Chosen

Ang Lee took to the helm for this second movie in the "The Hire" series. If you think his beautiful style of choreography and cinemotography only applies to humans, or if you never thought about it before, take a look at this one, my favorite entry in the series.

The driver is hired to transport a young asian immigrant, who is obviously of some mystical importance, from the docks to a location in the city. Almost immediately after the young passenger straps in to the second-only-to-the-M5 540i 6-speed, the bad guys present themselves and the chase is on.

What follows is truly a ballet on wheels. A whole bunch of clumsy american cars and a "lesser" German car show their deficiencies to the amazing skill and ability of The Driver and his performance machine.

A first for the series occurs in this film when we see The Driver take a role outside of the car, and you'll see that the role that is played adds a depth to the Driver, and the storyline.

On a cool side-note, you'll notice a certain...er... "character"... imprinted on the gift that the young passenger gives to The Driver - this was a subtle reference by Ang Lee that completely put to rest rumors that had been floating around the net, and concretely said to the world - "Yes, I am directing this movie due out in 2003"

take notice.

:)

Overall, though all the other films had great things to offer ("The Star" being absolutely hilarious), this is my favorite. 10/10

I'm sure many others will say this as well, Beat the Devil was my favorite, but this isn't given enough credit. I disagreed with a comment I read about this film, so I felt I needed to give it what it deserves. The comment I am referring to discounted Lee as "making action to poetic". This was a bad thing to him, thats where I disagree. The car chase scene in this is genius, it IS like the cars are dancing. It's choreographed so well and makes you think of action in a whole new light. There is plenty of action directors you can go to if you want to see the same thing over and over. If you want something new and revolutionary in the action genre, watch this short film. I loved it, 8/10.

Second in the BMW series, this film is very different from the first BMW short by John Frankenheimer. Not as tightly structured as that film, but it has moments of poetry--particularly a balletic chase sequence. Final "Hulk" scene wraps the film up tidily.

You can actually download this freely from BMW's website. As it is a plug for BMW, it is strongly focused on the automobile scenes. BMW, however, did allow Lee enough license to create a captivating film. It is somewhat enigmatic, yet the necessary information is beautifully presented, leaving the viewer more curious than frustrated. Clive Owen is no great shakes, but he gets the job done. The car scenes are beautifully executed and filmed. The kind of cinema that makes you want to go buy a BMW. Watch in the end as Lee alludes to a future project.

This wonderful little short film finds Ang Lee at his best! Full of quiet Ang Lee-esquire moments(when the little Dalai-lama guy in the backseat feels hot, he opens the power window, then rolls it back up; the driver looks at him, understands the little guy's urge for cold air(much like that of his native Tibet), cranks down the temp to 65 on the BMW's climate control system.) Of course, the prominent humorous self-conscious Hulk reference didn't go unnoticed by the viewers, including the ones here on IMDb. This is just one instance of director's amazingly light touch.

Also, the music is absolutely wonderful, which wouldn't be that much out of place in Lee's period piece Sense and Sensibility. The music had me smiling throughout this short film, thinking of the connection to the Sense and Sensibility.

I'm amazed by how Ang Lee transformed the film(whose only aim was to advertise the great German cars) into the first-rate cinema by applying fully his sensibilities and preoccupations.