Vidas privadas

'Vidas privadas', by first-time director Fito Paez, is the most pretentious and boring movie I have ever seen. The movie suffers from an unconvincing plot and pseudo-intellectual banter that result in a very forced and ridiculous ending. The sex and the final revelation are only there for shock value, and nothing else.

The acting is really good, but I don't think it has anything to do with Paez's direction; he just hired some really good actors. Gael García Bernal's fake Argentinean accent is awful, but he still gives a good performance. But, why didn't they just cast an actor from Argentina for that role? Some Argentinean actors are really good. I guess Fito Paez just wanted to capitalize on the Mexican actor's increasing popularity. Cecilia Roth is always great, and the movie is not a complete fiasco only because of her performance.

Also, Fito Paez is one of Agentina's best singer/songwriters, and I was hoping that, at least, the movie score would be good. But it's not. It's awful. The movie reduces the music to lame background noise that doesn't take you anywhere. Also, (trying not to give anything away) where the hell did that gun at the end came from? Did Paez just forget to explain why would one of the characters be carrying a gun? It makes no sense. Paez should not quit his day job and stick to songwriting.

I bought the film and couldn't wait to rip open the package and watch it. I love Bernal's acting (he comes by it naturally from his family). But the plot and dialog reminded me of some of the French films of the same genre from the '60s. I kept expecting Deneuve or Tritignant to come through the door. I couldn't watch it through to the end. I admit that I was tired and had just watched, Dot the I (much superior), so maybe I'll give another go, even if only to watch Bernal who never disappoints. This was a forced film in my opinion with a dreadful script, but maybe I should give a second chance. That sounds perhaps a bit pretentious:-) Hugh Corston Quebec City

I watched many foreign movies , but this one has some very bad subtitles. so thats the main cause , another.. its kinda boring..

this movie is under category of "cheating wife" incest" category .. but...i understand that this happens in movie ..or not.

not worth to watch.

Though the essence of this story goes all the way back to Greek plays, the theme of this radiant film has rarely seemed more cogent and contemporary. It is always refreshing to learn some occult historical information from a fictional movie and that is another reason to view this important film written by Alan Pauls and Fito Paez (an accomplished and respected musician in his directorial debut). The fact that Paez is the husband of the brilliant actress Cecilia Roth is another indicator that the collaboration of these two artists promises, and delivers, much! The cruelty of the dictatorships in Argentina during the 1970s (and into the 1980s) may not be widely known yet, so this film is revealing in its references to that period. Carmen Uranga (Cecilia Roth) has been living in Madrid for 20 years, following her 10-month imprisonment in Buenos Aires as a political undesirable. While in prison she endured rape, delivered a baby which was taken from her and put up for adoption, and became so psychically bruised that she has been unable to form close relationships in the interim years. She returns to Buenos Aires at the request of her family: her father (Hector Alterio) is dying and her younger sister Ana (Dolores Fonzi), a lawyer, is trying to put their father's estate in order, and care for their mother Sofia (Chunchuna Villafane) The physician Alejandro Rosenberg (Luis Ziembrowsky) attending their father has mysterious connections to Carmen and when she arrives in this strange household she is confronted with the nightmares of the past which she has never emotionally resolved.

One of Carmen's old friends Roxana (Carola Reyes) is grooming a young, handsome model/hustler Gustavo (Gael Garcia Bernal) and when Carmen confides to Roxana that she is in need of a sexual outlet while in Buenos Aires, Gustavo is the chosen one. At first summoned to Carmen's apartment with a female trick to perform audible sex acts for Carmen's hidden voyeuristic sexual gratification, Gustavo is gradually moved to the role of reading scintillating novels behind closed doors while Carmen pursues her self satisfaction in the adjacent darkened room. Eventually Gustavo (much younger than Carmen) becomes curious then obsessed with meeting Carmen face to face and this gradual change in their 'relationship' tips the scales of the story of the remainder of the film.

To say more would destroy the unraveling of this drama. Suffice it to say that Carmen's past while in prison surfaces in its entirety and the results alter the lives of every character in the film. The story has many more sidebars that add to the intrigue, but they are disparate and too numerous to mention.

The acting by these fine artists is consistently excellent: Cecilia Roth and Gael Garcia Bernal are extraordinary together and separately. In addition to the actors mentioned above, Lito Cruz stands out as Gustavo's 'father', opening a whole different study of father/son, genetic/adopted issues. The cinematography by Andres Mazzon finds the center of every scene and creates beautiful visual effects. The musical score by the director Fito Paez with Gerardo Gandini is stridently piercing, adding to the tension of the story.

This is not an easy film to watch, but for those who appreciated 'The Piano Teacher', 'The Mother', The Crime of Padre Amaro', 'Amores Perros' and other edgy films that dare to explore taboo subjects, this is a film that informs as well as provides a strangely fine tale. In Spanish with subtitles. Grady Harp

I agree with the previous review that this is very painful to watch. As a loyal Almodovar fan, I went to see this film because Cecilia Roth was in it as well as Gael Garcia Bernal who I'd seen in a couple of other films.

It was during the Miami Film Festival and Fito Paez happened to be in the audience that night. There was a huge Argentinian fan base watching that night.

What a horrible movie. My husband and I wanted to get up and leave but when we started looking around, the loyal fans gave us dirty looks and I did not want to be rude and interrupt anyone's viewing (the rows were very long and we were sitting right in the middle of our row).

This guy's idea of suspense music is a single high pitched piano note every 5 minutes (extremely annoying and it just didn't work). The story makes no sense and his attempt at creating a twist left you going "huh?".

Do not waste your time. If you want to see Cecilia Roth, get an Almodovar film and if you want to see Gael, get any other film he's been in.

PS: As soon as the movie ended, we left the theatre very very quickly.