs me. Interesting visual effects, great comic acting, groovy music, colorful sets, snappy dialogue, swift pacing, a plot that was complex enough to keep surprising me without totally confusing me. All the actors are "characters" -- except maybe the lead actor. Initially, I was afraid the the "back-stabbing ex-girlfriend" would be just like every other nasty bitch you've ever seen in the movies -- but despite her selfishness and lack of ethics, I found myself liking this perky blonde schemer. I also worried that the hero would be to perfect, too squeaky clean. Not quite.

Unlike some other "behind the scenes in Hollywood" films, New Suit doesn't suggest that Hollywood is evil. These B.S. artists are really driven by a fear of failure or of looking like failures. So you feel a little sympathetic even as you laugh at these clowns trying to cover their hind ends and puff themselves up. And that's not just a Tinseltown syndrome.

For techies: I heard this movie was 'filmed' in high definition digital video using the same "24p" (24 frames per second) technology that George Lucas used for the new Star Wars movie.

I came to a screening of NEW SUIT with a friend, and I was just blown away. I knew nothing at all about it beforehand, and afterwards I was just happy. It's kind of a feel-good satire. It's kind of like "The Player" and "Swimming With Sharks" but with more jokes, and snappier dialogue than "Swimming With Sharks" and no dead bodies. It's more fun and not as dark as those movies. I recommend seeing this one strongly. You won't regret it. The story itself sounds deceptively simple. Guy comes to Hollywood. He wants to be a writer and he ends up with a lame job as an assistant. He's really not happy. He plays a trick on his friends and tells them that there's a new script they have to read called "The New Suit" by a guy called Jackson Strawberry. The joke is that there is no script and no author. Very quickly, those friends tell their friends, and it runs out of control very quickly.

Soon everybody's talking about "The New Suit" and this mystery writer. It gets to a point where people are trying to buy this fake script. I won't spoil the ending, but it's really unexpected.

I said that it's deceptively simple, because there's a lot going on here. First of all the movie is fast. It moves very quickly. The dialogue and characters are sharp, and nasty and absolutely dead-on hilarious. the movie never stoops to cater to the lowest common denominator. you've got to pay attention because things start to happen so quickly and the movie doesn't explain everything. You've got to figure it out. New Suit has a great look. I saw it projected in a wide-screen format and it was really rich. I recognized some of the actors (Dan Hedaye), but all of them were fantastic - across the board. The two leads (Marisa Coughlan and Jordan Bridges) were very charismatic. They were familiar to me but this movie really shows their capabilities. There's also Paul MCrane from ER. And you'll be surprised by his performance. And Heather Donahue from The Blair Witch Project has a supporting role, and she proves herself here. Dan Hedaye is raw and sleazy and scary here - an excellent performance as good as anything I've seen him do. But really, the acting is solid here. The music was very cool. Editing is quick. Its well-directed, but I did get dizzy at one point (you'll see what I mean). But mostly you're just going to laugh. Some of the jokes are set up way in advance and I had to laugh out loud, and I never do that. The dialogue was just sharp and youve met all of these characters before. I did get a little confused at one point and I will say that the movie starts out like a typical Hollywood story, and you feel like you've seen this before, and then it kicks in and surprises you. Overall you leave the theater feeling good. It's a fully-realized satire and I strongly recommend it. If you like your comedy with a brain, you'll like it a lot.

New Suit, which opens tomorrow, I had the chance to see on the Fox lot last year. Having been around and developing several screenplays, I can honestly say that this film looks to have been written by someone who has gone through some of the exact same things.

While certainly some of the comedy falls short, because comedies aren't easy to do, Jordan Bridges plays a pretty good "new guy" just starting out in the biz who has high hopes, yet are dashed by how he sees that films are really picked.

Most ' angry film students' who lived in fantasy land, like I once did, won't really appreciate the humor because they are dealing mostly with the microcosm of film school where they can do what they like (like the previos reviewer). That said, I do think that much of the films humor may be lost on a non-industry crowd, so I don't know where this film's future lies. Needless to say, I enjoyed it. (The side characters of the junior executives is dead on.)

Certainly photographed and cut like any other comedy released by a major studio, New Suit may not leave a big mark on anyone, but it's worth a look.

pJ

We all the know the story of "The Emperor's New Clothes"...of course the first time we heard it in Elementary School, the most fascinating part was that the guy walked through town naked. With age comes (some) sophistication. I'm talking about my experience screening a hilarious new independent film called "New Suit", based roughly on the old story, but set in modern Hollywood. I was fascinated by this film's ability to be so funny, yet so suspenseful at the same time. Just who will be the one (symbolically) naked in the end? The answer here will surprise you. I love Independent film. Like a growing number of people, I'm sick to death of being spoon-fed the latest studio comedy. On the other hand, there is also a small, but vocal group in Hollywood coming straight out of film school with plenty of disdain but no real ideas or experience for making a difference in Independent film. Happily, New Suit is a TRUE Independent film - a small movie with a clever script and unique characters, played by likeable actors that you recognize, but aren't sick of - and ultimately you get the feeling that there is a small group of talented filmmakers here having fun making us laugh.

As self-confessed movie addict, I'd thought I'd seen it all -- but the new indie feature NEW SUIT still managed to impress me. Gorgeously filmed in the new digital 24P (the same technique used by George Lucas for the new Star Wars), NEW SUIT is reminiscent of other hip, fun movie satires like Swimming With Sharks, Living In Oblivion or even LA Story. This one, directed by Frenchman Francois Velle, is deliciously sharp and wickedly dark. Perhaps it takes an outsider to truly see through the gauze of the Hollywood dream factory. Smartly written, beautifully edited, finely acted and backed by a snazzy, peppy soundtrack, NEW SUIT is almost flawless as this French director's crossover English-language debut. As Hollywood hopeful Kevin Taylor, Jordan Bridges is both down-to-earth and likeable. Like his father Beau, he seems set for a very solid movie career. This kid has decency written all over him and is gorgeous to boot. The rest of the cast are equally charismatic, from Marisa Coughlin as beautiful aspiring agent Marianne Roxbury to Dan Hedaya as fearsome CEO Muster Hansau (even the names are hilariously on the nose). Mark Setlock and Heather Donohue (of Blair Witch fame) provide a wonderful comic due as Muster's put upon development executives, driven entirely by fear. Donohue, in particular, reminds one of a young Catherine O'Hara and one hopes she gets the chance to show off her comic talents in other movies. Screenwriter Craig Sherman even takes a cameo as the icecream man Kevin names his fictitious writer after (Jordan Strawberry).

Without giving the plot away, the bones of the story are deliciously simple. Disgusted by the game-playing and back-biting of the studio industry, Kevin takes the concept of the Emperor's New Clothes and makes up an entirely fictitious 'hot script' - just for the joy of seeing his peers squirm as they pretend to have read it. Too late, his 'joke' snowballs out of control - and even Marianne gets in on the scheme. Before she and Kevin know it, she's incited a bidding war between two rival producers, mediated by a icy, bald-domed studio head Braggy Shoot (with his own personal Feng Shui advisor) in a very funny performance by ER's Paul McCrane.

There's far too much to compliment about NEW SUIT -- it's richly layered with many, many insider jokes - and it's the kind of movie you'll want to watch a few times over to really savor all the funny details and smart/snide punchlines. NEW SUIT has the potential to be a hip cult favorite.

I saw New Suit at a student screening. The movie is a slick, fast moving satire on the film industry's the holy grail: a hot script.

This is a little movie that packs a lot into what I was told a One Million Dollar budget. The lead character, a hapless D-boy, JORDAN BRIDGES (development assistant/staff reader) stuck in a thankless job is charming and likeable from the get go. In fact, he may make a lot of the aspiring D-Boys nervous, since he has the routine down pat. The humor in the story has as tongue in cheek quality to it, and is a refreshing change from all the indie films that are trying way too hard to be "cool." Heather Donahue shows her comedy chops and is a majo, especially since her other big role was the from Blair Witch.

I may be the only one who sees this flick as a homage to CANDIDE in many ways. But, what the hell, I had a good time. The D.P, rocks, especially since he clearly had to make every shot count working on such a tight time frame and budget.

New Suit is hands down the worst film I've seen this year. It looks like it was shot using an ugly cam. How does a film look like this get released. Barely, when I saw it, there two people in the theater, and they were theater employees, so I guess they had to be there. The picture doesn't look good, but with the acting, who cares. No performances stand out, they're just mostly mugging actors who have little ability to convey even the simplest of emotions.

If you're not a fan of poor technical qualities, stay away. If you like to laugh, stay away.

In fact, just stay away.