A Family Affair

On just about every level. This is one of the worst lesbian movies ever made (although Claire of the Moon and that John Sayles movie, Lianna, are pretty good contenders as well). Dreadful writing -- cliche upon cliche, that hackneyed talk-to-the-camera shtick, it just goes on and on. And yet she thinks she's clever? Helen Lesnick cannot act and looks to be at least 15 years older than her character claims to be. Bad editing. A cheaply done movie and it looks it. Just bad bad bad. Are we sure this movie wasn't made in the early 80s for film school class?

You want a good lesbian movie, go see the Incredibly True Adventures of Two Girls in Love. Go Fish. Bound. Just about anything is better than this waste of celluloid, videotape, bits, whatever.

I read about the video in a Wolfe Video brochure. Bought the DVD and am very pleased with the film. I like the way Ms.Lesnick matched up the actors and actresses with the characters. If you are not Jewish (which I am not) there may be a few things that need explaining. The dish of parsley at the beginning of the Sadar for one. Even though she points out her mistakes in her comments and on the bonus video that came with the film, I think she did a tremendous job for a first time effort. I live on 10 acres in the southern tier of NY. Needless to say neighbors are few and far between. My enjoyment comes from viewing a collection of lesbian DVD's I have started. I put A Family Affair in the top 5 of my collection. I watch it often. I think Helen Lesnick is a gifted writer and film maker. I look forward to seeing more of her talents develop on the screen. Keep up the good work.

This movie felt very amateurish, but that's probably what was intended. Michele Green caught my attention from the get-go and was extremely good as the spurned lover. I had no idea it was Abby Perkins from LA Law until I watched disk 2 on the DVD extras. A very good turn for her. By her own admission she feels boxed in as an actress with casting directors not being able to see her beyond Abby-types. Hopefully that will change. Helen Lesniak was decent, and watch-able, but looked much older than 34 and not young enough to be the daughter of Arlene Golonka, but perhaps Arlene is just extremely young looking! I really enjoyed Arlene's performance and that of Barbara Stuart. Good casting there. I also thought Erica Shaffer was good, but truly, I couldn't see much attraction between her and Helen. They didn't seem compatible at all. I wouldn't recommend this film to everyone, but I did enjoy it. 6/10 stars.

The writing is not altogether that bad--the jokes definitely have their niche and will be entertaining to its intended audience.

Let's just say that, without looking at any of the credits, I could tell that it was one of those movies where the director had cast herself as the lead role. I was not convinced by Helen Lesniak's performance as a romantic lead. She does well with the sarcasm...and that's about it. The fact that she looked to be the same age as her on-screen mother was distracting, frankly.

And it sounds horrible but the whole time I was thinking, "How did she land a babe like Eric Shaffer?"

Rachel is a Jewish lesbian. Her parents are initially shocked by this revelation (the lesbian part, that is), but have come around so far that they are now leaders of PFLAG (Parents and Friends of Lesbians And Gays). After a long, on again, off again relationship with a woman named Reggie in New York, Rachel moves to southern California and meets Christine.

This romantic comedy stars Helen Lesnick, who also wrote and directed it. Her character breaks the fourth wall frequently, speaking to the camera on and off from the very beginning of the film. While I really enjoyed the film, a couple of minor problems stood out: the actress/writer/director looks much closer to the age of the actress playing her mother than to that of her love interest, and the dialog seemed stilted and occasionally badly overdubbed. I can't help but compare this to "Kissing Jessica Stein," which I saw in Toronto last year but is only now being released in theaters. This film is more real, but is not as inventive or as well delivered, so I would have to give the edge to KJS. Seen at Cinequest (the San Jose, CA film festival) on 3/1/2002.