Spy Kids 2: Island of Lost Dreams

As the story begins, Juni and Carmen Cortez are agents on the rise in the new Spy Kids division of the OSS. Despite all their impressive skills and accomplishments, they're denied a promotion in the agency as a result of blatant nepotism. Still determined to make their mark, and much more importantly to upstage a pair of rival agents, they intervene in a mission to travel to a mysterious island and retrieve a sophisticated thingamajig that could be a potent threat if it falls into the wrong hands. Engaging sequel is far less cheesy than its predecessor, has a much better story, and lots of imaginative visual effects accompanied by exciting, cliffhanger action scenes. Overlong, and still corny at times, but has just enough of the right ingredients to entertain all audiences. ***

While I maintain the original film wasn't that good, it was still better than this film. Not that 'Spy Kids 2: Island of Lost Dreams' is god-awful or anything, it just didn't manage to eliminate the same problems the first film had. That was artificiality! This one felt even more artificial than the first! The visual f/x were fairly were decent in parts but also very fake in others, but the overall artificiality remains in the world of the Spy Kids themselves.

In the sequel, we see an established Spy Kid network which our heroes, Carmen and Juni Cortez (Alexa Vega and Daryl Sabara), find themselves having some competition from the Giggles children (Matt O'Leary and Emily Osmont) in the field of saving the world. The plot involves the Cortez kids heading to a mysterious island to retrieve a stolen weapon, while encountering genetically mutated (very fake) looking creatures, as well as a scientist named Romero (Steve Buscemi). Now, Romero is falsely advertised as the villain of the film, but from the onset he befriends the pair. Meanwhile, the Spy Kid's parents (Antonio Banderas and Carla Gugino) are looking for them with the grandparents (Ricardo Montalban and Holland Taylor) assisting them in their search.

Now, the problem with sequel is the overall storyline is not as good as the first film. There isn't a moment where I am drawn into this bizarre universe nor am I ever afraid for the characters, or feel they are overcoming major hurdles in the adventure or amongst themselves. It is this sort of artificiality that bothers me about 'Spy Kids 2: Island of Lost Dreams'. I've seen plenty of kids movies in my time, and many feel like they are genuinely overcoming a hurdle, or uniting a family rift or having a character reach a point of enlightenment. The sub-plot with the grandparents and Gregorio (Antonio Banderas) just didn't work for me at all, although the outcome was decent, the lead up to it was rather formulaic and uninteresting. Similarly, the father/son rift subplot was extremely tame and bland. 'Spy Kids 2: Island of Lost Dreams' also lacked villain power, as if the bad guys were doing their thing for the sake of doing it, rather than establishing some madness behind their methods. The overall plot was generally disappointing.

However, there is some decent moments. The interaction between Alexa Vega and Darly Sambara work very well and they are an extremely likable, but the writing and Robert Rodriguez's direction are just having them going through the motions, and the pacing of the film even seems awkward. Cheech Marin, Alan Cummings, Tony Shaloub and Danny Trejo all return in limited roles to further the plot. Mike Judge, of 'Beavis and Butthead' fame, returns in a bigger role as Donnagon Giggles and their is another decent cameo (which I won't spoil). Overall, for the reasons stated, the film lacks the magic of other kid's films and this is partly due to the artificiality of the story/characters and some of the visual effects.

**½ out of *****!

With slightly larger spies, this relatively young series had to grow up a little, taking on more mature jokes and story, but the all the elements of the first film are still evident. The sister- brother fighting, the fantasy-based story details, the wild technology, and of course, the importance of family are all stressed once again amidst the chaos and the outrageous action sequences. While the special effects don't quite mesh well with the live action, the outlandish references to The Clash of the Titans proved to be hilarious (if you find that kind of thing funny). Anyway, this film proved to be a little better than the first, considering young actors Alexa Vega and Daryl Sabara feel a little more natural in their roles as super spy siblings. While the whole Spy Kid network seems a little far fetched, at least it is a movie one could take their kids to without the repercussions of too much violence or sexual content.

To its credit, "Spy Kids 2" does indeed display a lot of creativity and imagination, and that makes it a lot better than most family movies Hollywood makes. However, while the first "Spy Kids" was a fun romp that kids AND adults would enjoy, this sequel isn't as much fun.

I think the biggest flaw is that this sequel is missing heart. We don't feel the warmth between the family members as we previously did. (Yes, the youthful siblings did fight and disagree a lot in the first movie, but you could still sense a solid bond between them.) There's no sense of the characters feeling danger, excitement, and a sense of adventure as they did the first time around. Instead, there is a coldness, a mechanical feeling this time, like they are very familiar (and almost bored with) with what they are experiencing, even with each other. The presence of two snotty and selfish rival child spies just furthers this somewhat sour tone.

While kids might not mind this too much, I think even they will agree with the second problem I found - the story here is VERY confusing at times. For one thing, the movie seems to start at chapter two, jumping ahead of itself before the audience is set and ready. Then after that, there are a number of moments where we keep thinking "Huh? How did (this character) get there all of a sudden?" and "Huh? What on earth happened off-screen to make (what we are now seeing) happen?" Very annoying. It's all made worse by a pace that is MUCH too fast, even for an adventure of this nature.

Note to Robert Rodriguez: I understand you will soon start "Spy Kids 3". Please not only take notice of what I've said above, but take note of Daryl Sabara ("Juni"). Though not a bad actor, there were a number of instances where he didn't enunciate his dialogue clearly enough, which lead me to rewind back a few seconds and use captions. Please take care of this on set, or at the very least, patch it up during post-production looping.

Carmen and Juni Cortez are official Spy Kids, working for an organization called OSS (which probably stands for something, but I'm not sure what). In the opening scenes we see the President's daughter, Alexandra (Taylor Momsen from "How the Grinch Stole Christmas"), as a special guest at a futuristic amusement park. When Alexandra gets herself in trouble on a ride called the Juggler (which actually juggles the cars containing the passengers!), Carmen and Juni are dispatched to help her. But then a backup Spy Kids team of Gary (Matt O'Leary from "Frailty") and Gerti (Emily Osment, sister of Haley Joel) Giggles are sent in as well. The situation becomes competitive, with the Cortezes rescuing Alexandra while the Giggleses retrieve the dangerous device (the Transmooger) that she had stolen from her father's office.

As in the first film, Carmen and Juni's parents are Gregorio (Antonio Banderas) and Ingrid (Carla Gugino), who are also spies working for OSS. Gregorio is up for a major promotion, but like his children, he is also competing with the Giggles family. The dinner at which the winner of this promotion is announced is the launching pad for the heart of the film.

Other key characters returning from the first film are uncle "Machete" Cortez (Danny Trejo) and Felix Gumm (Cheech Marin). And then there is Doctor Romero (Steve Buscemi), who is a very interesting character.

The "film" was actually shot using high definition video, which looked good enough to never be a distraction. It had been transferred to film for exhibition, so the normal film wear and tear issues applied, especially since I saw it near the tail end of its theatrical run.

Besides using digital video, the director (Robert Rodriguez) also used another trick to save money: he did almost everything himself. He was the writer, cinematographer, editor, production designer, and visual effects supervisor, and also helped produce and score the film. Apparently he did much of this work in his garage in Austin, Texas.

The first film was very fun and unexpected. This one feels a *little* too much like more of the same, and it also adds a touch more gross humor than I think it needed to. It's still fun and definitely worth at least a rental, but it's not *quite* up to the level of the first film.

Seen on 10/9/2002.