IMDb रेटिंग
6.6/10
45 हज़ार
आपकी रेटिंग
जापान में अपने पुराने खोए हुए प्यार के अंतिम संस्कार में, एक फ्रांसीसी जासूस को पता चलता है कि उसकी एक किशोर बेटी भी है और उसकी जान को यक़ूज़ा से ख़तरा है.जापान में अपने पुराने खोए हुए प्यार के अंतिम संस्कार में, एक फ्रांसीसी जासूस को पता चलता है कि उसकी एक किशोर बेटी भी है और उसकी जान को यक़ूज़ा से ख़तरा है.जापान में अपने पुराने खोए हुए प्यार के अंतिम संस्कार में, एक फ्रांसीसी जासूस को पता चलता है कि उसकी एक किशोर बेटी भी है और उसकी जान को यक़ूज़ा से ख़तरा है.
Jean-Marc Montalto
- Olivier
- (as Jean Marc Montalto)
Michel Scourneau
- Van Eyck
- (as Mikhel Scourneau)
Yan Epstein
- Jean Baptiste 2
- (as Yann Epstein)
फ़ीचर्ड समीक्षाएं
As others have commented, this is certainly light entertainment, not heavy on elaborate plot lines. I actually saw this movie today on a flight from Japan, and found it delightful. It certainly is a film that was pitched to a French Audience, tossing in simplified bits of Japanese pop culture (Witness: I have never encountered so many Japanese that could speak French, as in this movie). Nevertheless this is what I liked about the movie:
1. The interplay between Fiorentino (Jean Reno) and his sidekick Momo (Michel Muller) was consistently humorous throughout, with Muller delivering the punchline, and nearly upstaging Reno throughout. My favorite scene is when Fiorentino is eating generous gobs of Wasabi (hence the name of the film), and Momo, not wanting to be outdone by his mentor, nearly gags to death on the stuff. I was laughing out loud -- maybe because it reminds me too vividly of the first time I ever ate sushi, and nearly died doing the same thing as Momo!!
2. Ryoko Hirosue, who plays Yumi, the previously unknown daughter to Fiorentini, is one of the current hot young faces in Japan, and has appeared in many TV dramas and movies. She certainly provides all the eye candy I could ever wish for in this film. But I must admit a certain new found-respect for her acting abilities, as she pulled off her lines in French flawlessly, while maintaining her trademark cuteness and capturing the carefree attitude of today's Japanese youth. She provided a foil of a different sort for Reno, her bright colors (pink hair, pink everything) offering a striking contrast to Reno's darker, demure look.
The Yakuza were portrayed as mindless goons in this film, and there are certainly better films out there if you want to know more about Yakuza, but it appeared that they played their role, which was to showcase Reno's machismo, in a humorous way, something along the lines of Jackie Chan films -- they are more like props in the film than anything else.
All in all, I was entertained by this film, which is all I was looking for during my 11 hours crossing the Pacific.
1. The interplay between Fiorentino (Jean Reno) and his sidekick Momo (Michel Muller) was consistently humorous throughout, with Muller delivering the punchline, and nearly upstaging Reno throughout. My favorite scene is when Fiorentino is eating generous gobs of Wasabi (hence the name of the film), and Momo, not wanting to be outdone by his mentor, nearly gags to death on the stuff. I was laughing out loud -- maybe because it reminds me too vividly of the first time I ever ate sushi, and nearly died doing the same thing as Momo!!
2. Ryoko Hirosue, who plays Yumi, the previously unknown daughter to Fiorentini, is one of the current hot young faces in Japan, and has appeared in many TV dramas and movies. She certainly provides all the eye candy I could ever wish for in this film. But I must admit a certain new found-respect for her acting abilities, as she pulled off her lines in French flawlessly, while maintaining her trademark cuteness and capturing the carefree attitude of today's Japanese youth. She provided a foil of a different sort for Reno, her bright colors (pink hair, pink everything) offering a striking contrast to Reno's darker, demure look.
The Yakuza were portrayed as mindless goons in this film, and there are certainly better films out there if you want to know more about Yakuza, but it appeared that they played their role, which was to showcase Reno's machismo, in a humorous way, something along the lines of Jackie Chan films -- they are more like props in the film than anything else.
All in all, I was entertained by this film, which is all I was looking for during my 11 hours crossing the Pacific.
I never know how to rate these types of films. OK it's no masterpiece to bring some sort of existential meaning to your life and yes it is deeply flawed in many ways even by the standard at which it aims for but nonetheless, I found some endearing quality in its light hearted humour and entertaining style.
Any film with Jean Reno in the lead and Luc Besson behind the script is going to entertain and this does just that. Thankfully the film is kept short enough for none of the flaws to start to irritate and the kick ass French cop goes to Japan theme is done well enough to warrant a viewing.
My DVD had the option for French with English subtitles or English dubbed. Even though Jean Reno does his own over dubbing in the English version, I found the overall effect was a little stale. I restarted the film in French with subtitles and the energy and humour of the performances just shone through a lot better.
Any film with Jean Reno in the lead and Luc Besson behind the script is going to entertain and this does just that. Thankfully the film is kept short enough for none of the flaws to start to irritate and the kick ass French cop goes to Japan theme is done well enough to warrant a viewing.
My DVD had the option for French with English subtitles or English dubbed. Even though Jean Reno does his own over dubbing in the English version, I found the overall effect was a little stale. I restarted the film in French with subtitles and the energy and humour of the performances just shone through a lot better.
The story is about a french policeman with personal working practices that his boss doesn't like much. Jean Reno does very well in this role. His character is the centerpiece of the whole movie. You can also see a snapshot at the Japanese way of life, even though it is adapted to the movie a lot. Not to make this into a long and boring comment, I think you should see this to have a good laugh if you like Jean Reno and his humor.
This film is about a French man suddenly finding himself having a rebellious Japanese daughter.
I thoroughly enjoyed the film. The plot is fun and dynamic, it mixes humour, mystery and action all in a film. The soundtrack is great, the music is upbeat, which enhances the youthful and fun atmosphere of the film. Japanese culture is portrayed in the film. It is in fact quite comprehensive in its portrayal of tradition and culture. It shows traditional culture like food, Japanese architecture and ninjas. It also shows modern culture like the cute girls dyeing their hair brown or blonde, clubs, and various video game arcades. Ryoko Hirosue gives a fine performance as a teenage girl, and speaks convincing French. I really enjoyed this film, it is so funny!
I thoroughly enjoyed the film. The plot is fun and dynamic, it mixes humour, mystery and action all in a film. The soundtrack is great, the music is upbeat, which enhances the youthful and fun atmosphere of the film. Japanese culture is portrayed in the film. It is in fact quite comprehensive in its portrayal of tradition and culture. It shows traditional culture like food, Japanese architecture and ninjas. It also shows modern culture like the cute girls dyeing their hair brown or blonde, clubs, and various video game arcades. Ryoko Hirosue gives a fine performance as a teenage girl, and speaks convincing French. I really enjoyed this film, it is so funny!
WASABI (2001) is a variation on fish-out-of-water action comedies like the RUSH HOUR films, with a nod to more deadly serious Japan-set predecessors like the Michael Douglas starrer, BLACK RAIN (1989). Written by Luc Besson, it tells a tale of a French cop called to Tokyo for the reading of his old girlfriend's will only to learn that the girlfriend died under suspicious circumstances, that a cache of $200 million is involved, and that he's the father of the dead woman's daughter, of whom he's now the legal guardian until she turns 20 in two days. There is plenty of formulaic cartoonish action capitalizing on the no-nonsense cop's tendency to hit or shoot first and ask questions later, but it's balanced by some delightful interaction between Hubert, the gruff, if sentimental, middle-aged cop, played by Jean Reno, and Yumi, the terminally cute, endlessly trendy Japanese daughter, played by pop star/TV-film actress Ryoko Hirosue.
Some scenes manage to combine the action and father-daughter antics seamlessly, as in a department store shopping trip, where Yumi runs ecstatically from one section to the next while Reno quietly ferrets out and knocks unconscious each of nearly a dozen Yakuza thugs tailing them, all, miraculously, without attracting her attention. In a later scene, he has a French Intelligence comic relief sidekick (Michel Muller) show him cases of advanced weaponry while Yumi changes into her purchases in an adjacent room, bursting through the doors in a flamboyant display of each new outfit, while the two men scramble to hide the hardware from her view and tell her how great she looks.
The script is just as contrived and implausible as it would be in the hands of Hong Kong or Hollywood filmmakers, who've all done similar material, but it's handled with a light enough tone and given over sufficiently to the lead performers to make it a pleasant if undemanding experience. It's always a treat to see Reno in a starring role and he's quite believable and charming throughout in a patented movie star role that Bruce Willis might have played in Hollywood or Lau Ching Wan in Hong Kong. The lean and wiry Ryoko Hirosue (all arms, legs, nose, and chin) is `kawaii' to the nth degree--like a saltier, earthier Audrey Hepburn--and steals the film whenever she's on camera (which isn't often enough!). The character is quite volatile and given to wild mood swings punctuated by tears one minute and sly grins or girlish squeals the next. She's quite a fashion plate as well. The actress reportedly learned her French dialogue phonetically, but she handles it like a pro, as if she'd been speaking it much of her life.
Some scenes manage to combine the action and father-daughter antics seamlessly, as in a department store shopping trip, where Yumi runs ecstatically from one section to the next while Reno quietly ferrets out and knocks unconscious each of nearly a dozen Yakuza thugs tailing them, all, miraculously, without attracting her attention. In a later scene, he has a French Intelligence comic relief sidekick (Michel Muller) show him cases of advanced weaponry while Yumi changes into her purchases in an adjacent room, bursting through the doors in a flamboyant display of each new outfit, while the two men scramble to hide the hardware from her view and tell her how great she looks.
The script is just as contrived and implausible as it would be in the hands of Hong Kong or Hollywood filmmakers, who've all done similar material, but it's handled with a light enough tone and given over sufficiently to the lead performers to make it a pleasant if undemanding experience. It's always a treat to see Reno in a starring role and he's quite believable and charming throughout in a patented movie star role that Bruce Willis might have played in Hollywood or Lau Ching Wan in Hong Kong. The lean and wiry Ryoko Hirosue (all arms, legs, nose, and chin) is `kawaii' to the nth degree--like a saltier, earthier Audrey Hepburn--and steals the film whenever she's on camera (which isn't often enough!). The character is quite volatile and given to wild mood swings punctuated by tears one minute and sly grins or girlish squeals the next. She's quite a fashion plate as well. The actress reportedly learned her French dialogue phonetically, but she handles it like a pro, as if she'd been speaking it much of her life.
क्या आपको पता है
- ट्रिवियाRyoko Hirosue didn't know a word of French; she learned all of her lines phonetically.
- गूफ़After arriving in Tokyo, Hubert asks Momo to drive him to Shinjuku district to meet the lawyer. However, the following scene shows Hubert getting out of the car at Akihabara (the famous electronics shopping district) which is on the other side of Tokyo. This is evident by the iconic Akihabara pedestrian crossing under the green train bridge where he gets off. Later on, Hubert again leaves "Shinjuku" from what is clearly Akihabara and its electronics shops in the background.
- भाव
Maurice 'Momo': How wonderful, Hubert. Let me look at you. You look good man, just arrived and already in deep shit.
- कनेक्शनFeatured in Rental Reviews: Underrated Action Movies (2019)
- साउंडट्रैकKorega Watashino Ikirumichi
Written by Tamio Okuda
Performed by Puffy AmiYumi
Remixed by Yasuharu Konishi
©Sony Music Artists Inc.
administré par Sony Music Publishing France
©1999 Sony Music Entertainment (Japan) Inc.
avec l'aimable autorisation
de Sony Music Entertainment (France) S.A.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Wasabi?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Wasabi - The Japanese Dip That Kicks Like a Mule
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- €1,53,00,000(अनुमानित)
- US और कनाडा में सकल
- $97,220
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $17,560
- 29 सित॰ 2002
- दुनिया भर में सकल
- $1,03,66,360
- चलने की अवधि1 घंटा 34 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें