Amen.

This is a must watch film. It's a complex and controversial story, well written, well acted, and the direction is superb.

The one dimensional nature of the main characters works very well - we see but a snapshot of the complexity of human nature and this begs you to ask the question of what would you do if you found yourself placed in such circumstances.

This is perhaps a trademark of Costa-Gavras's work (Mad City, Missing and Z in particular)

It is not just a cold view of the history of the time nor is it seeking to provide an answer to the big question - just shed light on the circumstances and on human nature.

Thoughtful and brooding film with excellent interpretations and horrible events . The picture talks an officer Gestapo named Kurt Gerstein (Ulrich Tukur) in charge of Zyklon B , a deadly chemical gas used for killing Jews in the death's showers from concentration camps as Treblinka , Sorbibor , Auschwitz , Majanek , Manthausen ,.... , Gerstein contacts a Jesuit priest (Mathieu Kassovitz) who's related to a Vatican Cardenal (Michael Duchaussoy) and his father results to be Pope's assistant . He denounces and explains Pope Pio XII (Marcel Iures) the situation of the Jews's genocide .

The pic is correctly based on historic deeds and famous personages as Pio XII and Nazi chiefs who don't appear in the film but they're continuously named as Goering , Goebbles , Himmler , Eichmann ,thus as notorious events as Stalingrado (1943) where Nazis have the first important defeat and the bombing strikes over the Germany cities (Berlin , Dresde) . The movie is based on a play by German playwright Rolf Hochhuth which started a lot of heated discussions and arguments after its first release in 1963. The film blends drama , tension , historical events and in spite of the runtime is two hours and some isn't boring , nor dreary but happens enough interesting deeds . The Vatican did not give a permission to shoot the film in their buildings. After searching a scenery of adequate size for the scenes taking place in the Vatican, Costa-Gavras finally chose Europe's largest building, the House of the People in Bucharest . Some of the outdoor scenes were shot in Mogosoaia Palace, some fourteen kilometers northwest of Bucharest. The movie attained quite polemic but there's an accusation to Catholic Church for passivity on the crimes and mass slaughter . I really think that didn't have but lack of forecast . The motion picture was well directed by Constantine Costa Gravas who at all his films always gets controversy and dispute . Rating : Above average . Well worth seeing .

In World War II, the sanitation engineer and family man Kurt Gerstein (Ulrich Tukur) is assigned by SS to be the Head of the Institute for Hygiene to purify the water for the German Army in the front. Later, he is invited to participate in termination of plagues in the concentration camps and he develops the lethal gas Zyklon-B. When he witnesses that the SS is killing Jews instead, he decides to denounce the genocide to the Pope to expose to the world and save the Jewish families. The idealist Jesuit priest Riccardo Fontana (Mathieu Kassovitz) from an influent Italian family gives his best efforts being the liaison of Gerstein and the leaders of the Vatican.

I do not have the knowledge of history to know whether this story is accurate or manipulative, but as a movie it is powerful and striking. Costa-Gavras directs this film about Holocaust based on the history of the German Kurt Gerstein, who unsuccessfully tried to tell the world about the mass murderers in the concentration camps. The performance of Ulrich Tukur is magnificent, giving total credibility to his character. With regard to the role of the Catholic Church, I believe the exposition is simplistic and does not show the big picture of the political environment that the Vatican was living in that historical moment, focusing only in the attempt of the SS officer in having an audience with the Pope. My vote is eight.

Title (Brazil): "Amém." ("Amen.")

I think I am the first person from the USA to comment on this film. We saw it as part of the Pittsburgh Filmmakers festival. There were only maybe 50 people at the screening we attended, and there were only two screenings. This is so unfortunate.

This is an excellent film, and exemplifies, I think, the role of the arts in raising society's level of conscience and effecting social change. It galls me that a mind set is growing, (sixty years later) that refutes the occurrence of the holocaust. All the pictures, names and movie footage in the world will never change these people's minds; convincing them is not the issue. But when you take on the large institutions of society, when you make them accountable and demand that they fess up to their inadequacies, and that they not allow it to happen again, then you get the kind of permanent, positive change that is not eroded by a capricious shift in the political winds.

The amazing thing about this film was the powerful effect it achieved with very little, if any, shocking footage. We are conditioned to look away from all the "standard" holocaust images - the drawn faces, the gaunt skeletons, the bones in the ovens, the piles of shoes and personal effects. Instead, Gavras uses Gerstein's involvement with the engineering side of the issue, and paints a chilling picture of the magnitude of the killings. The project management meetings where they discuss the efficiency improvement strategies for gassing people and cleaning out the chambers are eerily similar to meetings I and many other Dilbert-types attend on a regular basis. The final scene at the camp where all the SS facilities officers chorus their concerns over decreased KILLING efficiency is ridiculously chilling. These guys could be whining about their bottom line numbers at a board meeting for any major corporation.

Gavras hammers home the numbers with the repeated scenes of empty trains going and full trains coming - and you never see a person in the full ones, only closed doors. Think about the numbers. A million people a year is nearly three thousand a day. Instead of making his point with stark images, the way so many other films have, Gavras keeps hammering the shear logistics, the size of the camps, the amounts of the gas needed, the HUGE numbers of people that had to be transported. Think of how big a train with a thousand people is - that's over three times the capacity of the biggest airliners. Gerstein's confrontation with his old friend, the transportation officer, points out how people could vilify certain nazis (SS and Gestapo), and yet remain conveniently ignorant of their own complicity.

The Vatican issued a watered down apology in 1998, admitting partial culpability and asking forgiveness. There are still many who believe that the diplomatic tightrope the Vatican walked was the best course. The conversation between Cardinal Maglione and the German ambassador is accurately taken directly from the Vatican archives. But Gavras makes a valid case that the arguments against outing the German killing machine were weak. That other protests had yielded positive results (look up the 1943 Rosenstrasse uprising) and that the motivations for not acting more decisively were based in part on anti-Semitism, along with diplomatic prudence.

Gavras trys to show that many people who could have acted knew all the facts and chose not to act. I remember, around the time Gavras' released "Z", how the protesters at the 1968 democratic national convention chanted "THE WHOLE WORLD IS WATCHING. THE WHOLE WORLD IS WATCHING!" It didn't matter then, and Gavras makes the case that it didn't matter during the holocaust; the political powers of the world move at their own pace.

Now, sixty years later, we have the last of the actual participants dying off. WWII veterans here in the USA are dying at a rate of 1500 a day, and their ranks are dwindling. There are fewer and fewer left to tell the story or be held accountable. It is incumbent on us, however, to uncover the cover-ups, identify the systems or methods that allowed such atrocities to happen, and make the changes in our society's structure to ensure they don't happen again. Gavras' film effectively does this. Like the principals in the film, we now know the real story. Like the principals in the film, how we act with this knowledge will be judged by future generations.

Very interesting...I do not know how true the facts are, that were presented, but I think the movie is really worth a look. Especially, if we consider that it isn't a typical American movie...of course, that's because it isn't American! A movie that has, more or less, a very significant meaning and moral...we all know about the Holocaust...the terror, unleashed by the German nazi's. The madness of men. And here we have a movie, filmed in Romania, with this theme. A German SS officer, Kurt Gerstein(Ulrich Tukur), finds out about the crimes against millions of Jews. He decides to kind of sabotage the killings, and ultimately ends up, wanting to tell Pope Pie XII(Marcel Iures) about these crimes. He gets help from Riccardo Fontana(Mathieu Kassovitz), a Jesuit priest, in this matter. Riccardo's father is an important person at the Vatican(count) and so, he tries to help them. The story will be sad enough, and it will show the ignorance of the Catholic Church. If this is true, or it is not I can't say. But the movie is special, and touching. The trains have a very important role. Every time I saw them, I felt a shiver through my body, just because of the idea that they might be filled with people. The special effects could've been better. For example, when Riccardo goes to eat with his father and other personalities, you can see what seems to be the Vatican. But it is more than obvious that it isn't true. Of course, this is not very bothering... The music is absolutely perfect! I really enjoyed it, and I don't see who didn't! The actors were good, but there were some flaws, here and there. Costa Gavras, the director, did a very good job here, in creating an interesting movie. Despite the lack of much action, the film is pleasant, but shocking...well, how could it be if we consider the events? I think all should see this movie, especially because it's a good change from the American stereotype.