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The Emperor's Club

  • 2002
  • PG-13
  • 1 घं 49 मि
IMDb रेटिंग
6.9/10
18 हज़ार
आपकी रेटिंग
Kevin Kline in The Emperor's Club (2002)
Pre, "Coming Soon"
trailer प्ले करें0:30
2 वीडियो
33 फ़ोटो
Coming-of-AgePeriod DramaDrama

अपनी भाषा में प्लॉट जोड़ेंAn idealistic prep school teacher attempts to redeem an incorrigible student.An idealistic prep school teacher attempts to redeem an incorrigible student.An idealistic prep school teacher attempts to redeem an incorrigible student.

  • निर्देशक
    • Michael Hoffman
  • लेखक
    • Ethan Canin
    • Neil Tolkin
  • स्टार
    • Kevin Kline
    • Emile Hirsch
    • Joel Gretsch
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    18 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Michael Hoffman
    • लेखक
      • Ethan Canin
      • Neil Tolkin
    • स्टार
      • Kevin Kline
      • Emile Hirsch
      • Joel Gretsch
    • 154यूज़र समीक्षाएं
    • 57आलोचक समीक्षाएं
    • 49मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 कुल नामांकन

    वीडियो2

    The Emperor's Club
    Trailer 0:30
    The Emperor's Club
    The Emperor's Club
    Trailer 2:27
    The Emperor's Club
    The Emperor's Club
    Trailer 2:27
    The Emperor's Club

    फ़ोटो33

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 27
    पोस्टर देखें

    टॉप कलाकार68

    बदलाव करें
    Kevin Kline
    Kevin Kline
    • William Hundert
    Emile Hirsch
    Emile Hirsch
    • Sedgewick Bell
    Joel Gretsch
    Joel Gretsch
    • Older Sedgewick Bell
    Embeth Davidtz
    Embeth Davidtz
    • Elizabeth
    Rob Morrow
    Rob Morrow
    • James Ellerby
    Edward Herrmann
    Edward Herrmann
    • Headmaster Woodbridge
    Harris Yulin
    Harris Yulin
    • Senator Bell
    Paul Dano
    Paul Dano
    • Martin Blythe
    Rishi Mehta
    Rishi Mehta
    • Deepak Mehta
    Jesse Eisenberg
    Jesse Eisenberg
    • Louis Masoudi
    Gabriel Millman
    • Robert Brewster
    • (as Gabe Millman)
    Chris Morales
    • Eugene Field
    Luca Bigini
    • Copeland Gray
    Michael Coppola
    • Russell Hall
    Sean Fredricks
    Sean Fredricks
    • Mr. Harris
    Katherine O'Sullivan
    Katherine O'Sullivan
    • The Nun
    Melissa Brown
    • Blonde Girl
    Sophie Wise
    Sophie Wise
    • Brunette
    • निर्देशक
      • Michael Hoffman
    • लेखक
      • Ethan Canin
      • Neil Tolkin
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं154

    6.918.2K
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    फ़ीचर्ड समीक्षाएं

    7helpless_dancer

    I should have gone to this school

    Klein was superb as the bookish teacher intent on molding boys' characters' as well as teaching them. When he went out of his way to aid a troubled student he wound up depriving another causing some concerns for his conscience. The boy he felt he should help was the son of a bigshot politico who had no clue as to the needs of his son. Too busy being a power broker this ass arrogantly claimed he would mold his son's character. How? He's seldom around and when he is there is no communication between himself and his offspring. Like so many fathers, I wonder why they even want children knowing there is no inclination to interact with them. Brings to mind the Harry Chapin song "Cat's in the Cradle" which speaks to many, many dads. The Emma Willard School provided a nice backdrop for a very good film. 4 stars.
    8dr71956

    VERY good movie

    I thoroughly enjoyed this movie. I don't care if others think it was predictable - so what? Wasn't Jaws predictable? How about Alien? Once in a while a movie has a lesson in it - like this one. Even if it is a lesson that gets played over and over.

    I really didn't care for the mildly romantic banter between Kline's character and his female interest. Maybe the purpose of the character was to show Dr. Hundert was not gay - but that seems awfully shallow to me. If this movie was not about a gay teacher, why did the writer feel obligate to prove the reverse? All in all though, this was a GOOD movie - very good.
    10roghache

    Dignified portrait of a principled but very human teacher

    Perhaps teacher movies should be judged on their own merits, but it's human nature to compare. Although I also love Dead Poet's Society, I consider The Emperor's Club one of the most compelling movies I have ever seen. The two are actually worlds apart, with Emperor's Club definitely a more cerebral film. Dead Poets seems more student oriented (students shun conformity as a result of teacher impact) and Emperor's Club more teacher focused (teacher struggles to inspire challenging student and is faced with difficult choices). Also, they have very distinct themes, with Dead Poets focusing more on individuality and 'seizing the day', while Emperor's Club revolves around character and ethics. Unlike Dead Poets (and also Mona Lisa Smile), the Emperor's Club teacher has no controversial subject matter or approaches, just relatively traditional (though passionate & effective) teaching methods.

    The story depicts Mr. Hundert, a highly respected and idealistic Classics professor at an ivy covered, prestigious boys' prep school, St. Benedict's. He tries to impart a passion for Greek & Roman history to his relatively motivated students, while also conveying the importance of principles and contribution to society. All passes smoothly until the arrival of Sedgewick Bell, the obnoxious and rebellious son of a slimy Senator (who neglects his 'nuisance' offspring and exhibits an unfortunate tendency to profanity). A battle of wills ensues between teacher and student, as Sedgewick not only disrupts the class himself but inspires rowdy disrespect among his classmates. Mr. Hundert sees the vast potential in this antagonistic student and makes every effort to motivate Sedgewick to apply himself to his studies and also to exhibit personal integrity. In the process, Mr. Hundert, himself a dedicated teacher with great integrity, neglects his other students to focus on the one. He illegitimately enables Sedgewick to participate as a finalist in the school's annual Mr. Julius Caesar Contest, secretly passing over the truly deserving student, Martin Blythe. A reunion 25 years later will depict the impact of this teacher's flawed choices on his former student's character and whether or not past injustices can finally be righted.

    I don't want to give the outcome away, but this reunion provides a fascinating portrait of Mr. Hundert's students as grown men. We can examine the world's view of their success versus our own, witnessing their career choices, their wives & families, and especially their character traits...whether contributory and noble or self absorbed and dishonourable. Compelling glimpses of two of these student's offspring, Robert Bell and Martin Blythe IV, prove to be incredibly revealing.

    Kevin Kline, an under rated actor, is masterfully convincing in the role of the scholarly, dignified, and conflicted Mr. Hundert, and his 25 year aging process seems well depicted. Also, the roles of the boys Martin, Louis, Deepak, and of course the unpleasant Sedgewick are all well cast, as well as their older versions.

    This is not simply another great film about an extraordinary teacher who has a profound impact upon his students. What distinguishes this movie from the rest is that Mr. Hundert, though a wonderfully dedicated and moral teacher, is himself flawed and compromises his own principles. In some respects, this actually makes him a much more three dimensional, realistic, and compelling character than such previous exemplary teachers as Mr. Chips (Good Bye, Mr. Chips), Mr. Keating (Dead Poets Society), and Mr. Holland (Mr. Holland's Opus). The theme here revolves not only around Mr. Hundert's impact on the boys but also his inner conflict, actually more significant than any external struggle with the rabble rousing Sedgewick or the misguided system that focuses more on fund raising than academic excellence. The film makes the point that sometimes the moral choice is not always clear cut, that crossing an unethical boundary can appear all too justifiable, and that one unprincipled decision may lead to another. There is a subtly conveyed sense as to the extent that Mr. Hundert's unethical decisions have haunted him during the intervening decades and possibly even affected his subsequent career path, as he is passed over for the Headmaster's position and begins to question his own value as an educator.

    The little sub plot is actually quite engaging (not irrelevant, as some claim) that portrays the potential romance between Mr. Hundert and Elizabeth, a lovely but married fellow teacher. Its purpose is to give another indication of Mr. Hundert's character and integrity, this time revealed through his personal life. Although these two are obviously close kindred spirits with a mutual attraction, he makes no attempt to move beyond platonic friendship. His emotional but restrained response is well conveyed when Elizabeth announces that she is moving to England with her husband, who has obtained a position at Oxford.

    Personally, I found all the Greek & Roman History class scenes quite engaging and enjoyed the competition with its trio of toga clad contestants. It all made me wish I was a student myself in Mr. Hundert's Classics class, surrounded by all those busts of Cicero, Socrates, Plato, and Caesar.

    The Emperor's Club is a unique, intelligent, and thought provoking film that contrasts society's misguided values with the truly meaningful and important. Very few movies today deal with ethical issues, but this one explores such moral matters as teacher favouritism, bending the rules, and cheating. It prompts discussion, encouraging the viewer to question his own views of right and wrong in these situations. The movie also challenges our thinking as to exactly what does constitute teacher success, as we watch Mr Hundert come to grips with his own personal definition. The quiet ending may be less intense and dramatic than Dead Poets Society, but is equally moving and powerful. As a former teacher myself, my hat goes off to Mr. Hundert. Although very human and with some lessons to learn himself, this dedicated teacher serves as an inspirational role model for viewers of this film as well as for his students.
    8redkiwi

    Kevin Kline at his best

    There is no doubt that Kevin Kline is both a funny man and a fine comedic actor. However, as he has proved yet again, anything other than dramatic roles is a waste of his acting talent.

    In the finest film he has made, he is superb in his role as school teacher and mentor to a generation of boys -- including one particular bad egg.

    Excellently cast, scripted and acted, this is a must see.
    9KUAlum26

    Tough sell of a movie

    I say that this is a tough sell of a movie because it seems like most movies marketing of late have to have some catch,hook or twist about it to sell to audiences,something either sexy,violent or both. Movies that stress intellectual or moral higher pursuits are somewhat rare to come by and when they are,they either are heavy-handed(Dead Poets Society)or arcane,word-of-mouth projects(Kidco,Stand and Deliver).If they don't feature some level of arousing interest(two examples:Sirens or Kinsey,both films I greatly appreciated BTW),then they are probably going to fall under the wheels of Hollywood's promotional behemoth if they are produced for the large screen.

    Such,I suspect,is the case with The Emperors Club, a Neil Tolin screenplay based on a Ethan Canin short story. The central figure is one William Hundert(Kevin KLine,perhaps never more dignified in role),a well-respected and generally popular teacher at a Catholic,boys-only academy,who teaches the classics(i.e.Roman and Greek history and culture). His long stay as an educator is put to the test(probably not the only time,but what has to be the most memorable) in the 1976-77 school year when an arrogant,selfish son of a congressman(Emile Hirsch,avec David Cassidy fro)enrolls in the school,for whom Hundert decides he's going to make a special effort to "mold" into a true student of enlightenment. His efforts then have effects on both his students and himself that stay with him long after.

    Well-acted,well-scripted,thoughtful and gently guided by Michael Hoffman(who directed Kline in the pleasant Midsummer Night's Dream adaptation three years earlier),this film quietly came and went in the Autumn of 2002 and it seems like a shame,but not un-understandably so. This is a show with virtually no violence and very little(if any)sexual content and the majority of the cast are either rising young stars who haven't quite reached high acclaim yet or are older character actors,so one will enter this on virtually a blind-faith interest of the film's topic or(more likely)an appreciation for Mr.Kline. To be honest and tell on myself,when this film was out I passed it up and didn't really sit down to appreciate it until very recently,and that was a a free library rental! As is,free or not,this is clearly a unique and recommendable movie.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      When filming the movie, the location (Emma Willard school in Troy, NY) was still operating as a girl's school. Emile Hirsch reportedly complained about the students, claiming that they were pestering him for his phone number. He also (reportedly) said some unsavory things about the school in general. When the students heard about this, they demanded an apology from Hirsch, which he delivered in front of the entire student body. At the school viewing, whenever he appeared on screen, the girls booed loudly and stories about him still circulate through the student body.
    • गूफ़
      When the girls are removing their shirts to go skinny-dipping, a Victoria's Secret Body by Victoria bra is revealed. That bra is from the time the film was made, not the mid-1970s when the scene takes place.
    • भाव

      William Hundert: As a great Aristophanes once wrote-- roughly translated-- "Youth ages, immaturity is outgrown. Ignorance can be educated and drunkenness sobered, but stupid... lasts forever."

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Die Another Day/The Emperor's Club/Friday After Next (2002)
    • साउंडट्रैक
      Funk 49
      Written by Jim Fox, Joe Walsh, and Dale Peters

      Performed by James Gang

      Courtesy of MCA Records

      Under license from Universal Music Enterprises

    टॉप पसंद

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    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Emperor's Club?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 नवंबर 2002 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • The Palace Thief
    • फ़िल्माने की जगहें
      • Emma Willard School - 285 Pawling Avenue, ट्रॉय, न्यूयॉर्क, यूएसए
    • उत्पादन कंपनियां
      • Universal Pictures
      • Beacon Communications
      • Sidney Kimmel Entertainment
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,25,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $1,41,18,751
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $38,46,780
      • 24 नव॰ 2002
    • दुनिया भर में सकल
      • $1,63,18,449
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 49 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
      • Dolby Digital
      • SDDS
    • पक्ष अनुपात
      • 1.85 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Kevin Kline in The Emperor's Club (2002)
    टॉप गैप
    By what name was The Emperor's Club (2002) officially released in India in English?
    जवाब
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