डेयरडेविल

This movie is an exciting and excellent movie. The special effects and lighting is amazing, and all in all, the picture is superb. Also, the theme is a good one - he is an underdog, being blind, and fights for the underdogs, considering his job as an attorney. But he proves that he is much better than that when he serves justice at night as Daredevil. I dearly love how he does several stunts and tricks.

It is exciting to watch him do insane stunts like jumping right off buildings and then regaining his balance. All the stunts are a piece of art! But maybe, next time, more criminals.

I applaud this movie and hope for a sequel!

Where Spiderman was colorful and almost cartoonish, Daredevil is gritty and merciless. Whatever you thought couldn't happen in Peter Parker's world will more than likely happen in Matt Murdock's neck of the woods. Because people die here. Sometimes they die slowly and painfully. The superheroes go home with scars on their backs, broken teeth, and more than a few gruesome images that need to be repressed. For all of these reasons I liked Daredevil, because it takes chances by offering a hero that is by no means invincible or conventional.

The origin story of the character Daredevil is pretty complicated, but, as the helpful gentleman in the theater so aptly put it, "He's blind, but he can see stuff blind." Let's just leave it at this: As a kid, Matt Murdock was blinded by radioactive material in a freak accident. This caused his other senses to become phenomenally acute, to the point where Matt can track criminals by their scent and use sound waves as a sort of radar. He uses his newfound abilities to protect those who will not be protected by the justice system, all the while hoping that one day he will find the person who killed his father.

If you're a fan of the first two Batman movies, you'll find a lot to love in Daredevil. There are still some comic book elements that require some suspension of disbelief, like the fact that Matt could construct an entire high-tech lair beneath a church while working as a pro-bono lawyer, but the movie is not fantasy-driven. The fight scenes will make you wince at their realism, the love story is not corny or forced (as opposed to a certain flick called Just Married), and the characters are complex, uncertain people who just happen to don masks and fight on rooftops.

Do you remember the parts in the old Christopher Reeve Superman movies where Clark would hear someone crying for help in the distance? He would always be having dinner with Lois Lane at the time, and had to make up some dumb excuse for ditching the scene like, "Oh! I just forgot. I have a book due at the library." Then he would dash off to save the day, leaving Lois high and dry. Well, in today's feature, Matt hears someone crying for help, but when his love interest, Elektra, asks him to stay, he actually does. With out-of-left-field scenes like this, I couldn't help but enjoy Daredevil.

Some might be surprised at how little screen time the villains get in this movie. Kingpin, a Don Giovini mobster type, and Bullseye, an Irish nut with a couple of loose screws, are important parts of our story, but they don't steal the show. Going back to the Batman comparison, many movie buffs think that Jack Nicholson's role as the joker actually become more interesting than the winged knight himself. Not so in this movie, as Daredevil is the guy whom the role shebang revolves around. By deciding to focus on the hero more than the villain, the audience can get into his head and root for him to the last battle. Matt is a cool guy because he's not a wealthy playboy or Kryptonian who can smash through walls. Other than his heightened senses and combat skills, he's just a regular guy who happens to like read leather.

After X-Men and Spiderman became huge hits, it was expected that Hollywood would start churning out more superhero flicks as fast as they could make them. Thankfully, Daredevil doesn't seem recycled or rushed and actually brings something new to the table.

A disturbingly dark and heavy superhero flick that becomes one of the better (if not the very best) films of one of the cinema's newer sub-genres by its finale. "Daredevil" is one of the best surprises of recent memory (I was expecting something similar to "The Shadow" or "The Phantom"). A young boy (Scott Terra) thinks his ex-boxer father (David Keith) is the greatest person on Earth. Terra is shocked though when he discovers that his father is little more than a thug, an enforcer in a rough neighborhood that preys on those who owe money to underworld syndicates. A freak accident soon follows that leaves the youth blind. Keith is grief-stricken and promises his son that he will change his colors. A bond that is stronger than ever then comes together, but evil forces lurk when Keith makes a comeback in the boxing ring and refuses to take a dive for those same criminals he once worked for. Tragedy does strike once again for the youth and he is forced to grow up quicker than most other children. The blindness leads to a strange type of radar sense which causes the character to know all that is going on around him. He then becomes versed in acrobatic martial arts and vows to take revenge on all those wrong-doers in New York City as he grows up to become a lawyer (in the form of Ben Affleck). Only Catholic priest Derrick O'Connor knows the real truth about Affleck and proves to be the father figure that the character desperately needs. Affleck learns that there is a new crime boss in town (a much heavier Michael Clarke Duncan of "The Green Mile" fame) as he falls in love with the ridiculously athletic Jennifer Garner. Garner's shady father though (Erick Avari) becomes Duncan's newest target. Thus more drama begins to take place as Duncan calls in super-villain Bull's Eye (a scene-stealing performance by Colin Farrell) in Ireland to cause more havoc in the city and kill the titled character for good. The thing that separates "Daredevil" from most every other film of its type is the fact that the film is as serious as a heart attack throughout. The "Batman" series became ridiculous because of its over-the-top comedy and most other superhero films lack believability and substance. "Daredevil" is amazingly realistic and its tone makes it a strikingly dramatic experience that has very few equals. All the performances are outstanding and the film's direction lifts an admittedly flawed screenplay (the screenplay does not work as well as it should due to the possibility of more installments). A smashing soundtrack and gloomy cinematography complete the impressive production. A daring film that ends up being an overwhelming success. 4 stars out of 5.

That's why I think most critics hated this thing. It's not lighthearted fun like "Spider-Man" was, it's more adult-themed. I actually found it a bit more effective than Sam Raimi's superhero epic. Why? Because it wasn't campy and it didn't have cartoony special effects. The CGI in "Daredevil" is more photorealistic. I also loved the "Matrix"-like martial-arts incorporated throughout the film.

In fact, as far as darker-themed comic book movies go, I think "Daredevil" is a much better film than either of the first two "Batman" pictures were. I recently watched "Spider-Man" again on DVD and I've always had mixed reactions of it. I do think it works on the level of campy fun and for that I gave it a B Minus. But I think "Daredevil" is a more solid picture and I'd grade it with a B.

I like the look of the film, the washed-out colors make the movie look very 70's in certain scenes. Like "The Crow", the movie has an MTV mentality with rock and rap songs, but also has a love story as well. The sound design is awesome, if you have a good theatre sound system, "Daredevil" will take full advantage of it. I don't think Ben Affleck got credit when it was deserved. Along with Jennifer Garner, Colin Farrell and Michael Clarke Duncan, Affleck was perfect cast.

Anyhow, as much as I believe "Daredevil" is a much better film than "Spider-Man" was. I actually think "Spider-Man 2" is better than "Daredevil". The best comic book movie ever placed on film. It shows that a director can really improve on his work. I highly recommend that film to anyone. Well, the bottom line is: "Spider-Man" (B-), "Daredevil" (B) and "Spider-Man 2" (A). I hope you enjoyed my review.

This surprisingly dark and moody superhero yarn is a great and unexpected surprise – probably the most genuinely entertaining comic-book film to come out of Hollywood in the early surge of such movies. It certainly walks all over the likes of HULK and SPIDER-MAN. The fun aspect of the movie comes from a pleasingly witty script, which serves up crisp dialogue throughout; some surprising plot developments (coming from somebody who never reads any comics); memorable acting performances and a freshness which is more than worthwhile. The backstory of the main character is run through pleasingly fast, in about fifteen minutes (compared to HULK's forty-five). I don't want to spoil any of the plot, other than to say that this film takes a more adult, mature approach to the material – both in the depth of emotion of the characters, in the handling of death, and in the rather violent action sequences.

Said action – invariably incorporating martial arts, which is of course currently in vogue in Hollywood – is highly entertaining and the film as a whole is packed with special effects, which add to the impact rather than being really noticeable. The entire cast put in good performances, from Ben Affleck's subdued turn as the lead to the solid support of Jon Favreau, Joe Pantoliano and Leland Orser. Yet the most noticeable characters are Jennifer Garner as the truly electrifying Elektra, Michael Clarke Duncan as the impossibly imposing Kingpin, and best of all, Colin Farrell as mad henchman Bullseye. Farrell bags the best role in the film and really makes a meal of it, bringing humour to his psycho-schtick and enlivening the proceedings no end. The combination of the above factors serve to highlight DAREDEVIL as one of the triumphs of the Hollywood year!