8 माइल

I enjoyed this movie immensely. I thought it was a departure from the typical movies that star Hip-hop artists nowadays, which typically glorify the hip-hop lifestyle. Which is a very material lifestyle. This movie was pretty dark.

I thought Eminem did a good job acting. I mean he's not going to win any Oscars for this role, but he does a very good job acting. If not for who he is, then you wouldn't pay too much attention to his acting because that's how competent he does.

As most of you already have heard, this movie was based on Eminem's life, but none of the events are actually factual. His relationship with his mother (Basinger) is much more amiable than it is in real life, or at least how it comes across in his music.

Brittany Murphy acts as his love interest, but most importantly his muse.

There are some scenes that leave you scratching your head. One of which is the Eminem-Murphy love scene in the plant. It seems out of place and bad for the pacing of the film. Also Taryn Manning's role as the ex-girlfriend is almost unnecessary. The presence of her character is a key plot element that sets up the film, but the appearance of her character in the film by its end seems unnecessary due to the fact that it is underdeveloped. I wonder if there were more scenes involving Manning that were ultimately deleted via editing.

Overall I enjoyed the movie. Some may not enjoy it as much, but that's probably because they go into the movie with different expectations. If you're expecting something other than a hip-hop based film that subtly comments on social/economic/racial issues, and is a pseudo-rags to riches story, then you might be sorely disappointed.

8 Mile probably isn't what you expect. Given the cast and premise, you probably expect one of two things, either a silly excuse for self-aggrandizement or an overblown caricature of hip-hop culture. You don't get either. What you get is a brave film that is surprisingly culturally and intellectually rigorous and an aggressive film that is so emotionally intense that it seems to sometimes tear itself apart.

The plot is not a biography of Martial Mathers, a.k.a. Eminem, but it is very much informed and guided by the experiences of his early career as a rapper in blue-collar and no-collar Detroit. Eminem gives a compelled, powerful performance that diverges just enough from his public self to inject the story with a strong sense of realism without sacrificing anything artistically. The supporting cast also makes fine use of their considerable talents, carving the Detroit of this film out of the world itself, not out of fiction. Even as they help communicate a hard, unforgiving time and place, they also give rise to deep and profound sympathies that don't come around in every film.

The naturalistic presentation doesn't stop there; most of the film is shot on location in Detroit, and the gritty, sometimes almost frenzied design and cinematography firmly establish that this is not just another Hollywood movie. This is a movie that goes places movies don't generally go where, for good or for ill, many people do live every day. For one, 8 Mile might have the most believable, most powerful representation of an automobile factory of any film in the last twenty years, and it still manages to use the location for sophisticated, plot driving drama. Good stuff.

Of course, the film has its flaws. It's very heavy and bleak, at times it skirts the boundary of cliche a little bit, and the villains, a rival rap group known as the "Free World," are a little over the top, but, time and again, the solid acting and daunting camerawork keep coming back to seize the eye and command attention.

Oh, and, in case you were wondering, there is rapping, and plenty of it. The rapping is really top-quality, cutting edge stuff, for the most part, and it is integrated into the script so well that it is always clear that the characters choose to rap, not that the script forces them to do so. The rapping happens because it must happen to these characters at this time, not because Eminem is a rapper. In an industry where pop music movies are a dime a dozen, this is particularly impressive. This film says something about rap and the human experience that hasn't been articulated this well many times before; it bridges the gap between rap and poetry in a big way, and makes that gap look a lot smaller.

All in all, the thing that really defines 8 Mile is how committed to this idea the cast and crew must have been in order to make this film. Every minute and every second, the cast's intensity never gives up, and the camera never sleeps. The film is detailed, finely crafted, and has a pounding heart the size of a boxcar. If you don't mind the obscenity and violence (and there is a bunch), I'd definitely say this is a movie worth seeing.

It is rare that an established filmmaker and production company create something that young people are able to grasp the complete meaning of. Intellectual jargon or unnecessary vagueness of plot often take precedence over lucidity and appeal.

Eminem's "8 Mile" has managed to break this cycle, presenting in poignant audio/video style the nature of the life so many of our nation's youth live, and how despite it all there always remains the possibility to break through.

The film's meaning is largely overt, not subtle, and makes itself available to a much wider variety of viewers than most films with any sort of dramatic moral. Just look at the box office reports for "8 Mile"s opening weekend.

I won't attempt to speculate on the effect the film will have among our youth, but I personally believe it will be positive in nature. It will be impossible for this film to become as transient as an action blockbuster or as esoteric as a cult classic. It's depth and range of appeal are simply unparalleled in our time.

I think the most impressive thing about 8 Mile is that Eminem isn't a terrible actor. Or maybe he's just playing a character so close to himself that he doesn't have to act. The story is predictable, so there's not a lot of tension while watching it. Also, I found myself wondering why these untelevised, unpublicized rap battles were such a big deal for grown adults. Nevertheless, it's a satisfactory underdog story that I'm glad I finally watched.

Jimmy 'B-Rabbit' Smith (Eminem) is desperate to be a rapper. It's 1995 Detroit. With the support of his friend David 'Future' Porter (Mekhi Phifer), he aims to overcome his personal problems. His mother Stephanie (Kim Basinger) is a drunk. He leaves his girlfriend Janeane (Taryn Manning) when she tells him that she's pregnant. He chokes on a head-to-head rap battle. He has no place to go but to move back into his mother's trailer. His mom's boyfriend Greg (Michael Shannon) is a jerk. He has a part-time grimy auto parts job and then he meets Alex (Brittany Murphy).

Eminem is basically playing himself and he does a good job. He's surrounded by good actors. The sense of the place is the standout of this movie. The Detroit locations have the proper grittiness. The desperation is palpable. The rap battles are exhilarating. The story is relatively standard with nice touches. This is a matter of the perfect story for the perfect lead. He's not really acting as much as being himself.