8 माइल

I think the most impressive thing about 8 Mile is that Eminem isn't a terrible actor. Or maybe he's just playing a character so close to himself that he doesn't have to act. The story is predictable, so there's not a lot of tension while watching it. Also, I found myself wondering why these untelevised, unpublicized rap battles were such a big deal for grown adults. Nevertheless, it's a satisfactory underdog story that I'm glad I finally watched.

Rap is not my cup of tea. But this movie is very well interpreted and perfectly holds water!

I enjoyed this movie immensely. I thought it was a departure from the typical movies that star Hip-hop artists nowadays, which typically glorify the hip-hop lifestyle. Which is a very material lifestyle. This movie was pretty dark.

I thought Eminem did a good job acting. I mean he's not going to win any Oscars for this role, but he does a very good job acting. If not for who he is, then you wouldn't pay too much attention to his acting because that's how competent he does.

As most of you already have heard, this movie was based on Eminem's life, but none of the events are actually factual. His relationship with his mother (Basinger) is much more amiable than it is in real life, or at least how it comes across in his music.

Brittany Murphy acts as his love interest, but most importantly his muse.

There are some scenes that leave you scratching your head. One of which is the Eminem-Murphy love scene in the plant. It seems out of place and bad for the pacing of the film. Also Taryn Manning's role as the ex-girlfriend is almost unnecessary. The presence of her character is a key plot element that sets up the film, but the appearance of her character in the film by its end seems unnecessary due to the fact that it is underdeveloped. I wonder if there were more scenes involving Manning that were ultimately deleted via editing.

Overall I enjoyed the movie. Some may not enjoy it as much, but that's probably because they go into the movie with different expectations. If you're expecting something other than a hip-hop based film that subtly comments on social/economic/racial issues, and is a pseudo-rags to riches story, then you might be sorely disappointed.

8 Mile probably isn't what you expect. Given the cast and premise, you probably expect one of two things, either a silly excuse for self-aggrandizement or an overblown caricature of hip-hop culture. You don't get either. What you get is a brave film that is surprisingly culturally and intellectually rigorous and an aggressive film that is so emotionally intense that it seems to sometimes tear itself apart.

The plot is not a biography of Martial Mathers, a.k.a. Eminem, but it is very much informed and guided by the experiences of his early career as a rapper in blue-collar and no-collar Detroit. Eminem gives a compelled, powerful performance that diverges just enough from his public self to inject the story with a strong sense of realism without sacrificing anything artistically. The supporting cast also makes fine use of their considerable talents, carving the Detroit of this film out of the world itself, not out of fiction. Even as they help communicate a hard, unforgiving time and place, they also give rise to deep and profound sympathies that don't come around in every film.

The naturalistic presentation doesn't stop there; most of the film is shot on location in Detroit, and the gritty, sometimes almost frenzied design and cinematography firmly establish that this is not just another Hollywood movie. This is a movie that goes places movies don't generally go where, for good or for ill, many people do live every day. For one, 8 Mile might have the most believable, most powerful representation of an automobile factory of any film in the last twenty years, and it still manages to use the location for sophisticated, plot driving drama. Good stuff.

Of course, the film has its flaws. It's very heavy and bleak, at times it skirts the boundary of cliche a little bit, and the villains, a rival rap group known as the "Free World," are a little over the top, but, time and again, the solid acting and daunting camerawork keep coming back to seize the eye and command attention.

Oh, and, in case you were wondering, there is rapping, and plenty of it. The rapping is really top-quality, cutting edge stuff, for the most part, and it is integrated into the script so well that it is always clear that the characters choose to rap, not that the script forces them to do so. The rapping happens because it must happen to these characters at this time, not because Eminem is a rapper. In an industry where pop music movies are a dime a dozen, this is particularly impressive. This film says something about rap and the human experience that hasn't been articulated this well many times before; it bridges the gap between rap and poetry in a big way, and makes that gap look a lot smaller.

All in all, the thing that really defines 8 Mile is how committed to this idea the cast and crew must have been in order to make this film. Every minute and every second, the cast's intensity never gives up, and the camera never sleeps. The film is detailed, finely crafted, and has a pounding heart the size of a boxcar. If you don't mind the obscenity and violence (and there is a bunch), I'd definitely say this is a movie worth seeing.

Those who are saying `8 Mile' shows a vanilla-ed Eminem may have a point: this movie introduces him to a non-rap audience just as `Wild Style' introduced us to hip-hop. But those who say Eminem is sanitized here for mall viewing have an odd notion of language. Perhaps his CD's contain more inflammatory material than is aired in this movie, but what gets said here is most definitely not for any suburban grandmothers who aren't stone deaf.

It's surprising - admirable, really - how well Curtis Hansen and his crew keep track of the plot from scene to scene when not much of it seems to matter other than Rabbit's problems with his mother, Stephanie Smith -- Kim Basinger. Bassinger is a blue ribbon southern white trash trailor park mom. You can't help feeling that with minor tweaking she could be the mother of a Grosse Pointe prep school boy, a lady whose problem was overspending instead of imminent eviction from a stinky trailor. Bassinger makes trashiness look attractive, just as she made movie star decay attractive when Hansen directed her in `L.A. Confidential' six years ago. Rabbit's problems with girlfriends aren't significant, though he has two of them, an ex and a new one. Both are delicious but primed for rejection. Rabbit's closest relationships are with his emcee pal `Future' (played by an utterly charming and huggable Mikhi Pfifer) and his slightly retarded token white homie, Cheddar Bob (Evan Jones).

But his closest relationship of all is with himself, as is clear from the first scene, where Eminem is doing rap gestures in the competition shed men's room, looking in the mirror, hearing his music in his head --and this is fine, because it's what a young man has to do: get on friendly working terms with who he is. The movie is about his going off to be on his own and give up his rowdy playmates to become a winner, and he walks off by himself in the final scene. The comparison with Shakespeare's Henry IV isn't out of place. The Shakespearean parallel was used explicitly for Keanu Reeves' character in `My Own Private Idaho' but the theme is really more central here. Eminem isn't a cold personality like Keanu Reeves in Van Sant's movie. He is close to his mates and they're always touching hands and gently hugging each other. The hands and the hugs are one of the main images that stay with you after seeing `8 Mile.'

Eminem as shown in `8 Mile' isn't totally motivated by his anger at all. His anger is very contained. He seems able to turn it on and off at will and release it only when he needs it -- to trounce rap competition or throw out his mom's sleazy boyfriend. It's his ability to control his anger that makes both Rabbit and Eminem winners.

Eminem does have an authenticity about him that makes for a strong presence on screen. Paradoxically he projects a powerful inwardness, so that his turning away from everybody makes his face jump out at us. His effect is of authenticity, because he doesn't put on a reaction to please the audience or suit the scene, but he is always there, moving with the scene and in fact creating it.

`8 Mile' isn't just a vehicle for Eminem. It's too well made a movie to be that. But without Eminem `8 Mile' wouldn't exist. The only importance of the rapping contests emceed by `Future' is that first Rabbit shies away from them, and then he enters them and wins them. You have to wonder how the rapper/actors feel who are in the movie only to be put down by Eminem.

`8 Mile' cannot escape from the limitations of the fictionalized star biopic. There have been dozens of movies about emerging music stars and their families, their early sponsors, their first big breaks, and so on, many of them with more range and specificity of detail than this one. This movie only takes its hero to the moment when he walks away, having shown that he can be a star. The whole focus is on his personality, and in particular his stillness. The most important moments are those when Rabbit/Eminem stands with mike in hand, silent, waiting for inspiration to strike. Even when he choses not to compete and hands the mike back, this moment is full of power. In this movie Eminem carries the expression of sheer imminence, raw potential, to a new level of clarity and confidence.

This rapper is good just standing there.