Australian Rules

I remember very clearly watching this movie as a kid in my lounge room and feeling a sadness I had never felt before. Maybe it was being in a close family then witnessing another family that is torn apart due to things I couldn't even understand yet. Racism, domestic violence, alcoholism, and simple stupidity and ignorance.

I remember feeling so bad that blacky could do little bout the events that unfold, the people and attitudes he has to deal with, and the painful sadness of being a big hearted person surrounded by people who don't understand him, and the ones who do also being victims of the lives they live.

This is a good movie, but it's not an easy watch. Tt has a truth and a straightforward nature you really only see in indies rather than the big budget movies. We also have a talent in Australia to make films that don't just have a set of convenient events that lead to a happier conclusion. It's simply life, in all its messiness and ugliness. I guess like blacky you just have to find the happiness any way you can.

I have just returned from an advanced preview screening of this powerful film and was happy to have the opportunity for a Q & A session with the three young stars of the film.

Aboriginal actress, Lisa Flanagan, was moved to tears as she spoke about the emotional turmoil that making this film caused her. Her mob is from South Australia and are closely linked to the real-life events on which this film is based.

Lisa is off to Edinburgh to promote the film in a few days.

Melbourne-born Nathan Phillips, who plays Blacky, was asked what he wanted audiences to get from the film. He pointed to Lisa and said "I want audiences to feel for even one minute the emotions you just saw from Lisa." And we do!

All three stars spoke of the film as a journey - and it is a journey well-worth experiencing.

Sydney indigenous actor Luke Phillips has plenty of TV experience but has made his first foray into feature films - and it won't be his last. A first-class performance!

International audiences have reported some problems in the early stages of the film understanding the local dialect and pronunciation but felt it was well worth the effort. I couldn't agree more. See it.

I should add that the film-makers did make attempts to discuss the film with the local indigenous communities. The cast even attempted to show them the script. For reasons of their own, maybe understandable, they didn't take that opportunity.

This film kept me interested the whole 95 minutes. I thought that it dealt

brilliantly with the racial issues it talked about. My only disagreement was the aboriginal girl. I think that the relationship between Blacky and her was a bit unneccesary. Apart from that, an excellent film. 8/10.

Australia Rules begins like most sports movies. We follow a ramshackled team of underdogs as they prepare to play in the final of an Australian football match. However, the film quickly becomes a race drama showing the conflict in the team between the white and superior Aboriginal players, which manifests itself on the whole small town. We follow Blackie, played charismatic by Gary Black, whose best friend is Aborigine Dunby Red, the team's star player.

The film's topics are handled well, without dipping into cliché. The pacing of the film is excellent, showing how racial conflicts can escalate. However, the third act of the film lets it down. The film seems to be building to the race problem exploding, but instead fizzles out. The lack of conclusion is frustrating, although realistic.

The main problem is not so much that the film is bad. It's not. It just feels like it is going over similar ground to many films before. While always being enjoyable, it is never gripping. The direction by Goldman, particularly in the sports scenes, is very perfunctory.

Billed as a tough-as-nails take on racism in a small South Australia town, AUSTRALIAN RULES is better described as a coming of age story under the harshest of conditions as a young boy learns to stand up to his oppressive father.

Based on the book `Deadly Unna' by Phillip Gwynne, the screenplay by Gwynne and director Paul Goldman walks a fine line as it deftly exposes the hypocrisy of racism, without the unnecessary preaching that could so easily have slipped the story into melodrama. Also well balanced are two excellent subplots - the rag tag footie team attempting to win the all important Premiership, and the romantic subplot of the lead character, Blackie, pursuing a taboo love affair with an Aboriginal girl.

The cast of unknown actors is uniformly good, portraying both the hard hitting drama and lowbrow comedic moments with equal strength and aplomb.

AUSTRALIAN RULES is definitely worth a try.