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It has been nearly five years since the release of this recent traditionally animated Disney flick, made in a CGI-dominated time, and I definitely didn't even hear about it at the time of its release. It clearly didn't turn out to be a box office smash, which is probably why I never heard about it (unlike "The Incredibles", the hugely successful CGI-animated feature released the same year), and I don't think I knew about it until I saw it mentioned in a book about animated films a couple years ago. After seeing "Home on the Range", I can definitely see why it tanked.

In the old west, Maggie, Mrs. Calloway, and Grace are three cows, all with very different traits, who live on a dairy farm in Nebraska called Patch of Heaven, owned by an elderly widow named Pearl Gesner. Pearl owes a lot of money, which she unfortunately can't pay, so it appears she will soon lose her farm, and it will be auctioned off! So, the three cows decide to set out to try and save their home. They must track down an outlaw, a cattle rustler named Alameda Slim, who uses a false identity to claim many properties in the state, and hypnotizes cows with his yodeling! On their adventure, they meet others on the same mission, to try and stop Alameda Slim, and due to the different traits of the three cows, they don't always get along, with conflict between Maggie and Mrs. Calloway, which obviously won't make it easier!

Others have already mentioned the lacklustre plot of this film, and I'm going to have to agree wholeheartedly. The plot pretty much completely failed to interest me, since it's very simple and forgettable, and the real lack of humour doesn't help. I only rarely found amusing moments, and kept a straight face for almost the entire thing. For example, there's some weak slapstick, which may appeal to kids, but probably not many others. I found that the funniest parts involved Alameda Slim's dimwitted nephews, parts such as them not being able to recognise their uncle after they've seen him put his simple disguise on, but they are very minor characters. Not only is the plot forgettable, so are the gags and most of the characters. Basically, the film was put together fairly simply, and probably could have been more focused. I found myself indifferent to pretty much everything about it, and I'm sure I'm not alone.

It looks like this film marked the end of a very long era, the era of traditionally animated theatrical Disney movies, which began in 1937 with "Snow White and the Seven Dwarfs" and went on with the company long after Walt Disney's death in 1966. Through those decades, so many classics were made in the franchise, so it's unfortunate that they couldn't finish with a much more noteworthy picture. Instead, they finished with a dull one, one which is probably much more appealing to kids than adults, unlike probably most of them, which can be fun for all ages. "Home on the Range" reminds me a lot of "Rock-A-Doodle", a 1991 animated film from Don Bluth, and not one of his more popular efforts. Both are lacklustre animated films with anthropomorphic animals, ones which are basically for the kids, and I've personally found to be very unmemorable.

Having only just moved to her new home, Maggie the cow is shocked to learn that it is to be shut down and auctioned off – more than likely meaning the chop for all the animals. With cows Mrs Caloway and Grace in tow, she sets out to try and save the farm by claiming the reward for bringing in an infamous cattle rustler. Ignoring the sheer improbability of this, they set off only to find that several other parties (animals and humans) have similar ideas.

I came to this film as one of many animated films on during the Christmas period and given the genre perhaps had reasons for looking forward to the usual star cast, kiddie friendly laughs, subversive adult humour and solid plot with a moral at the base of it. Sadly though this genre is no longer one that can be judged based on your Shrek's, Toy Story's and so on but now needs to be approached with caution given how many weak copies there now are out there. It is a shame to have to point the finger at a Disney product for this crime but I couldn't shake the feeling that the planning for this film involved watching the good Pixar films and saying "let's make one of those but without the effort or cost".

And so the film was born and it appears the effort and cost has been removed, perhaps making a more profitable film due to lower overheads and a "look kids it's another animated film" marketing strategy that writes itself, but what it doesn't produce is a good film which is what Home on the Range stands as testimony to. The story is a very simple adventure that doesn't really have much to it beyond the basic description above and I was surprised by how plodding most of it was. The laughs are few and far between and the delivery generally seemed to lack energy. The animation is pretty basic looking and seems to have been made by a rather lacklustre committee, which is ironic when you think about what the significance the film holds within the legacy of Disney.

The voice cast has names but it feels more like actors being "the voice of" rather than playing characters. As a result they tend to just play on their voice rather than develop characters. Roseanne is Roseanne but with weak material (meaning she is just loud and not funny). Dench takes her money and I doubt very much if this film will ever be mentioned when discussing her body of work, and nor should it be. Tilly at least plays up her part and has quite a "fun" voice. Quaid, Gooding Jnr and Warburton are so-so even if small turns from Buscemi and Weaver are quite fun.

Overall then a pretty lacklustre product across the board that seems to be content to just take the success that simply being in a genre that we had gotten used to being good. It might amuse young children with its big bright shapes and loud noises but older children and certainly adults will find little to entertain.

I really took a chance when I bought the DVD of "Home On The Range" because I had not seen it. It is not my normal practice to buy something that I am totally unfamiliar with. However, I was happily surprised. This movie was wonderful! My kids and I thoroughly enjoyed it.

Roseanne provided a funny voice to one of the cows. Love her or hate her, the casting was perfect, like Ellen DeGeneres was for "Finding Nemo".

I read here on IMDb that "Home On The Range" is the last Disney film to be done with traditional animation. Maybe there are faster or cheaper ways of making these movies, but a great history is coming to an end. Kind of sad… I recommend this movie. While it may not be a masterpiece, it is a delight that is better than most Don Bluth or Dreamworks films.

I would give it *** out of four. Fun and funny stuff!

Ignore the hate if you fell in love with this film. I just watched it and I thought it was fine. Yes, it has it's issues, but I wouldn't consider it as a terrible film from Disney.

Home on the Range was kinda unique. It had nice animation and the characters like Maggie, Mrs. Calloway, Grace and Lucky Jack are pretty good.

The villain, Alameda Slim was pretty weak. He's so dang goofy it's hard to take him seriously.

Here are some things I would change about Home on the Range:

1. Have the characters be more interesting. Don't make them flat.

2. Delate some of the cow jokes. There are too many of them.

3. Make Slim a better villain.

4. The yodeling song could use some work with lyrics.

Overall, this is an okay Disney film. I wouldn't say it's bad, but it's okay.

While the film wasn't a total dud a la "Treasure Planet," it's certainly no "Little Mermaid," or even "Emperor's New Groove," which I consider the best of the latest crop of cartoons for its hip sensibility. "Home on the Range" suffers from an unoriginal and unfunny script, although it is not tediously poor or Saturday-morning-cartoon simple. To begin, there is an overabundance of plastic-playset ready characters (literally a whole farm full): the trio of bounty-hunting heifers played by Roseanne Barr, Judi Dench, and Jennifer Tilly; the yodeling cattle rustler Alameda Slim (Randy Quaid) and his three bumbling nephews; the wannabe-hero steed Buck (Cuba Gooding Jr-- who ok'ed that name?); two lascivious bulls; a buffalo bouncer; a peg-legged jackrabbit; and a whole farmyard of pigs, chickens, a goose, and a surly goat. Oh, and Steve Buscemi shows up too, as a caricature of himself in a purple suit and a pencil moustache. Estelle Harris and Patrick Warburton (so memorable in "Toy Story 2" and "Groove," respectively), had brief cameos as well. There's no time for any kind of character development (not even with a sacred Disney "I Want" song), and the thinnest of premises has the cows hunting for Slim in time to get the reward money to save their farm. I was surprised not by the simplicity but by the unnecessary, unfunny bawdiness of the script (the movie opens with a shot of the Barr cow's ample udders, with her voiceover dryly remarking "Yep, they're real. Quit staring." Crossdressing, pee, and fat man jokes follow.) Alan Menken wrote a few snappy but unmemorable tunes (none of which are sung by the characters, but by the likes of Bonnie Raitt and k.d. lang) and a Coplandesque score. The film redeems itself in its art direction, which bursts with Disney color and retro UPA-style angularity. Especially in the opening scenes, a multiplane effect is used to further flatten, rather than deepen, this storybook world. It's an interesting and visually engaging concept that works well for the story. Backgrounds are intricately detailed with drybrush effects that call to mind "Sleeping Beauty;" if that film's art director, Eyvind Earle, had been called upon to paint the rocks and buttes of the American desert, it would have looked very much like this. It's quite stunning, actually, and the best art direction since 1996's "The Hunchback of Notre Dame." I especially appreciated a background detail in the town scene: one of the buildings was actually only a facade, held up by supports like on a backlot Western set. Similarly, sooner or later, not just critics but parents too will demand the Disney animated features to show that they have something behind that venerable name. "Home on the Range" will tide us over for now, but a renaissance of Disney is getting to be overdue. The Disney animation department (what's left of it), like it or not, needs to take a cue from Pixar and strive for family-friendly originality if they hope to maintain the integrity of the brand. ***