Santa Maradona

An italian "Trainspotting"? A social satire? An effort to imitate Antonioni? Who knows, but the movie was absolutely schyzophrenic and if it wanted to be funny,it wasn't,if it wanted to be socially significant,you'd better try Pasolini or Altman than this tripe of a movie.Beware of the language: there is some clean word among the profanities the characters (???) pronounce all along.

I wish many of you will get the chance to see this movie. Why? 'Cause it's about a generation (mine...i was born in 1974) with very few things known for sure, full of doubts, asking for much and getting very little. Because it's been shot in my own town, Torino, in Italy: a wonderful city not yet appreciated as it should be, and here, in the movie, elegantly and properly photographed and shown. Because the story is brilliantly told, because the characters are as real as they can be in a movie. Because it's funny but not stupid. Because, though not flawless, it's a good movie, modern enough in its layout and accurate enough in the way it's written to be enjoyed by a wide (not decerebrate) audience.

I just came across this movie by accident. Switched through the channels and got sucked in by "Santa Maradona". The thing that grabbed my intention first was the story of the two main characters: aimless, jobless, clueless. Sounds familiar. Stefano Accorsi and Libero De Rienzo are wonderful in the leading roles. The conversations are totally true to life and kind of intriguing, if pointless. Imagine the characters of "Before Sunrise" minus all the romantic feelings and dreams and you get an idea of the dialog in this movie. The story is rather anti-climatic until the movie suddenly ends and that is a bit of a flaw. On the other hand, it's just further proof that this movie was intended to be as realistic as possible. Life is like that for people like Andrea and Bart. No big happy ending, no dramatic development, just a long monotonous chain of meaningless events. Yep, if you're looking for something gaudier watch "Reality Bites", but don't think that that movie has anything to do with reality.

Santa Maradona tells the story of two 'young' men living in Turin and trying to start their professional life after studying at university. Their way to live appears funny (the couple Accorsi / De Rienzo plays very well together), but also sad and void of points of reference. They communicate very well with each other, thanks also to their common passion for football, but their relationship with the rest of the world is difficult, not clear and not definite.

It is a clever movie about the difficulty to live, to find oneself identity and to pursue one's interests and objectives. Stefano Accorsi even leaves the girlfriend he loves due to his unsatisfaction with himself. Very real situations.

While not a great social commentary, the playful portrayal of tension between the 4 protagonists makes it fun to watch. Andrea is purposefully like many other Italian young adults, living the fact of unemployment and getting no where even when he tries; his chance (too forced?) meeting with Dolores is a distraction and test of his commitment to growing up. His room mate and other friends also help drag him down. Can he break out?

It's also refreshing to find the true-to-life non resolution of relationships; it's use of language is also street real.