Iris

This film, inspired by John Bayley's memoir in tribute of his late wife, the novelist Iris Murdoch, gives us some insight into the final years of Murdoch as she struggled with the effects of Alzheimer's Disease, and shows us how her personality developed from the quirky, intelligent student of her young days into the self-assured, measured writer at her peak.

Iris is played when young by Kate Winslet, whose portrayal veers from playful to irritating. As she grows older she morphs into the wonderful Judi Dench, giving a quite exceptional performance as the mature Murdoch. Playing John Bayley are two actors who uncannily resemble each other - Hugh Bonneville and Jim Broadbent. Broadbent was to win awards for his performance, and rightly so, although Bonneville was no less touching.

In a well-balanced supporting cast we have Penelope Wilton, Sam and Timothy West, Eleanor Bron, and Juliet Aubrey, giving assured performances.

Is 'Iris' truly a movie about a writer, and the business of writing and creativity? Well, no, as her writing is not central to the feel of the piece (although it does touch on her gift for words, and the tragic loss of the ability to process and work with them). It is something of a downbeat film, which will leave the more sensitive amongst you with damp eyes, but essentially it is an exceptional piece of work about the destructive power of dementia and Alzheimer's.

Dench and Broadbent do a fantastic job charting the devolution of Iris' faculties as she struggles with Alzheimer's; the problem with this film is during the flashback scenes. Winslet is average, not great in her portrayal, but that's partially because the script doesn't present Iris Murdoch in her early days as a very sympathetic character. Instead of coming off as a free spirit she's far more of a sexually confused egotistical dilantette who uses everyone around her. Scenes where Iris is supposedly revealing her shady past and her motivations fall completely flat...there's not enough of a sense of vulnerability or that she really NEEDS her husband. Ultimately that takes away from the Dench-Broadbent storyline. I felt badly for Broadbent's character as he clearly was in way over his head trying to take care of Iris, but I was puzzled as to why he stayed with her in the first place as she treated him so awfully when they were young.

The flashbacks also aren't handled quite right, the interaction between the "present" and past scenes is too jarring. I suspect that it was a conscious choice to do it that way in an attempt to describe the ravages of Alzheimer's, but the film really suffers as a story because of it. This film would have been better served as a straight linear narrative without the constant flashbacks, focusing on either the young or old stage of Iris' life.

This film succeeds where the overrated "A Beautiful Mind" fell short. It puts its subject's life into perspective and gives a sense of her worldview and, needs, and desires--as opposed to just focusing on the illness. I think it is also more effective in its use of different actors to portray the main characters at different ages, rather than using distracting age makeup, like in ABM. I came away from this with a profound admiration for Iris Murdock, whereas I felt like I hardly got to know John Nash at all.

But enough with the comparisons. This film stands well on its own as a tribute to the companionship shared by Iris and her husband John Bayley throughout their long, complex, relationship. Broadbent deserved that Academy Award, although I would say he plays more of a lead character than supporting. Seeing Iris through Bayley's loving eyes is what makes the film an enriching experience. He is the one who must adapt to her unconventional lifestyle, and their journey together is a rewarding one.

One person who commented stated that this was "another disease movie." Funny how you never hear a complaints about "another gangster movie" or "another romantic comedy" or "another suspense thriller." SO WHAT? First of all, it is not a disease movie, it is at its heart a romance, and a "meaning of life" film, much moreso than a film about Alzheimer's disease. Secondly, the disease is the device used to illustrate their level of understanding and commitment to each other. And finally, I cannot imagine telling Murdock's story WITHOUT giving the disease its proper weight in the course of the film.

The scenes when the characters are younger are blended seamlessly with the latter day scenes. Kate Winslet and Hugh Bonneville (uncannily resembling a young Broadbent) are very true to their older counterparts' personalities, and add yet another dimension to film. All in all, this is a production of which director Richard Eyre and cast (and Bayley, who wrote the book on which the film is based) should be extremely proud. It should have been seen by more people in 2001. Grade: A

"Iris" tells of British novelist Iris Murdoch and her husband as they struggle together with her Alzheimer's affliction. The couple is portrayed in youth by Winslet and Bonneville and in old age by Dench and Broadbent with all delivering sterling performances. The plaintive and wistful story is told through interleaving scenes of the older couple's struggle with moments from the younger couple's life. As far as it goes, the film is an excellent product. What it doesn't deliver, however, is a deep sense of Murdoch, her philosophies and complexities of thought thereby giving greater depth to the character and a sense of the significance of what she is losing. In short, the film dwells too much on the disease and too little on the woman. Recommended for more mature viewers (B+)

Iris Murdock was an author and a shining light within the literary community in England. As an older woman she holds the same enthusiasm but is gradually being given over to the effects of Alzheimers. Her husband, John, tries to cope watching his wife slip away while he remembers how things were when they were young and falling in love.

I knew of this film due to Broadbent rightly taking the Oscar for it (with an exclamation of `stone the crows!') but I noticed it wasn't really in the running for anything else and never got round to seeing it. Seeing it now I am in two minds as to whether it works or not - I think it depends on what you take the film's aim to be. As a story about Iris herself I didn't think it really worked. It told me very little about her and didn't give me much to work with in regards her character or her relations when she was younger. We are given images and scenes from Iris and John's youth but I never felt that I ever really connected with who they were at that young age. The stuff with them as an elderly couple works well but again it could have been any elderly couple and it made no difference to me that Iris was a writer or any woman.

What works excellent is the portrait of an elderly couple struggling with the effects of Alzheimer's on their lives - hers as a sufferer and his as one watching his wife vanish day by day. I was very moved by all of that side of the film and found some of it very hard to watch. Most of this is due to Broadbent and it is this that he won his Oscar for. I felt his pain throughout the film and it was intense considering what a normal cheerful old man he played. Dench is excellent and her portrayal of Iris is very strong in terms of being an Alzheimers sufferer but not so much as a character I'm meant to learn about. The playing of both Winslet and Bonneville is good but I came away with the feeling that they were just assigned to do impressions of their senior co-stars; they don't manage to shed light on the past very much but they are good background.

Overall this film is not great if you are expecting to learn about Iris the author. However a film about Alzheimers it excels and is well worth seeing. Broadbent is wonderful and deserved his Oscar - his pain and his loss is so very real throughout the film that it is impossible not to feel something even if the film doesn't manage to do great development with the characters.