Philly

This was a terrific binge-watching experience, with excellent writing meeting outstanding acting and directing. It's one of the best legal dramas that I've seen.

Works within this genre -- books, movies or TV series -- are at their best when they focus on philosophical discussions about the unintended consequences of particular laws and ethical issues; including both the "low-hanging fruit" variety -- defending those who commit heinous acts, Constitutional issues like the 1st, 2nd, 4th, 5th & 8th amendments, etc -- AND the more exotic like attorney- client privilege, pre-trial discovery, etc.

Philly *clearly* embraced these philosophical discussions and the show felt like the *early* seasons of Law & Order in this regard; before L&O's trite, crappy writing and melodramatic plot lines took hold.

In fact, my one criticism of this show's design was that it crammed far too many of these topics into each episode; leaving a *lot* of unexplored drama on the table as a result. Nevertheless, there is a whole lot to love about this dead-before-its-time series so if you like legal thrillers, give it a go when you find it. You won't be sorry.

Philadelphia's sights, history, architecture, residents, and personality give writers and film-makers plenty to work with, and many have. Unfortunately, it hasn't been utilized as much as it might have (and I think it deserves). From what I understand, this is mostly because it lacks a permanent soundstage. Although Ben Franklin Parkway and other areas were closed off at times over the summer for filming the outdoor shots of 'Philly', most or all of the indoor shooting is being done on the west coast. The recreated interior of City Hall looks pretty good.

'Philly' plays the Hostile City's gritty reputation to the hilt. It has drawn some heat locally for its portrayal of city corruption - but not surprisingly, I haven't heard an official word on the likelihood of a mini-skirted, model-gorgeous, whip-smart, heart of gold attorney.

I have enjoyed Philly's first two episodes, but my reception is cooled by the hero-or-villain take on some of its characters. The show makes it clear that Kathleen McGuire (Kim Delaney) has adopted a tough exterior only to do her job; she's really a gentle, altruistic soul who cries into a teddy bear at the end of a bad day (two of 'em so far). She is, at least, very strong - one wonders how she gets through what she does with her head up. But while I'm biting on that, I'm also wondering how she - as a good judge of character - ever hooked up with her (ex-, or separated) husband, a district attorney so unlikeable only a bad writer could love him.

There are other question marks. From tonight's episode, for example: Would a resident of the city (no matter how well-meaning) leave a near-stranger, possibly guilty of a knife attack, alone in her apartment for the day? Is this the same city I live in?

Still the show has promise. It has an edge, a ready quip, a fast pace. It can amuse and surprise. Everyone in the cast appears to be up to the task of the characters they play, right down to the Judge's Pommie.

And there are some nice shots around the city. Cept, what's up with the burning trash can?

7/10 stars.

Just finished watching all 22 episodes of Philly. I thoroughly enjoyed every one of them. Engaging plots. Sympatico characters. Convincing solid acting across the board. I suspect that some features of this series survive in the concept of The Good Wife; having watched 5 seasons of The Good Wife, while watching Philly I found myself frequently seeing similarities. I don't know the history of this series, or why it got canceled after just 1 season. But TV bean counters/ execs often display very strange logic in their choices of shows to keep vs shows to kill. Sometimes good stuff gets the ax, while plenty of junk goes on to survive. Philly is definitely one show which easily deserved to go on...

Since "NYPD Blue" premiered, a lot of new shows from Steven Bochco Productions have come and gone (from "Public Morals," Bochco's ill-advised foray into the world of sitcoms, to the medical drama "City of Angels" - one of the few Steven Bochco series not as yet shown in Britain). "Philly" wasn't the one to break his losing streak, but this legal drama still deserves a bit better than it's been getting ;at the time of writing it's airing on Channel 4 in the UK late at night in single or double-bills over the Christmas period. Can you say "filler"? Come on - it's no classic, but it's not "Mortal Kombat: Conquest" either.

A vehicle for Kim Delaney, the late Bobby Simone's equally late girlfriend is reincarnated as Kathleen Maguire, a Philadelphia lawyer and divorced mother of one (her ex happens to be a DA, with all that implies). She has trouble with the circuit judges she argues her cases in front of and is given to wearing suspiciously short skirts (Bochco always did have a weakness for strikingly attractive legal reps on his shows), but fortunately the resemblance to Ally McBeal ends there; her legal life is loaded with difficulty from the first episode onwards, in which her load is doubled when her partner [Joanna Cassidy, last seen as Brenda's mother on "Six Feet Under"] has a breakdown in court and winds up in psychiatric care... like I said, this ain't no Ally.

Kathleen's characterised as dedicated and idealistic, but her rival lawyers aren't set up as the enemy - they're all people trying to do a job. Her new partner (Tom Everett Scott) is set up as looser than she is, but just as set on doing a good job. Plus the series is set in one of America's less exposed cities... so far so competent. And that's the show's problem - there's nothing really WRONG with it; the writing doesn't stink, the acting's decent (especially Rick Hoffman as one of the Commonwealth's lawyers), the stories hold the attention, the different setting is a change, the kid isn't too annoying, and Mike Post rises to the occasion yet again in terms of themes. But like "Brooklyn South," "Philly" lacks that extra something that could put it over the top - although at least the characters here are slightly less anonymous.

If it didn't carry the legend "Executive Producer: Steven Bochco," this show might have gotten a chance to show its legs were as good as Kim Delaney's. But in any event, it's a decent time-passer; more "Equal Justice" than "Murder One," but none the worse for that.

While I enjoyed the show, what bothers me the most is seeing people make comments about it when they've only seen one episodes and five minutes of another. Please, be a little more educated before you start telling other people what was wrong with the show.