[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
IMDbPro

Il più bel giorno della mia vita

  • 2002
  • 1 घं 40 मि
IMDb रेटिंग
6.9/10
1 हज़ार
आपकी रेटिंग
Il più bel giorno della mia vita (2002)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंThe lively goings-on of a modern family seen through the eyes of a young girl just about to receive her first Communion.The lively goings-on of a modern family seen through the eyes of a young girl just about to receive her first Communion.The lively goings-on of a modern family seen through the eyes of a young girl just about to receive her first Communion.

  • निर्देशक
    • Cristina Comencini
  • लेखक
    • Giulia Calenda
    • Cristina Comencini
    • Lucilla Schiaffino
  • स्टार
    • Virna Lisi
    • Margherita Buy
    • Sandra Ceccarelli
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Cristina Comencini
    • लेखक
      • Giulia Calenda
      • Cristina Comencini
      • Lucilla Schiaffino
    • स्टार
      • Virna Lisi
      • Margherita Buy
      • Sandra Ceccarelli
    • 9यूज़र समीक्षाएं
    • 9आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 7 जीत और कुल 9 नामांकन

    फ़ोटो

    टॉप कलाकार24

    बदलाव करें
    Virna Lisi
    Virna Lisi
    • Irene
    Margherita Buy
    Margherita Buy
    • Sara
    Sandra Ceccarelli
    Sandra Ceccarelli
    • Rita
    Luigi Lo Cascio
    Luigi Lo Cascio
    • Claudio
    Marco Baliani
    • Carlo
    Marco Quaglia
    Marco Quaglia
    • Luca
    Jean-Hugues Anglade
    Jean-Hugues Anglade
    • Davide
    • (as Jean Hugues Anglade)
    Ricky Tognazzi
    Ricky Tognazzi
    • Sandro Berardi
    Francesco Scianna
    Francesco Scianna
    • Marco
    Maria Luisa De Crescenzo
    • Chiara
    Gabriella Barbuti
    • Ruolo complementare
    Barbara Blanc
    • Ruolo complementare
    • (as Barbara Blank)
    Clarita Bollettini
    • Ruolo complementare
    Gaia Conforzi
    • Ruolo complementare
    Larisa Filippova
    • Ruolo complementare
    Mauro Ghionna
    • Ruolo complementare
    Giulia Mastalli
    • Ruolo complementare
    Mario Monaci Toschi
    • Ruolo complementare
    • निर्देशक
      • Cristina Comencini
    • लेखक
      • Giulia Calenda
      • Cristina Comencini
      • Lucilla Schiaffino
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं9

    6.91K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    7dadie

    Good, but nothing special

    As you probably know it is a story of a group of brothers and their mother, it talks about different view of relationship, sex and so on. It has many points, the story goes on fluently, the atmosphere is cured, actors works really good, they export very well emotions and the entire movie as well. The only problem I found is quite basic: it is a normal, classical Italian movie! I'm not talking about Fellini & co.'s movies, but the last decade of movies from my country. They tell us the story of reletionship, familiar problem, real emotions and more. OK, sometimes it is not so bad, like this one indeed, but it seems every time the sequel of a previous movie of this typology. DADIE
    8axolos-1

    Concert of great acting

    The most beautiful day of my life is a great concert of the most distinguished acting I have seen in a long time.

    The Italian family at its best: meeting every Sunday for a lunch at the house of the conservative and traditionalistic grandma. And while on the outside everybody is keeping their face, the relationships within and between the family members have their classic taboos which cannot be touched: the brother's homosexuality, the sister's affair, etc. The longing for love is so eminent, it almost scares. And while we have to wait for the catharsis to arrive, we learn that there is no right or wrong about love. And that the individual perspective about love is just the one there is... no absolute truths, no demons of the known... just the personal stories and their roots.

    The director did a great job with unusual camera positions. They show the hidden, the undiscovered... Thanks!
    5diand_

    No transformation

    Although Il più bel giorno della mia vita is again a story from Italy about the breakdown of traditional family structure, the movie goes way beyond this theme. If you see this only as being on the first (kind of superior soap) level you will miss a lot. It is a movie that makes us viewers work hard. It is well constructed and uses three cinematic devices to get its message across.

    First, there is heavy use of symbolism. The two most important are the dogs standing for loyalty and the cigarettes referring to desire and passion. When true love sets in the dog breaks something on the table. There's the whole stop-smoking club, the two members we know do not only stop quitting, they also have an affair. A boat figures as the obvious symbol. The church is used as a reference for traditional values, here mainly present in the art direction (e.g. church buildings and statues) but also in the young girl up for communion who is the center of the whole story. This movie is so dense that you have to watch it again to get every relation of the symbols in relation to the interaction of the characters.

    Then there is the use of the 'fast character introduction'. The many characters are rapidly sketched in the beginning and all story lines are only touched upon, and because there are so many characters we need time and attention to connect the dots.

    Once we are familiar with the characters and their connections and context, we jump two months ahead. So we do again have to pay attention to pick up on everything. There's other clever use of time (to show past and present in one scene by projecting images at the background, or by using fantasies of past and present).

    There are roughly three parts: the setup of all relations, then the start of all love relations that change the landscape of the characters and it ends with the girl filming it all. That's the key here, because she's the only pure human in the movie. She's the only true religious also, so I find the main message a conservative and traditional one and I do not know if that's intended. (In the same way I do think of Apocalypse Now as a pro-war movie despite trying to be anti-war).

    There's so much effort put into this, but in the end it did not work for me. In line with its main message it lacks emotion and sentiment and is very afraid to use them. That's congruent, but not very interesting basically. As viewers we are not transformed in the movie, although nearly all characters were. But movies are not dead things, they interact with the viewer and that process is what counts. Someone commenting here said this resembled La Famiglia from Scola. I think it's almost the opposite.
    8agyanez

    A poetic film

    This really poetic film tells the story of an italian family. It is the story of a grandmother, Irene, her two daughters, Rita and Sara and her son, Claudio. Sara is a woman who is not able to trust of any man and she is always worry for her son. Rita, who has two daughters, is living the end of her marriage and is in love with a veterinary surgeon. Claudio is a gay and he doesn't try to manage this fact in a good way. At the beginning the relationship inside this family are very formal, everyone tries to hide his deep feelings but, little by little, the impossibility to live a daily life behind a mask determines a change in the behaviour of all protagonists. However this change is not without suffering. Irene herself, who at a first glance seems to be a woman without uncertainty and always tried to give serenity to all his family, suddendly realizes that her life was full of masks too and that suffering and uncertainty are elements of every life.
    6alberto-venturi

    could've been

    A pity this film starred several major Italian actors and actresses, from Virna Lisi to Margherita Buy, and even today's seemingly brightest stars on the Italian movie scene, Luigi Lo Cascio and Sandra Ceccarelli. The problem with this piece of work is not the issues it discusses, these being quite simply some of the brightest and darkest sides of life. It is the fact that pretty much everything could have been done better here - the plot, the photography, the acting, the ending - none of which are anywhere near the level of "Luce dei miei occhi", a previous work (by another director) also starring Lo Cascio and Ceccarelli. The entrance of one manifestly dubbed foreign actor contributes in making the film more wobbly and less believable. But most of all, the way Ricky Tognazzi steps in, near the end of the story, exposes a major plot hole. After that final faux pas, the film is hardly salvageable.

    इस तरह के और

    Loro 1
    6.7
    Loro 1
    Détective
    5.7
    Détective
    Il vedovo
    7.2
    Il vedovo
    Not with My Wife, You Don't!
    5.7
    Not with My Wife, You Don't!
    La prima cosa bella
    7.0
    La prima cosa bella
    La ragazza dal pigiama giallo
    6.0
    La ragazza dal pigiama giallo
    Va' dove ti porta il cuore
    5.4
    Va' dove ti porta il cuore
    Tornare
    5.4
    Tornare
    How to Murder Your Wife
    6.5
    How to Murder Your Wife
    Comme les autres
    6.5
    Comme les autres
    Sex Story
    7.3
    Sex Story
    Il primo giorno della mia vita
    6.7
    Il primo giorno della mia vita

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Italian censorship visa # 96180 delivered on 11 April 2002.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 अप्रैल 2002 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • यूनाइटेड किंगडम
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • The Best Day of My Life
    • फ़िल्माने की जगहें
      • रोम, लाज़ियो, इटली
    • उत्पादन कंपनियां
      • Cattleya
      • Rai Cinema
      • The Producers Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $28,97,130
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 40 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.