Poster Boy

Most reviews for this movie are quite negative, and I guess I am in the minority when I say this - but this movie was fantastic!!! It is not your traditional gay movie, actually it doesn't really have much of a gay focus which might annoy some people. It's more a coming of age story and is relate-able to everyone, no matter what your sexual orientation is. At first the plot of this movie might seem to move along too slowly, but that is simply to establish the characters and setting of the movie which is something that has to be done to fully appreciate this movie. When you look back on the movie, you do realize how everything fits in together perfectly, now that you know everything, although it might seem a little bit muddled halfway through the movie.

Some other users have commented on the movie not being multi dimensional, but I think that the way that the characters reacted are pretty realistic, and most people (generally) are multi dimensional but may only show one side of their selves for one reason or another, and don't forget that this movie is focused from the point of view of Henry Kray. It also has many plot twists, and though it has be commented upon that it is too predictable, I thought nothing of the sort. The characters are oddly unpredictable, and are like multi layered onions, many people might just look it and observe that is it just another gay movie, but it is not, it is so much more than that.

This is on of the darkest gay-themed films released in America I have seen. Most reviews have not been favorable, so I'll do my best to tell you what I liked, and what I didn't like. This is not a bad film, a 1 or 2 star rating seems quite unfair, but reviews are subjective. It doesn't hold a candle to other gay films I have enjoyed, but the subject is very different.

Why I Gave It 7 Stars: It was a solid 6, leaning towards 8 in the beginning, and towards the end, so I compromised. A solid B- film you might say.

The Story: It centers around Henry (played by Matt Newton). Henry is the son of a ultra conservative Senator from the south. Think of "The Birdcage", minus anything to laugh at. Henry is also gay. The film, told in "flashback style" as Henry tells his story to a reporter unfolds over the course of 6 months. Basically, Henry comes out, and family chaos follows. But not for long, as we're almost to the end of the film.

What I Liked: Personally, I liked the edge. This was almost more of a docu-drama, albeit a fictitious one, which could easily be based on truth. The actors were good to very good, the overall production was good as well.

What I Did Not Like: I was nearly half-way through the film, starting to get concerned where it was going, before all the character/story sub-plots were connected. The second half of the movie was strongest.

The Rest of the Characters: Besides our lead, Henry, we also focus on his stereo-typical bigot Republican Father/Senator, and his "senator's wife" Mother. And to the mix, a straight girl Izzi, and her gay male friend Anthony, whose relationship was unusual at best. Anthony and Henry meet under some unusual circumstances at a college party.

The Ending: I never give away specifics, but let's just say it's not a "Brady Bunch" wrap-up. If the ending was all tidied up for viewers, I would have knocked this down to a 5 or 6. Everything about the film was somewhat gritty, dark, "off". It's not the type of film that usually comes out of the USA. We usually have to watch films like this with sub-titles, so kudos to Here! films and those involved for producing the film.

Final Thoughts: This is not a laugh-out-loud sex romp. No, not at all. It's a good story trying to make a point about politics, sexuality and family values. It does all of those well.

Unrelated Chatter: Jack Noseworthy, the actor who played Anthony also starred in "The Brady Bunch Movie" and in his early years, "Cats" in the theater. Matt Newton (Henry) has appeared on the "Gilmore Girls" and "Judging Amy".

POSTER BOY is a film with a lot of potential: the story premise is solid (though a bit tired), the cast of both young and experienced actors is quite fine, and there are some worthwhile statements about our political system, about tolerance and acceptance and family, and about being true to yourself. Despite all of these aspects that should have made a fine little film the whole thing bogs down with some of the worst editing and camera work on record. That, and the writers' (Lecia Rosenthal and Ryan Shiraki) need to place platitudes into normal conversation is most distracting. Zak Tucker as director just didn't seem to have control of this piece.

The story itself is rather simple. Through the gimmick of a confession to a reporter we meet handsome young Henry Kray (the talented Matt Newton), gay since early teens but electing to keep his private life a secret, who is the son of Senator Jack Kray (Michael Lerner) and his lovely but docile wife Eunice (the fine Karen Allen). It seems that six months prior to the time we are invited into the conversation Henry met Anthony (hunky Jack Noseworthy) whose roommate is HIV positive Izzie (Valerie Geffner). Henry and Anthony have a one-night stand the day before Jack Kray is to give a speech for re-election at Henry's college. The Senator accidentally hits Izzie with his car and Eunice insists Izzie stay with them in their suite where the two women bond. Meanwhile Henry's night with Anthony makes him late for the speech, but a talk to Henry from Jack before the speech telling him what to say (Jack is the best father, loves family values, etc) sticks in Henry's throat and soon after he obeys his father's wishes for the speech introduction, Henry turns to his table partner Anthony and the two kiss openly as the Senator is addressing the crowd - all caught by the media of course.

How this moment of honesty alters the lives of everyone around is the crux of the ending. Not a bad tale, but the camera work is so patchy and disconcertingly disconnected that it defies the viewer to keep the storyline straight. But if the viewer can keep up visually, the performances by the cast are well worth attention. There is some very fine talent on the screen of this B movie! Grady Harp

So, the hand cam got on my nerves rather quickly.

Spent the first part of the movie trying to figure out what kind of film I was watching. The film is obviously set up to be a "worlds collide" situation. Perhaps I was expecting that those 2 worlds, or their separateness, would have been better defined from the beginning.

The whole project comes off like an amateur attempt judging by the lack of polish. The lighting is crap. The camera work is distracting. The casting is good. The dialogue is effective but the plot jumped around too much for me to follow. Makes me feel like I have A.D.D.

The technical flaws kept me out of the film and I was left with an overpowering sense of watching a film rather than experiencing it.

A technical quibble first: my hearing is less than perfect, and Poster Boy has a lot of mumbled dialogue with no subtitles on the DVD. New films without subtitles are just inexcusable in my opinion--what is someone who is deaf supposed to do? Just not watch that film?

The best aspect of the film is the acting. The core cast are all fantastic. What didn't work so well for me was the cinematography, editing and the general low budget approach. The cinematography is mostly (or maybe all) hand-held, with a lot of shaky cam shots and a lot of blurriness. The film is loaded with overexposed shots and a dominance of white. While that may have been so for metaphorical reasons, it's not the most pleasant thing to watch aesthetically if it's relentless--and that's also not the best way to get the metaphorical aspects across. The editing is frequently frenetic. In combination with the locations, sets and general lack of music, Poster Boy has the feel of a 100-thousand dollar art house drama made by a director who is way too obsessed with The Blair Witch Project.

Fortunately, the story is better than that would suggest, although it's not perfect. This would have been far more on-target and controversial 15 years ago (given our present knowledge and overall lack of reaction to the sexuality of some political offspring), but it's still engaging enough, especially given the performances, and at any rate, it deals with important issues that are still far from resolved in our culture.