The Emperor's New Clothes

First off I need to say that Ian Hom is amazing. To be able to play two different characters of two different persuasions and bearings is mind-blowing. This film is whimsical and fun and a very good "what if" of history. Parts of it are sad and parts are humorous and all of it is good. A human element is given to characters whom are known to history solely for their deeds and every character in the film has depth of field and a real personality. Many of the scenes are played out in textbook fashion with a beginning a middle and an end with rising and falling action and yet each scene propels the story line further and is a driving force to the film as a whole. My personal favorite moment in the film is the melon scene where Naploean as an exile in his own country still becomes a general of a an army of melon merchants. Sheer brilliance and very beautiful in its humanity. This film shows that although a person can't change whop they are, everyone can change direction and find love.

This movie was outstanding! A neat little conspiracy theory about the true last years of Napoleon Bonaparte. Ian Holm is fantastic as both Napoleon and Lenormand. The military strategy of watermelons is hilarious. If you missed this in the the theaters, you've got to rent it! 10/10!

In 1821, on St. Helena, Napoleon loyalists switch the emperor with a look-alike ship hand and send the little tyrant secretly off to Paris to revive the Old Order. I love improbable movies like `The Emperor's New Clothes,' especially the docudramas that feed our lust to know the insides of great figures.

You may not know Ian Holm's Napoleon that well because Holm concentrates more on the mannerisms than the script. Yet the best lines are good, such as when the emperor, disguised as a seaman, boards a ship and says, "A position above decks would have been more appropriate.' Or when his love interest, Pumpkin, responds after he tells her his true identity: "You're not Napoleon! I hate Napoleon! He has filled France with widows and orphans! He took my husband. I won't let him take you." There are truths there to make a revolution.

Our hero tries his hand at selling melons, marshalling his crew with his great leadership rhetoric, and wins the love of Pumpkin, her son, and himself after 6 years of humiliating, loveless exile.

When the film opens with the young son showing colored slides of the emperor's life on a primitive projector, you can feel the romance and the warmth for the rest of the film. When you wake with Napoleon on ship to see a stunning sunrise, you know Alessio Gelsini Torresi is a cinematographer worth watching.

This sweet film, softly extolling the grandeur of simple love, takes it final cue from Candide, where that weary traveler laid his weary heart in his garden. This Napoleon had said, "I place my trust in only two things: my will and the love of the people of France." He finds now a redemptive will to survive and, without egotism or violence, a love of one person to satisfy an empire.

This is good old-fashioned romance, history, and fiction all in one small but unforgettable film, a bit like the subject himself.

"The Emporer's New Clothes" is a revisionist historical romantic comedy which tells of Napoleon Bonaparte's escape from exile on St. Helena and return to France to reclaim his throne. Traveling incognito, Bonaparte (Holm) hooks up with a comely widow Pumpkin (Hjejle) who takes some of the starch out of the "Little Corporal's" skivvies while setting his crusty old heart aglow. A charming period piece with exotic locations, this film pairs a tour de force by Holm with an all too rare performance by versatile beauty (Hjejle) in a happy mix of drama, subtle comedy, and light hearted romance. (B)

This is a charming movie, a shame it didn't get more notice when it was in the theaters.

Ian Holm plays Napoleon who uses the old "switcheroo" to escape St. Helena.

But his substitute enjoys the job so much that Napoleon's escape is never announced, and he eventually dies leaving "the real Napoleon" loose in France without an army.