Lucky

Wow! Attended a local film festival where they were showcasing horror / sci-fi films. This definitely caught our eye being the basis about a talking dog and how it drives his owner to kill. After the film, my friends and I were shocked and disturbed but we were so enthralled that we can't stop talking about it. This is one pet you don't want to forget to walk or feed!

Millard Mudd is a down on his luck cartoon writer whose fortunes change with the arrival of a cute little dog named Lucky. Murder and mayhem ensue.

Lucky is not a good movie - it's too wordy, the "hero" is completely unlikeable, and the pacing is off. But it's filled with more disturbing stuff than most movies: necrophilia, sex torture, and chainsaws among them. Plus it really seems to hate women. SIDEBAR: I'm a chick horror fan and get really upset when people point to horror flicks as nothing but misogyny. But this movie really doesn't like women.

It kept me watching right up to the dumb ending because I had to see where it was going. Has some darkly funny moments but nothing special. No animal cruelty though - the car wreck that introduces Lucky excepted.

Best Line: "Perception is nine tenths of the law."

The previous commenter said that the dog talked telekinetically. That's what Millard makes up. I believe Millard actually made up the dog's voice in his twisted mind. I think most of what occurs in the movie is in Millard's mind and he's the killer all alone by himself. Some of Millard's voice-overs aren't that bad . It's only worth one viewing though, nothing great here.

This black comedy and horror hybrid stars Michael Emanuel as cartoon scriptwriter Millard Mudd. Mudd suffers from writer's block, alcoholism and a severely overactive imagination. One day on a late night beer run Mudd mows down a poor dog appropriately named Lucky. In his stupor he takes pity on the dog and takes it home to nurse him back to health. After a few days of heavy sleeping Lucky succumbs to his injuries. As Mudd gives Lucky a `good Christian burial' it appears that Lucky comes back from the dead and begins to dictate scripts telepathically to the very impressionable Mudd. The poor lonely Mudd's fantasy life and reality collide when the girl of his dreams enters his life and brings him floating back towards reality. But his happiness comes to an abrupt end when Lucky puts an end to his happiness and leads Mudd down the path of murder and debauchery.

This indie feature written by Stephen Sustarsic and helmed by first-time director Steve Cuden is a cleverly written low budget affair which is entertaining but not laugh out-loud funny. Put together well but lacked the budget to pull together a couple of good gory set pieces that would have helped the film tremendously. The writing and directing are good but a quicker pace may have helped the film too.

A good but unfulfilling dark comedy that has a twisted laugh every now and again and touches on horror elements but never seems to commit to either one wholeheartedly.

Suspiria10 gives it a C-.

A writer who has lost his way hits a small dog one night while drunk driving. After taking the dog home and nursing him back to life (a dog called Lucky, by the way) the writer begins to hear voices and his writing improves. But what is the hidden cost? In many ways, the writing of this movie is by far its best strength, but also its weakness. The first ten or twenty minutes have some of the best writing I've ever seen in a horror film -- the monologue is crisp, well-thought out and transcends the simplicity and one-dimensionalness usually found in horror characters. The sad thing is, though, that while the writer is really good at this... they seem to lack the ability to move beyond this. The film never stops being self-reflective to move on to a real plot-driven film.

Now, I'm not saying the plot is bad. A speaking dog telling a man how to write and then trying to run his life is a good story, especially when it leads to murder. But the plot doesn't evolve -- it's still in the same place throughout much of the film (and it doesn't help the action never leaves the man's living room).

The dog's voice was annoying to me, and we could have used less of this (again, it tends to become repetitious after a while with no progress). But when your story revolves around the dog, I guess you're only given so many options.

Another strength was the grotesque and violent (yet, in some ways comedic) sex scenes. The average viewer would probably be appalled by the violence and the man's cold callousness. And yes, there's necrophilia. But I think this is something many horror fans will appreciate -- I saw the film with two women, which was odd, but still found the scenes as appropriate as I did disturbing.

Overall, the film is okay and in fact quite decent if you look beyond the dragging in the second half. As I've said, the writing is excellent and the acting in all cases is also great (everyone was perfectly in character and had that morbid humor I think was necessary). You could do worse than this, and if you're looking for evil dog movies, this beats the pants off stupidity like Wes Craven's "The Breed".