Cube 2: Hypercube

Well, I guess it's an OK movie so long as you pretend the first Cube doesn't exist. Interesting characters, interesting plot, and lots of panic and violence... gotta love that.

But... the question must be asked: How can you have a sequel to Cube? Cube was a deeply philosophical movie that had nothing to do with conspiracies or governments or Izod or anything nonsense like that. It wasn't some government project - it just was. It was a means of putting the various kinds of "humanity" to the test.

Hypercube obviously missed that. It missed the deeper meaning of Cube because whoever wrote it was too superficial to see past the glossy exterior to its true meaning. In making Hypercube, they insult Cube, as well as all its fans who understood it for what it really was.

Cube was a philosophical statement. Hypercube is a pointless sci-fi thriller. As a sci-fi thriller, it's not bad - but when you watch it, disassociate it with its predecessor, or else you'll absolutely hate it.

My name is Moritz Eggert (no need for a pseudonym here), and I live in Munich, Germany, home of the original Fantasy Film Fest. Just a few minutes ago I and some 200 fellow geeks were the very first people seeing an official copy of "Hypercube", the sequel to "Cube", one of my most loved films (the date of today's premiere was 7/31/0:30 a.m.). At least that was what we were told by the organizers - apparently the copy was flewn over from Toronto fresh from the printers (and there were 2 failed attempts to do so - it seems the film was not ready the first time, the second time they sent the wrong film - this is why the originally announced premiere 4 days ago didn't happen). The copy we saw just now seemed to be the final version - sound, picture and editing were pristine - but doubts remain: for example the program book of the festival shows a picture of a character clearly taken from the film....and he doesn't appear in it! Hm, not the first time they cut somebody out AFTER releasing the pictures.... About the film...well, I try to be short, it is really late right now (but I wanted to be first...). Like "Blair Witch", the original "Cube" is in itself a pretty perfect film which doesn't really scream for a sequel. And like "Blair Witch 2" "Hypercube" really tries to be different...and fails to impress in the end. Like "Blair Witch 2" "Hypercube" is not really bad - in fact there are many good ideas in it, there is excitement, the timing is good....it is just not as good as "Cube", which is, for a sequel, simply not good enough. It says a lot that the original director of "Cube" was not involved in this project - instead we have Andrzej Sekula, apparently also a newcomer.

I will try to describe the film without giving away too much.... "Hypercube" starts out very differently from the first film. First of all we see the bodies of the people later to be trapped in the cube - they are on stretchers, and wrapped up in plastic bags. There is also some high-tech computer generated graphics mumbo jumbo and some effective and haunting music (phased and echoed - which makes sense after seeing the film. The sound design is really fantastic, by the way!). We also see some kind of flashback, a young woman working at a computer, then turning around....blackness... Sekula tries here, and also later in the film - to make "hypercube" different by showing snippets of the "life before the cube", which is at first fascinating, but takes away the allegorical dimension of the first film. We now actually see the people in the moments before they are abducted. The first scene is actually a variation of the first film, a girl wakes up (the girl from the flashback scene), wanders around a little, she opens a hatch, and wham...she's gone. Not spectacularly diced and killed like the poor guy in "cube" but simply...gone. Ok, ok, she appears again later...in a really shocking "twist" scene... The film then follows the different characters waking up in different rooms. The stereotypes are there again: there is - like in the first film, an agressive bully type , a caring, sympathetic blonde, a young carefree-type, an older sure-of-himself-type, a mentally challenged (here confused) type etc. A new twist comes in the person of a sexy lawyer (in red party dress!) and a blind girl. The design of the cube is like a less interesting version of the first film: the rooms are white and pretty bland. The hatches on all 6 sides work similarly to the first film, but automatically, by touch. There are also, at least at the beginning, no traps. Instead our heroes very soon find out that this cube is really a "hypercube" - it is like a tesseract, a 4-dimensional object. This is discovered in a succession of very neat and clever scenes - particularly in one very shocking one which I won't give away- and is actually pretty mind-boggling. There are time-paradoxes, parallel universes, gravity shifts...all in all a worthy successor to the first cube, I'd say.

The story itself unfolds pretty much like in the first film, but with some surprising twists - not all is like it seems! Of course everybody has a reason why s/he is in the cube, but this time it is pretty straightforward. Whereas it came as a real shock in the first film to find out that one of the prisoners was actually the architect, this time around pretty much everybody of the bunch was involved in the construction of the cube one way or another... There is some digital SFX - not outstanding, but ok. The acting seems competent, but not really convincing, especially in the case of "Larry" (.."the laffer"?), who is simply very, very annoying. It all comes to a conclusion which actually take us outside the cube and shows us ...other people! But don't worry - the ending does try it's best to confuse the hell out of everybody. Whereas the first film's ending was simply poetic, open and beautiful, this one seems like the final season of the "X-Files" : posing more questions than answering them... As you can tell my feelings are very mixed about this one. It is not a stinker - you can tell that a lot of creative effort went into this one, and a surprising amount of ambition for a sequel as well. But basically it is - after all - a sequel to "Cube" - a film which should definitely not have a sequel. "Cube" was a SF/Twilight Zone inspired variant of "huit clos" by Sartre, and like "huit clos" it cannot really have a sequel, as there are only two options: continue/explain the story of the first film (bad!) or repeat the situation of the first film with some new twists (also bad!). "Hypercube" sort of tries both at the same time, and ends in a kind of limbo: it won't bore you, but it want excite you as much as the first film (actually the ending might p*** some people off badly...). Simply put: "Cube" was weird, but deeply logical and philosophical, like a paradox that is solved in the end, for the solution's sake only. "Hypercube" is simply....weird. That's all. But the strange thing is: I would like to see it again, even though it was unsatisfactory. At least to have a clue who the hell "Darcy" is (you will know what I mean after seeing it...). Best regards from Moritz

I saw the first film and loved it. Although some of the dialogue was... well, insert word. The point of the second one is not so much about the cube, but the organization behind it. Questions that remain about who they are, what they're doing and the rest of the 5 W's.

If you like films that leave you with questions instead of answer, this second cube only adds to the general intrigue and I suspect that they may be more to come.

It's not for everyone. It's not for most of the population, but those who've gone a little more to the cinematic edge may still appreciate it.

I admit to being a huge fan of the CUBE trilogy. The first film is obviously the best, vicious and exciting in its simplicity, while the third, CUBE ZERO, is an interesting idea that takes the form of a prequel. CUBE 2: HYPERCUBE is a straightforward sequel to the first film, with significant changes that make a difference.

Although a number of characters are once again trapped inside a cube, the emphasis this time around isn't on solving puzzles and avoiding traps. Instead the characters must figure out a way to escape from their prison and to avoid the impending death which follows them at all times. There's lots of tension and interplay between the various characters, as before, and I liked the acting from the unknown cast which carries the story along.

There are some good twists here, especially with the climax that heads into the fourth dimension, although with a little blood and death for people who like that kind of thing. The special effects are very average on a low budget but as usual it's the ideas which make this film work. It's not on the level of CUBE but I do appreciate the fact that they did something different instead of just doing a slavish copy for a sequel.

So the math took a backseat to the first movie. This one, however, is all about the completely ridiculous result of what happens when you build a hypercube. Where did the simplicity go? Where's the magical screen writing that made the first so excellent? Fans of the first one absolutely should see this movie, you'll be pleasantly surprised at the new things Hypercube throws at you. Literally throws at you, in fact. And throws at the seven new characters.

But where did it go wrong? The opening sequence is nothing short of the greatest moment the Cube series has ever seen. Draws you straight into the action, even if the first actor is bad at falling... up. From that point on, the characters take a seat and move along with a poor attempt at additional plot. We don't ever get any insight into character motive, as we did in the first movie. This person goes insane... wait, explain that one again? In addition to no character motive, the characters are completely static. Unless you had seen the first movie and were actually expecting focus on character archs, you would find yourself thinking how terribly predictable the characters are. Even more, the Cube's logical image has been destroyed, replaced by this machine gone horribly wrong in the fourth dimension.

The best part of the film is how it continually keeps you on your feet, long after you've seen it. What gave me hope for Lion's Gate was the frightening beginning and the fantastic ending. I'm still plagued by social, theoretical and mathematical problems posed in this second installment, and the ending will not disappoint. However, for those looking for intelligent theoretical sci-fi, I would look to the first, and watch it perhaps a second time.