Stiletto Dance

I've always had a secret appreciation for Eric Roberts films. I think he's an underrated actor, able to do a good job if the script lets him. I also compliment him on being able to pick films that combine his macho action style with intriguing plots and relatively thorough (for the genre) characterization. "Stiletto Dance" is a good example. The story seems at first very simple, but nothing is as it appears. The plot continues to evolve in more complicated ways, but never loses the viewer. There's a romantic sub-plot that makes sense instead of just being an excuse for nudity. The main characters are filled out with motivations and nuances that make them interesting to watch. The film has a basic question to it: "How far can... and should... a police officer go to stop a crime or capture a criminal?" In my opinion, the best thing about the film is that it raises this old question in a very different manner, and leads one to a different conclusion than might have been expected.

Though I found the story of this movie to not be so original, it at least was competently told and paced, which automatically makes this effort better than many made-for-video movies. And even though it was low budget, the production values were quite good. The best thing about the movie was the performances, particularly Eric Roberts, who really gets to prove here he is a really good actor, unlike the usual junk he's unfortunately saddled with. Just don't expect a fast-paced rat-tat-tat actioner, and this movie will be satisfying.

This thriller has Tarantino`s forged signature written all over it . It starts with a funky monologue which instantly revives memories of Tim Roth in a certain film . Add to this a shock revelation of a couple of villains who aren`t who they appear to be , some novelty violence involving a jealous wife and a coffee grinder , a running joke about a suit being ruined and the bizarre site of a member of the clergy tooled up . I was expecting someone to come out with a line about " I`m stuck in the middle with you " and the homage would have been complete .

The other thing that struck me was this could only have been a HBO production . I didn`t know this at the time but later finding out it was made sense . Have you ever noticed watching an episode of OZ there always seems to be a sudden upsurge of profane dialogue in the slower episodes ? It`s almost as if the producers of the show have got round a table with the writers and said " Okay we`re pretty low on shankings and gang rapes this week so can you make sure the F word appears at least three times in every sentence just to indicate it`s an adult show " . Well in STILETTO DANCE when people aren`t getting blown away or getting limbs chopped off the characters often seem to revert to ridiculous amounts of swearing . I can`t really emphasise how false the dialogue sounds in these scenes , especially the bit where the police captain is explaining the plot to the two good guys in the car park .

One final comment . I know Eric Roberts career is now a bit of a joke starring in cable and straight to video films such as this , but he really does deserve much better and I look forward to seeing him play a memorable screen villain in a blockbuster someday

I like Eric Roberts and found this DVD on eBay cheap so I figured I would give it a try.

This is a violent movie - so, not for everyone. But, it is well-acted enough for my tastes and the story never lost my interest. The villan (Anton) is easy to hate. Eric Roberts character is easy to like but he's rough around the edges.

The action is not predictable - at least it wasn't for me, and that makes watching fun.

It's no blockbuster epic but it is worth watching. Without Eric Roberts this would not be as good but with him, it's kicked up a notch.

Undercover New York police officers Eric Roberts (as Kit Adrian) and Romano Orzari (as Jay Flowers) go up against a ruthless Russian mafia, pretending to work for bleached-blond crime lord Shawn Doyle (as Anton Seaberg). Mr. Roberts invites even more danger by sleeping with the enemy's estranged wife, luscious Lucie Laurier (as Lena). This film's obvious intent is to bring female flesh and human blood to the home box office crowd, without resorting to anything hard-core. The female flesh is real, and the human blood is fake. On a cheap blood and guts level, "Stiletto Dance" is successful. Mr. Orzari and Yaphet Kotto (as Captain Sands) provide star Roberts with solid support. But, it's really Mr. Doyle's characterization of the temperamental bad guy, who keeps it moving.

**** Stiletto Dance (6/8/01) Mario Azzopardi ~ Eric Roberts, Shawn Doyle, Romano Orzari, Lucie Laurier