Garage Days

This movie is just plain fun that takes a pretty average, well-known look at the music industry and the hike that bands take to get to where they want to be. But Alex Proyas adds some CGI effects (pretty funny ones, I might add...like Mellie the "baby") to make up where this average movie was headed. ALl of the actors are pretty unknown in the States (where I am), but it all doesn't matter because they were all vivacious enough (and good-looking enough) to make you believe that they encountered this past themselves.

This movie tries to take you on an emotional roller-coaster of relationships between band members and their girl/boyfriends, but where that comes up short, the movie just throws more fun at you. My favorite parts are the melon-baby and the hallucination scene where the band's bassist tries to get money from her parents and finds herself tripping out. I hated the where-are-they-now ending and cutesy-poo looks back on life and love and careers and whatever else, but the movie as a whole was OK. I gave it a 6/10.

Do yourself a favour and see "The Wannabees" (about a gang of foul-mouthed thugs who become the country's most successful children's show), "Razzle Dazzle" (about a failing dance instructor and a bunch of fellow losers trying to coach a bunch of pre-teen girls to victory) and "Garage Days" about... as best as I can summarize... a rock'n'roll soap opera that plays out like a Hunter S. Thompson nightmare (Fear & Loathing in Las Vegas).

"Garage Days" is exactly what a quirky, offbeat, rock'n'roll Aussie comedy should be: quirky, offbeat & full of rock'n'roll. Before I even get to my review, I'll mention some of the tunes on the soundtrack: AC/DC "It's a Long Way to the Top" & "High Voltage", The Cure "Boys Don't Cry", Violent Femmes "Blister in the Sun", Roxy Music "Love Is the Drug", and a particularly hilarious choreographed psychedelic scene set to Rick James "Superfreak". As in Proyas's masterpiece "The Crow", the music really sets the stage for the whole experience.

"Garage Days" follows a month in the life of a struggling punk-metal-grunge-pop band trying to get their one big shot. Along the way we get roped into the common themes of sex, drugs, love & friendship... and the not-so-common themes of creepy goth girlfriends, soul-sucking slot machines and talking cantaloupes. The whole movie comes at you hard & fast, like "Amelie" on crack.

Quite surprising for director Alex Proyas, master of the cinematic shadows ("The Crow", "Dark City")--it's very bright and lively. If you're a fan of Proyas, you must see this side of him. Much like Tim Buton who did "Batman" as well as "Peewee's Big Adventure", Proyas proves that there's a fine line between darkness & light, and he's able to cross it seamlessly.

A note for us Yanks, it helps to watch it with the subtitles because the Aussie accent can run over you like a rabid kangaroo. And some of the quips are priceless, you don't want to miss a beat. I found the script to be hilarious, the acting charming, the story suspenseful and the presentation memorable.

Tastes may vary, but I found each character to be instantly likable, from "Freddie" (an odd mix of Peewee Herman and a young Christopher Walken) to "Tanya" (a punk rich girl who sports the perfect blend of hot, cute & badass), "Lucy" (Henry Rollins meets Billy Idol meets Mongo from Blazing Saddles), "Joe" (a puzzler who is best left for you to decipher), "Joe's dad" (an aging rocker who himself is more childish & clueless than his son), all the peripheral characters who did a stellar job, and then there's the guy who steals the show "Bruno" their loser manager (played by Russell Dykstra from the aforementioned "Wannabees").

There aren't many well-known movies I can compare this to because it's so unusual, but if you've seen the hilarious Japanese flicks "Kamikaze Girls", "Swing Girls" or "Otakus in Love" I'd say this fits right alongside them. It also reminded me a bit of the funny Rainn Wilson flick "The Rocker", only pumped up with twice the adrenaline and totally Aussified. If you like rock'n'roll comedies, do not miss this!

"Garage Days" seems like an attempt to capitalize on a bunch of different genres by re-hashing them into a confused mess of film failure. Offering nothing new or fresh to the table, the film is un-entertaining and plods along at a predictable, ultra-flashy pace. The jubilent, carefree tone of the film is compromised here by weighty subject matter such as abortion and drug use. These "dramatic" elements of the film keep it from having a distinctive tone that engages the viewer when contrasted with the hyper active camera work, pointless interludes and predictable comedy. When all is said and done this is nothing more than a vanity piece trying to showcase cool clothing and little else. All of these combine to deliver an un-entertaining film experience. Pass on this one.

Being engaged to an Aussie may jade my opinion of this movie, since I have been exposed to some of the little inside jokes and such over the past few years. However, any movie that keeps you talking about it and wanting your friends to see it so that you can chat about your favorite scenes is a movie worth watching.

Yes, it is an old plot, but aren't they ALL?!?! Boy meets girl...boy can't have girl (Groundhog Day fell into this one in one aspect). The underdog(s) fighting all hope to live the dream (a la 8 Mile). We've learned to accept that there are a few plots that work, yet it is the nuances that happen to make them unique. This little movie has some great nuances, so forget the similarities and enjoy the uniquities. Grab a bag of chips and enjoy the ride.

By the way, without spoiling anything, anyone out there who loved seeing the Stanford Tree mascot and the Cal Bear mascot throwing punches during a basketball game will howl out loud at one small scene. I know that I did.

Well, I got mixed feelings about this movie after I saw it. The story is not really bad... and it tries to show what Rock And Roll is about... dreams! But the band image...... I think it happened as many other Rock And Roll movies. The band doesn't look real, it looked as a fake, hand-made band. There's no authenticity in the band. They look like some kinda punk-garage band (specially the bass girl), but the song they're playing at the end sounds as an 80's power ballad or so. The guy doing drums looked more like a techno-whatever D.J. And the other band, the one that it's supposed to be the successful band, is called "Sprimp"... what kinda name is that, for Christ sake?