इस रोमांचक पूर्वकथा में एंथोनी हॉपकिन्स का अपनी सबसे प्रसिद्ध, Oscar®-विजेता भूमिका, कुख्यात डॉ. हैनिबाल लेक्टर के रूप में पुनरागमन हुआ है।इस रोमांचक पूर्वकथा में एंथोनी हॉपकिन्स का अपनी सबसे प्रसिद्ध, Oscar®-विजेता भूमिका, कुख्यात डॉ. हैनिबाल लेक्टर के रूप में पुनरागमन हुआ है।इस रोमांचक पूर्वकथा में एंथोनी हॉपकिन्स का अपनी सबसे प्रसिद्ध, Oscar®-विजेता भूमिका, कुख्यात डॉ. हैनिबाल लेक्टर के रूप में पुनरागमन हुआ है।
- पुरस्कार
- 4 जीत और कुल 10 नामांकन
फ़ीचर्ड समीक्षाएं
This is a very good "remake" of Manhunter" which was the first Hannibal Lecter movie but didn't get the press the others did because it didn't have Anthony Hopkins as the famous criminal. After "Silence of the Lambs" became so popular, and the sequel, "Hannibal," it was decided to re-do that first film and this time obtain Hopkins' services.
It worked because not only do you have the incomparable Hopkins at Dr. Lecter but you have one this generations best actors, Edward Norton, as the leading character "Will Graham." Norton, as always, gives a solid performance. And - look at the backup cast: Ralph Fiennes, Emily Watson, Harvey Keitel, Mary Louise Parker and Philip Seymour Hoffman. Not bad.
This is one of those movies that gets better and better with each viewing. On my first look, I was disappointed Hopkins didn't have a bigger role but, after I knew what to expect, subsequent viewings made me appreciate the film's effort as a whole, and it's an underrated flick and a fine addition to the "Lecter" series.
It worked because not only do you have the incomparable Hopkins at Dr. Lecter but you have one this generations best actors, Edward Norton, as the leading character "Will Graham." Norton, as always, gives a solid performance. And - look at the backup cast: Ralph Fiennes, Emily Watson, Harvey Keitel, Mary Louise Parker and Philip Seymour Hoffman. Not bad.
This is one of those movies that gets better and better with each viewing. On my first look, I was disappointed Hopkins didn't have a bigger role but, after I knew what to expect, subsequent viewings made me appreciate the film's effort as a whole, and it's an underrated flick and a fine addition to the "Lecter" series.
Having seen the disappointing Hannibal, I was a bit reticent about seeing this. The original Manhunter film was simply on the edge and excellent, and another prequel could have gone either way.
Prequels are the fashion of the moment aren't they?
This was actually very good, and most enjoyable. Fiennes and Norton added much to the story, and were both absolutely excellent.
Hopkins gave the performance you'd have expected from him in his role, and this was also notable for a fine performance as Fiennes' blind girlfriend of the bird that appeared in the ever-so-nauseating and vomit enducing Angela's Ashes [which gave a whole new meaning to stereotypical grim films].
Don't be put off by Hannibal, definitely see this one.
Prequels are the fashion of the moment aren't they?
This was actually very good, and most enjoyable. Fiennes and Norton added much to the story, and were both absolutely excellent.
Hopkins gave the performance you'd have expected from him in his role, and this was also notable for a fine performance as Fiennes' blind girlfriend of the bird that appeared in the ever-so-nauseating and vomit enducing Angela's Ashes [which gave a whole new meaning to stereotypical grim films].
Don't be put off by Hannibal, definitely see this one.
This was a fantastic film, but it slipped under many people's radar for three reasons:
1) The critics said (and rightly so) that it is not as good as the Silence of the Lambs. However, I find it difficult to compare the films, largely because Will Graham (Norton) is completely different to Clarice Starling (Foster). The different dimension they bring to the investigation is enough, by itself, to distinguish them beyond comparison.
2) This was the third film in the series. The problem with the Hollywood pumping out an absurd number of sequels and prequels (even when the original film was terrible to begin with) is that it alters the public's attitude towards them. People are usually happy to see the "part 2" but beyond that, you're usually down to loyalists. In fact, this situation has been made worse due to the fact that many of the sequels made are shockingly bad (eg, the American Pie sequels, the Highlander sequels). Some are so terrible that they can actually tarnish the memory of the original (eg... Matrix Revolutions). So a third Hannibal film was always going to be an uphill battle.
3) This followed an awful sequel: Hannibal. People who thought Hannibal was terrible (and there's no shortage of them) are likely to turn their nose up at any further sequels or prequels. That's what Hollywood always overlooks - once you pump out one bad sequel (eg, Ocean's Twelve 2004), fewer people will even consider seeing the next sequel, unless it receives almost unanimous critical acclaim.
I did not like Hannibal either and I think that many stars in Hollywood would have turned it down after reading the script. Jodie Foster, with the offer of reprising her academy awarding winning role, and Jon Demme (director of Silence of the lambs) walked away from the Hannibal after disagreements with author (Harris) over the character directions. Hopkins nearly left when Foster and Demme walked, but was persuaded to stay (probably with a nice salary increase!). In any case, key elements were gone and in my view, they ultimately failed to attract a strong supporting cast.
By contrast, I think many actors would have been falling over themselves to land one of the roles in Red Dragon after reading the script. Accordingly, we ended up with Hopkins (reprising his academy award winning role to absolute perfection), Norton (who is the rightful winner of the academy award for American History X in my view, even though the academy went to someone else that year), Harvey Keitel, Ralph Finnes and the brilliant, but under-rated, Phillip Seymore Hoffman. They combine to breath tremendous life into this investigative/thriller. And the opening 5 minutes is magnificent.
However, I have two criticisms that cost it a star. First, it wasn't quite dark enough. Perhaps that masterpiece, the Silence of the Lambs, used up all the visceral attributes that were so pathetically contrived in Hannibal and present, but not powerfully present, in Red Dragon. There certainly was a dark edge, but it just didn't get under my skin the way Silence of the Lambs did (if you'll forgive the pun).
Second, I felt that there were a few off-shoots to the main plot that could have been worked around or seemed to play no real role in the film whatsoever. For example, the tense relationship between Norton and the reporter (Hoffman), Finnes taking the blind girl to listen to the sedated tiger (or lion or whatever it was), Norton teaching his wife to shoot ... and many others. Most of the time, I felt that they should have been left on the cutting room floor as they were of little interest, had little (if any) role in the context of the story and accordingly, unnecessarily bulked out the running time of the film.
Otherwise, terrific viewing. Don't be dissuaded by Hannibal - this sequel achieves where that one so dismally failed.
1) The critics said (and rightly so) that it is not as good as the Silence of the Lambs. However, I find it difficult to compare the films, largely because Will Graham (Norton) is completely different to Clarice Starling (Foster). The different dimension they bring to the investigation is enough, by itself, to distinguish them beyond comparison.
2) This was the third film in the series. The problem with the Hollywood pumping out an absurd number of sequels and prequels (even when the original film was terrible to begin with) is that it alters the public's attitude towards them. People are usually happy to see the "part 2" but beyond that, you're usually down to loyalists. In fact, this situation has been made worse due to the fact that many of the sequels made are shockingly bad (eg, the American Pie sequels, the Highlander sequels). Some are so terrible that they can actually tarnish the memory of the original (eg... Matrix Revolutions). So a third Hannibal film was always going to be an uphill battle.
3) This followed an awful sequel: Hannibal. People who thought Hannibal was terrible (and there's no shortage of them) are likely to turn their nose up at any further sequels or prequels. That's what Hollywood always overlooks - once you pump out one bad sequel (eg, Ocean's Twelve 2004), fewer people will even consider seeing the next sequel, unless it receives almost unanimous critical acclaim.
I did not like Hannibal either and I think that many stars in Hollywood would have turned it down after reading the script. Jodie Foster, with the offer of reprising her academy awarding winning role, and Jon Demme (director of Silence of the lambs) walked away from the Hannibal after disagreements with author (Harris) over the character directions. Hopkins nearly left when Foster and Demme walked, but was persuaded to stay (probably with a nice salary increase!). In any case, key elements were gone and in my view, they ultimately failed to attract a strong supporting cast.
By contrast, I think many actors would have been falling over themselves to land one of the roles in Red Dragon after reading the script. Accordingly, we ended up with Hopkins (reprising his academy award winning role to absolute perfection), Norton (who is the rightful winner of the academy award for American History X in my view, even though the academy went to someone else that year), Harvey Keitel, Ralph Finnes and the brilliant, but under-rated, Phillip Seymore Hoffman. They combine to breath tremendous life into this investigative/thriller. And the opening 5 minutes is magnificent.
However, I have two criticisms that cost it a star. First, it wasn't quite dark enough. Perhaps that masterpiece, the Silence of the Lambs, used up all the visceral attributes that were so pathetically contrived in Hannibal and present, but not powerfully present, in Red Dragon. There certainly was a dark edge, but it just didn't get under my skin the way Silence of the Lambs did (if you'll forgive the pun).
Second, I felt that there were a few off-shoots to the main plot that could have been worked around or seemed to play no real role in the film whatsoever. For example, the tense relationship between Norton and the reporter (Hoffman), Finnes taking the blind girl to listen to the sedated tiger (or lion or whatever it was), Norton teaching his wife to shoot ... and many others. Most of the time, I felt that they should have been left on the cutting room floor as they were of little interest, had little (if any) role in the context of the story and accordingly, unnecessarily bulked out the running time of the film.
Otherwise, terrific viewing. Don't be dissuaded by Hannibal - this sequel achieves where that one so dismally failed.
Will Graham (Edward Norton) is a retired FBI agent invited to participate in the chase of a serial killer named 'The Tooth Fairy'. He asks Hannibal Lecter to help him to develop the profile of the killer and foreseen the next crime.
The original story of "Red Dragon" was terrific: Michael Mann's Manhunter is a violent and scary low paced movie, with well-constructed characters. William Petersen is great in this movie. This remake, with a greater participation of the character of Hannibal Lecter, famous actors and actress, and a different beginning and end is not bad. But the original movie is better and better. Therefore, why the remake? My vote is seven.
Title (Brazil): "Dragão Vermelho" ("Red Dragon")
The original story of "Red Dragon" was terrific: Michael Mann's Manhunter is a violent and scary low paced movie, with well-constructed characters. William Petersen is great in this movie. This remake, with a greater participation of the character of Hannibal Lecter, famous actors and actress, and a different beginning and end is not bad. But the original movie is better and better. Therefore, why the remake? My vote is seven.
Title (Brazil): "Dragão Vermelho" ("Red Dragon")
Red Dragon takes place just before the events of The Silence of the Lambs. In this movie, a deranged serial killer is killing entire families every month on the night of the full moon. Jack Crawford of the FBI calls in retired agent Will Graham to help catch the killer. Graham left the FBI after being critically wounded while capturing the cannibalistic Hannibal Lecter. Now, Graham must interview Hannibal, to see if he can shed any knowledge on the case. Meanwhile, the killer struggles with himself when he begins to fall in love with a fellow employee. This movie is closer to Silence of the Lambs than Hannibal in quality and style, and therefore is more entertaining.
This movie is basically a reworking of the film Manhunter, except with Anthony Hopkins as Hannibal, so it connects better with the others. This movie sticks closer to the book than Manhunter did, which will please fans, except that it ads way more Hannibal Lecter interview scenes than were in the book, most likely to bank on Anthony Hopkins' name. The movie has the same suspenseful style as Silence of the Lambs, making up for the fact that Hannibal hardly had any suspense at all. The dialogue and overall fast paced style of the movie made it really worth watching, and if this movie had been released a year before Silence rather than a year after Hannibal, they would be great together. The characters are great and engaging. They seem more realistic than they were in Manhunter. I'm glad this movie managed to be far more successful than Manhunter, because I don't think I could deal with two bad Red Dragon adaptations.
The acting is superb. I was kind of annoyed with Anthony Hopkins in Hannibal, because he played the role way too differently than the way he played it in Silence. Now, in this movie, he gets back to basics. Edward Norton is great as Will Graham. The role of the Red Dragon/Francis Dolarhyde was made for Ralph Fiennes. He takes the role and makes it his own. Whenever I think Ralph Fiennes now, I think Red Dragon.
Overall, this is an awesome psychological thriller, and any fan of Silence of the Lambs should definitely see this movie.
7/10
This movie is basically a reworking of the film Manhunter, except with Anthony Hopkins as Hannibal, so it connects better with the others. This movie sticks closer to the book than Manhunter did, which will please fans, except that it ads way more Hannibal Lecter interview scenes than were in the book, most likely to bank on Anthony Hopkins' name. The movie has the same suspenseful style as Silence of the Lambs, making up for the fact that Hannibal hardly had any suspense at all. The dialogue and overall fast paced style of the movie made it really worth watching, and if this movie had been released a year before Silence rather than a year after Hannibal, they would be great together. The characters are great and engaging. They seem more realistic than they were in Manhunter. I'm glad this movie managed to be far more successful than Manhunter, because I don't think I could deal with two bad Red Dragon adaptations.
The acting is superb. I was kind of annoyed with Anthony Hopkins in Hannibal, because he played the role way too differently than the way he played it in Silence. Now, in this movie, he gets back to basics. Edward Norton is great as Will Graham. The role of the Red Dragon/Francis Dolarhyde was made for Ralph Fiennes. He takes the role and makes it his own. Whenever I think Ralph Fiennes now, I think Red Dragon.
Overall, this is an awesome psychological thriller, and any fan of Silence of the Lambs should definitely see this movie.
7/10
क्या आपको पता है
- ट्रिवियाSir Anthony Hopkins stated that one of his goals in playing Dr. Hannibal Lecter for a final time was to re-establish that he is an evil serial killer, as Hopkins believed Hannibal had come to be seen too much as a likable anti-hero by audiences.
- गूफ़(at around 37 mins) The movie is set in the 1980s, as a prequel to The Silence of the Lambs (1991), but VHS tapes of films such as Mrs. डाउटफायर (1993) (1993), बैक टू द फ़्यूचर (1985) (1985), and E.T. the Extra-Terrestrial (1982) (1982) are seen in a drawer as part of the Leeds family VHS collection. Dating the film from the 1980 opening and "a few years later" after that prologue, and the reference to Saturday, February 25 as two months ago puts it in April 1984 or 1989, the latter more likely as the end of the movie leads directly into The Silence of the Lambs (1991); the 80s tapes may be OK for 1989 but one from 1993 is certainly not.
- भाव
Hannibal Lecter: And be grateful. Our scars have the power to remind us that the past was real.
- क्रेज़ी क्रेडिटThanks to the men and women of the Federal Bureau of Investigation
- साउंडट्रैकOriental Blues
Written by Jack Newlon (as Richard Newlon)
Performed by Tony DeSimone
Courtesy of MCA Records
Under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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- How long is Red Dragon?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- रेड ड्रैगन
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $9,31,49,898
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,65,40,945
- 6 अक्टू॰ 2002
- दुनिया भर में सकल
- $20,91,96,298
- चलने की अवधि
- 2 घं 4 मि(124 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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