IMDb रेटिंग
6.3/10
6.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंBrooklyn, 1985. With the mob world as a backdrop, three life-long friends struggle with questions of love, loss and loyalty.Brooklyn, 1985. With the mob world as a backdrop, three life-long friends struggle with questions of love, loss and loyalty.Brooklyn, 1985. With the mob world as a backdrop, three life-long friends struggle with questions of love, loss and loyalty.
Ty Thomas Reed
- Young Carmine
- (as Ty Reed)
फ़ीचर्ड समीक्षाएं
I have to say I was presently surprised by this little film, I expected way less then I got. That's not to say that this is a fantastic film but it's a good one. It does a great job of representing a believable friendship between it's three main characters. I once again have to gripe of the pointless and sub par acted female character who is injected for the point of having one and doesn't add much to the film. Alec Baldwin is great as he usually is, and the three main characters are both well acted and believable unlike their accents but that's not important here. The story may be filled with a few clichés but the friendship of the characters make it work well enough to pull you into the story, not immerse you in it but keep your interest. I don't want to say Freddie Prinze was amazing but he was rather good, I wish he would lean more into films like this and stay away from any romantic comedy/dramas for a little while, play a villain or something, I do believe he has the talent it's just that he gets type cast in those romantic roles. Anyway, the film was surprisingly good, as was the story and the acting. Don't expect the Sopranos, Goodfellas and definitely not The Godfather and you won't be disappointed.
If I had to sum up this movie it would have to include a mixture of Boondock Saints, A Bronx Tale and a little taste of Goodfellas all rolled into one to create BROOKLYN RULES...the cast was awesome the storyline was as truthful as you can get and the movie had it's moments of comedy and others of reflection....I would give this movie a 10 out of 10 and I hope that more people get to see this movie which without the hype will gain it's legion of viewers by word of mouth...those are the best kind of movies in my opinion the ones that just spread like a tidal wave without the pomp and circumstance but still end up being all-time classics or at least achieve Cult Status.
From the dialogue to the soundtrack, I felt like this movie was grabbing from other classic mob movies.
There were even direct quotes! ex: a conversation between freddie prinze jr and scott cahn about whether or not it was better to be loved or feared... come on! ... It was like listening to fingernails going down a chalkboard to here these two guys butchering one of the great mob movie moments between Sonny & C in A Bronx Tale.
The dramatic role was clearly too much for Freddie to handle. Scott Cahn and Alec Baldwin were bright spots, but there were too many other awkward moments that seemed like a collision between your typical romantic comedy and a bad mob movie.
If you're going to use the Stones in a mob movie soundtrack... at least pick songs that have not been used in other mob movies.
Don't waste your money and pay to see this in the theater. Its a rental.
There were even direct quotes! ex: a conversation between freddie prinze jr and scott cahn about whether or not it was better to be loved or feared... come on! ... It was like listening to fingernails going down a chalkboard to here these two guys butchering one of the great mob movie moments between Sonny & C in A Bronx Tale.
The dramatic role was clearly too much for Freddie to handle. Scott Cahn and Alec Baldwin were bright spots, but there were too many other awkward moments that seemed like a collision between your typical romantic comedy and a bad mob movie.
If you're going to use the Stones in a mob movie soundtrack... at least pick songs that have not been used in other mob movies.
Don't waste your money and pay to see this in the theater. Its a rental.
This film was written by Terence Winter, one of the driving forces behind the Sopranos TV series and, given the reputation of that show (which I have to admit to never having seen), I was quite surprised by the routine nature of this film. Freddie Prinze Jr. finds himself out of his depth as Michael, a Brooklyn kid half-scamming his way through law school while trying to avoid becoming sucked into the mob life so adored by Carmine (Scott Caan), one of his closest friends.
Much of the problem lies with the fact that everything that happens here we have seen before in better, more original gangster flicks. The story is OK, but the script rarely rises above the pedestrian and, despite some rather clumsy attempts to insert a number of 80s pop culture references there is no real feeling for time or place. Alec Baldwin, who appears as the local mob ruler is by far the best thing about this film. In fact, Baldwin's pretty good in everything he does these days, having successfully negotiated the thorny transition from leading man to character actor without falling foul of the pitfalls encountered by some of his contemporaries. The best scenes in the film are the ones in which he appears and aren't just the most violent incidents. There is more insight into the workings of the mob in the scene in which Baldwin sits down with another gangster to iron out a few issues between Michael and the local mob psycho than there is in the beatings and shootings, etc.
Scott Caan is memorable, but it's difficult to be sure whether it is because he gives a good performance in his own right or because in a number of scenes he is so reminiscent of his father playing Sonny Corleone.
While there's nothing new here, the picture is entertaining enough and is a relatively painless experience.
Much of the problem lies with the fact that everything that happens here we have seen before in better, more original gangster flicks. The story is OK, but the script rarely rises above the pedestrian and, despite some rather clumsy attempts to insert a number of 80s pop culture references there is no real feeling for time or place. Alec Baldwin, who appears as the local mob ruler is by far the best thing about this film. In fact, Baldwin's pretty good in everything he does these days, having successfully negotiated the thorny transition from leading man to character actor without falling foul of the pitfalls encountered by some of his contemporaries. The best scenes in the film are the ones in which he appears and aren't just the most violent incidents. There is more insight into the workings of the mob in the scene in which Baldwin sits down with another gangster to iron out a few issues between Michael and the local mob psycho than there is in the beatings and shootings, etc.
Scott Caan is memorable, but it's difficult to be sure whether it is because he gives a good performance in his own right or because in a number of scenes he is so reminiscent of his father playing Sonny Corleone.
While there's nothing new here, the picture is entertaining enough and is a relatively painless experience.
'Brooklyn Rules' tells the story of three friends growing up in Brooklyn in the 80s. They live in a blue-collar, working-class neighborhood and have hopes for a good life ahead of them. The friendship bond among these young men is very strong. It runs for years living together. Nonetheless, time has caught up with them and life appears to open new horizons to each one of them; in this case an unforeseen event plays the role of separating their common lives for ever.
One of the friends is a rather aloof individual (easy come, easy go) but also a very good student showing promise to enter Law School; in the meantime he works in a grocery store part-time. The second is preparing to get married to his girlfriend. He is also looking for a job and is ready to move out from his parents house. The third is attracted by the life of local mob people and slowly enters their circles. This is the only way he feels that people in the community will respect him.
This is a very good and poignant film about friendship and loyalty especially in the 'tough' working-class neighborhoods of big cities like New York (here in this movie), but I think it would equally apply to many other cities where young people grow up and dream for a better tomorrow. I recommend strongly this film. A 9/10 from me.
One of the friends is a rather aloof individual (easy come, easy go) but also a very good student showing promise to enter Law School; in the meantime he works in a grocery store part-time. The second is preparing to get married to his girlfriend. He is also looking for a job and is ready to move out from his parents house. The third is attracted by the life of local mob people and slowly enters their circles. This is the only way he feels that people in the community will respect him.
This is a very good and poignant film about friendship and loyalty especially in the 'tough' working-class neighborhoods of big cities like New York (here in this movie), but I think it would equally apply to many other cities where young people grow up and dream for a better tomorrow. I recommend strongly this film. A 9/10 from me.
क्या आपको पता है
- ट्रिवियाDuring production, the working title of the film was "Nailed Right In".
- गूफ़Though the film is set in 1985, the trailer depicts an NYC street sign colored white on green. Until 1990, each borough's street signs had different color schemes. Manhattan was black on yellow, for instance, while Brooklyn was white on black.
- कनेक्शनReferenced in The Lucky Ones (2008)
- साउंडट्रैकSympathy For The Devil
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
By Arrangement with ABKCO Music & Records, Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Brooklyn Rules?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Nailed Right In
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $80,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,58,232
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $41,811
- 13 मई 2007
- दुनिया भर में सकल
- $4,58,232
- चलने की अवधि
- 1 घं 39 मि(99 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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