एक निस्तारण दल बेरिंग सागर के एक दूरदराज के क्षेत्र में एक लंबे समय से खोए हुआ 1962 यात्री जहाज को निर्जीव तैरता हुआ पाते हैं, और जल्द ही वे नोटिस करते हैं कि लंबे समय से मृत निवासी अभी भी उ... सभी पढ़ेंएक निस्तारण दल बेरिंग सागर के एक दूरदराज के क्षेत्र में एक लंबे समय से खोए हुआ 1962 यात्री जहाज को निर्जीव तैरता हुआ पाते हैं, और जल्द ही वे नोटिस करते हैं कि लंबे समय से मृत निवासी अभी भी उसपर सवार हो सकते हैं.एक निस्तारण दल बेरिंग सागर के एक दूरदराज के क्षेत्र में एक लंबे समय से खोए हुआ 1962 यात्री जहाज को निर्जीव तैरता हुआ पाते हैं, और जल्द ही वे नोटिस करते हैं कि लंबे समय से मृत निवासी अभी भी उसपर सवार हो सकते हैं.
- पुरस्कार
- कुल 1 नामांकन
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This films best bits are in the special effects and those moments when you jump out of your seat. The opening sequence lulls you into a false sense of calm, from then on its guess the scenario. The viewer is always two steps ahead of the actors but, for the most, grips you nevertheless. The special effects are especially good and the acting, although no top-notch stars are evident, is not bad. The end is a real twist. Better to watch this than many others I could mention, certainly worth the video rental and a pizza.
Sean Murphy and his crew are the top salvage experts in the land (well, sea). They have just completed one big job when a pilot, Jack Ferriman, comes tot them with a ship that he has spotted in remote, international waters. It hasn't responded to distress signals and it seems fair game if Murphy will give Jack a cut and let him come along. Murphy accepts and they set off. The fact that the ship doesn't show up on radar doesn't ring any alarm bells with the crew, who board the ship to find a deserted vessel ripe for the pickings. However she has sustained damage and has days before she will sink forever. Diver Maureen spotted a young girl on board is only the first of several strange things to occur and soon the crew find themselves in deeper than they planned.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
Well, not bad. Not great, but not bad. I am a big fan of horror movies that aren't all about the horror but are more about a good, well thought out storyline. Think "Sixth Sense". While Ghost Ship pales in comparison, it has enough elements in it that satisfies me for me to give it a thumbs up, albeit a hesitant one.
Set and production design ... brilliant. It's incredibly difficult to not believe it's being filmed on location on a real decrepit, falling-apart ship. Inside and outside, it's filled with lush visuals that draw you into the movie. But i'm jumping ahead of myself.
The beginning is awesome. I love it. Never before have I been so impressed by the first couple of minutes of a movie, like I have been with Ghost Ship. Although the 'dramatic pause' after the event goes on for a bit too long (it doesn't really build up tension because you know what happened) the effect still works well overall and the special effects and acting are pretty damn good. Very nice. As is all the gory stuff in the movie.
Katie is brilliant. The first close-up we get of her, she looks cold and wet and although not frightening, she looks seriously spooky. Initially, I was mentally preparing myself for her to be heavily involved in the 'scares' of the movie, but was pleasantly surprised at her innocence throughout the movie, revealing later on exactly why she is the way she is.
The acting is solid enough - not brilliant (with exception of Katie, who does a very good job of tensing things up again - more so than any scare tactics) and the direction is pretty good, with the focus being on the right things and the pace of the movie consistent.
I do feel not enough attention was paid to the history behind the back-story of the ship's strange events (i.e. the "Lusitania" and how the gold came to be on the ghost ship itself) as well as a suspiciously obvious lack of character background for some of the characters, although the lack of it doesn't really detract from the movie itself, but makes you realize how important these details can be after watching the movie.
Emotionally I swayed through the movie. Many times I was thoroughly engaged to it, and you feel like a part of the world. At other times I felt totally disconnected as the actors didn't do enough to keep my attention. But then, something would happen that would raise my eyebrows just a bit.
Speaking of that, the scene where Katie takes Epps 'back' and shows her what happened - wow! I must say that I love that scene ... the camera work is awesome and the acting from the many extras is outstanding. But once again, it is what happens to Katie that is utterly harrowing. It's not often that I utter "Oh my God ..." in a soft shocked whisper as my mouth refuses to close. That scene packed a punch that lasted a long time.
On the other hand, the scene near the end with the people in the cargo room was totally rushed, with just too much happening and too many switches and deaths and, well, the message is obvious but it occurs with seemingly minor character such as Francesca that didn't seem to (at the time) make any significant contribution to the story. Having said that, after re-watching, I see how Francesca fits into it, based on the motive of the characters and the flow of the story. But it just seems a bit over-the-top ... not in violence, but in concept.
The thing that killed it ... the ending. Awful. Did they run out of money? Time? I just didn't get why it had to end like that. Sequels aside (how can there be a successful sequel? The 'Antonio Graza' sunk ... so would there be a different boat? Hmmmm...) the ending feels totally pointless. I didn't get it, and I didn't like it either. Do the bad souls leave the ship and go to another ship in the near future??
Having said that, I think the whole 'souls' thing is a bit ridiculous, because despite it tying in with the movie's concept, it seems to justify having strange occurrences on the ship, rather than having the strange occurrences justify the reason for the ghosts. I hope that makes some sense.
At the risk of looking at this too deeply for a horror flick, I think that there's more to the gold than just being 'stolen gold' - in my mind, the movie is not about the ghosts, or the gold, or the ship. It's mostly about pure greed - which the gold represents, and the evil in people which will never die. Which is the only reason why the ending could be as it is, in my eyes, since 'evil' walks out with the gold, to trap some more people into 'being evil' and therefore 'selling his soul' - note that the gold has no markings AT ALL and the tracing numbers have been 'filed down' - does the gold even exist??? After all, it was pure greed that got the crew out there in the first place, even though there was a good chance that they'd leave with nothing of significant value despite the attached investment of time and money but without being 'intentionally' greedy.
Anyway, those are some questions that I wasn't too sure about after watching the movie, even after another viewing. So, overall, pretty decent. But more work needed to be put into the ending and the character development ... even if it added an extra 15 minutes. It would turn a goodish movie into a solidly good movie.
6/10 is too low, 7/10 is too high. 6.5 but promoted to 7 because of that awesome opening and 'flashback' scene.
Set and production design ... brilliant. It's incredibly difficult to not believe it's being filmed on location on a real decrepit, falling-apart ship. Inside and outside, it's filled with lush visuals that draw you into the movie. But i'm jumping ahead of myself.
The beginning is awesome. I love it. Never before have I been so impressed by the first couple of minutes of a movie, like I have been with Ghost Ship. Although the 'dramatic pause' after the event goes on for a bit too long (it doesn't really build up tension because you know what happened) the effect still works well overall and the special effects and acting are pretty damn good. Very nice. As is all the gory stuff in the movie.
Katie is brilliant. The first close-up we get of her, she looks cold and wet and although not frightening, she looks seriously spooky. Initially, I was mentally preparing myself for her to be heavily involved in the 'scares' of the movie, but was pleasantly surprised at her innocence throughout the movie, revealing later on exactly why she is the way she is.
The acting is solid enough - not brilliant (with exception of Katie, who does a very good job of tensing things up again - more so than any scare tactics) and the direction is pretty good, with the focus being on the right things and the pace of the movie consistent.
I do feel not enough attention was paid to the history behind the back-story of the ship's strange events (i.e. the "Lusitania" and how the gold came to be on the ghost ship itself) as well as a suspiciously obvious lack of character background for some of the characters, although the lack of it doesn't really detract from the movie itself, but makes you realize how important these details can be after watching the movie.
Emotionally I swayed through the movie. Many times I was thoroughly engaged to it, and you feel like a part of the world. At other times I felt totally disconnected as the actors didn't do enough to keep my attention. But then, something would happen that would raise my eyebrows just a bit.
Speaking of that, the scene where Katie takes Epps 'back' and shows her what happened - wow! I must say that I love that scene ... the camera work is awesome and the acting from the many extras is outstanding. But once again, it is what happens to Katie that is utterly harrowing. It's not often that I utter "Oh my God ..." in a soft shocked whisper as my mouth refuses to close. That scene packed a punch that lasted a long time.
On the other hand, the scene near the end with the people in the cargo room was totally rushed, with just too much happening and too many switches and deaths and, well, the message is obvious but it occurs with seemingly minor character such as Francesca that didn't seem to (at the time) make any significant contribution to the story. Having said that, after re-watching, I see how Francesca fits into it, based on the motive of the characters and the flow of the story. But it just seems a bit over-the-top ... not in violence, but in concept.
The thing that killed it ... the ending. Awful. Did they run out of money? Time? I just didn't get why it had to end like that. Sequels aside (how can there be a successful sequel? The 'Antonio Graza' sunk ... so would there be a different boat? Hmmmm...) the ending feels totally pointless. I didn't get it, and I didn't like it either. Do the bad souls leave the ship and go to another ship in the near future??
Having said that, I think the whole 'souls' thing is a bit ridiculous, because despite it tying in with the movie's concept, it seems to justify having strange occurrences on the ship, rather than having the strange occurrences justify the reason for the ghosts. I hope that makes some sense.
At the risk of looking at this too deeply for a horror flick, I think that there's more to the gold than just being 'stolen gold' - in my mind, the movie is not about the ghosts, or the gold, or the ship. It's mostly about pure greed - which the gold represents, and the evil in people which will never die. Which is the only reason why the ending could be as it is, in my eyes, since 'evil' walks out with the gold, to trap some more people into 'being evil' and therefore 'selling his soul' - note that the gold has no markings AT ALL and the tracing numbers have been 'filed down' - does the gold even exist??? After all, it was pure greed that got the crew out there in the first place, even though there was a good chance that they'd leave with nothing of significant value despite the attached investment of time and money but without being 'intentionally' greedy.
Anyway, those are some questions that I wasn't too sure about after watching the movie, even after another viewing. So, overall, pretty decent. But more work needed to be put into the ending and the character development ... even if it added an extra 15 minutes. It would turn a goodish movie into a solidly good movie.
6/10 is too low, 7/10 is too high. 6.5 but promoted to 7 because of that awesome opening and 'flashback' scene.
Now this I would call exactly an average film. For me, it landed precisely at the very center of imdb's 10 point scale, right at 5.5. This means that I found exactly as much to like as I did to dislike. There is a bit of inspiration here, but just as much that's stolen from other better horror movies. If it had opted for tone and real fear instead of cheap shocks, the movie could have been great. The story is good enough that it could have been great if handled well. But we do live in these times, and, although there are scholars of the modern era who would try to have us believe that the current generation consists of a bunch of kids who get everything instantly and process it on a billion levels at once, the truth is indeed the exact opposite. No, there is no subtlety here. It would go over your average teenager's head in a heartbeat. Nope, better play it safe and provide us with a gruesome scene up front where a couple of dozen people are sliced in half by a loose cable during a ball. Gore is not scary. I did however produce a dry heave during this sequence, which is more than I can say for any other gore scene that I've viewed lately. As the gore accumulates, I began to appreciate the artistry that was put into the enormous number of deaths. These are some sickeningly creative people, let me tell you. Unfortunately, the director (or screenwriters or whoever) ruins any real potential by revealing every detail about what happened on the titular boat in a fast-motion sequence accompanied by techno music! It's the kind of moment where you just slap your head for the lack of talent involved. And then there was more stuff I liked. For example, the art direction is very impressive. The revelation of one character's identity, while not particularly surprising, is at least somewhat new. I give this film a 5/10, rounding down because I felt the final moment was a bit groan-inducing.
With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
क्या आपको पता है
- ट्रिवियाIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- गूफ़(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- क्रेज़ी क्रेडिटThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- इसके अलावा अन्य वर्जनThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- कनेक्शनFeatured in Around the Bend (2004)
- साउंडट्रैकSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Barco fantasma
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,01,13,491
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,15,03,423
- 27 अक्तू॰ 2002
- दुनिया भर में सकल
- $6,83,49,884
- चलने की अवधि1 घंटा 31 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें