Illusion

This is one of those stories that just adds up. I saw this at the Palm Springs film festival and was of course impressed by Kirk's performance but was impressed even more so by the nature of the story. Based on a french play, the conceit of the piece is clever and resonant. We would all like the opportunity to rewrite something about our lives, this takes that idea and the idea of love showing itself regardless of distance or time to a new level.

I think this is a great piece for families. While the audience I was with was rather old there is nothing in this that would not appeal to anyone who has a father, with whom they might have a difficult relationship or for that matter anyone with a child.

The "Illusion" reminds me of Cinema Paradiso and Broadway Danny Rose in that it challenges the viewer to suspend its belief and follow the fantasy of second chances and missed opportunities. This is done in an effective manner with the main characters played by Kirk Douglas and Mike Goorjian.

The challenges of the film are evident in how much to show both the viewer and Douglas' character without giving away the whole truth. Goorjian's character is consistently interesting in that with no direct intervention of a patriarch, he is destined to attack life in unconventionally original ways. An example of this is the wooing of his first and only love by round-robin poetry. Douglas is very engaging, searching for his son through the only medium which he can relate-cinema. Understandably, neither character changes, until the very end.

It is a sad statement on the affairs of father/son relationships. Not being able/unwilling to relate seems to be the common theme in this film. However, when it counts, a true father's voice will always ring loud and clear. The performances are consistent and distant at the same time.

This is clearly a complex film which simply describes lost relationships rediscovered in the only medium that can truly impacts everyone. Yet its appeal can translate to all ages.

This film should be seen all and I feel that Kirk Douglas may finally have found his first Oscar.

Before I get to discussing the plot of "Illusion", I should point out that the DVD, amazingly, is NOT captioned in any way (at least the DVD I saw). This is a serious problem not just for people like me who are hard of hearing because the film stars Kirk Douglas AFTER his major stroke....and it's very difficult to understand him without captions. It's a shame, as I am thrilled they'd hire a disabled man but you might struggle to understand the film at times.

Douglas plays an aging movie director who will be dying soon. One day, he has what you can only assume is a dream or vision. In this experience, a man (is he an angel?) transports the director magically to a movie theater...complete with a bed for the director. The man shows the director three short films.

The first shows the directors son, Chris, as a teen who is smitten with a girl. It's a tad creepy the way he follows her and the story ends after Chris goes through hell trying to get the girl. It also turns out that the director abandoned the son, long, long ago.

The second film shows Chris about a decade later. He and the girl have gone their separate ways. He is a goth who works for a very self-absorbed no-talent performance artist. One day the artist announces to Chris, his assistant, that he saw the most amazing woman on the street and Chris' job is to find her and invite her to a big event. He's also told if he doesn't find her, he's losing his job and not getting paid! When Chris tracks her down with the clues the artist gives him, he finds it's the same girl from the first film.

In the third and supposedly final film, you see Chris again...about a decade later. He's just being released from prison and goes to the old town looking for the girl. He cannot find her but is befriended by a nice guy (Bryan Cranston) who invites him to his house for a party. At the party, he sees the girl...but it appears that she's married to this nice man and has his child. But is this all? Is there, possibly, a fourth reel?

The film is both very surreal in style and existential as it asks questions about the meaning of life. Both make it a film that many probably might not like, as it's anything but a Hollywood style film. It is something that might appeal to folks who like the films of Ingmar Bergman as well as Kurosawa's later films, as these two famous directors were some of the few who did films that explored these issues. Overall, a truly unique and interesting movie...one that you really should see if you want something different...or if you don't mind exploring your life and life choices.

What a wonderful movie. I loved it so much that I never want to see it again, but I know that eventually I will pick this movie back up and watch it again. I know what you're thinking, She's crazy what's she talking about? What I am talking about is simply this, the movie made me laugh, it made me cry and it made me think all about the things that I did in life up until now. It made me think about those I left behind and or whom left me behind. It made me feel things that I did not want to feel, that I thought I had l gotten over. I do not think that I could handle watching this movie again, but I know eventually I will give it another watch or two, or three because it was that great. I loved it.

This film is wonderfully moving and beautifully crafted. Kirk Douglas's performance was near perfect as the hard-headed businessman producer, a man's man, who has an experience that penetrates to the depth of his vulnerabilities. The scenes between Douglas and Ron Marasco as Stan are wonderful with captivating and moving performances on both sides.

Writer/director Michael Goorjian was nicely understated in his role as Douglas's son and Karen Tucker was charming as Isabelle.

We need more of this type of film. It has an uplifting message that leaves one smiling. It could have easily become saccharine and sentimental but does not. It made me smile.

We saw it paired with the short, "The 100% Perfect Girl" by Greg Boudreau, a marvelous combination.