Coastlines

This movie impressed way beyond my expectations. My wife left shortly after the beginning of the first viewing but stayed throughout on a second viewing and rated it as a very competently produced movie with deeper meanings which we were able to discuss at length.

Without its excellent script, direction and acting the story could have descended into the realm of a daytime dreary. For a casual viewer inured to daytime drearies, perhaps that's all they'd gain from "Coastlines" but, unfortunately, they'd be missing out on much more.

In Australia, we live directly above a superb beach and are quite familiar with the coastal atmosphere depicted in "Coastlines". In its US setting, however there was a freshness and many local differences which were brilliantly depicted and thoroughly enjoyable. One of the film's visual highlights was an aerial depiction of potentially intersecting car journeys between husband, Dave, and his wife, Ann. The tension of them possibly meeting was dramatically underscored by the loneliness of the chosen roads and the flat coastal scenery. The cars do not meet however and the camera moves up the show the vast hinterland. This sequence quintessentially underscored what was happening to the characters. It was one of many just brilliant parts of the film.

Typical of the film's authenticity was detail such as Dave's competent night-time manoeuvring of an outboard-powered boat as he reversed it from its moorings and even the screen on its depth sounder being alight. A lesser production would have the craft just ready to zoom into the night.

A previous reviewer takes issue with Victor Nunez "sound design choices". I'm not quite sure what this reviewer's referring to but, if its the film's background music, I couldn't disagree more. Normally, I enjoy only classical music, but in this film, the predominantly percussive music score faithfully echoes the drama of the dialog. All this is done at a virtually subconscious level. It's incredible Experiencing such powerful sound being kept so unobtrusive is worth a separate viewing of the film just to appreciate this achievement.

The film's acting was also first class. I'm not familiar with any of the actors but any director who avoided giving the part of Ann to the ubiquitous Meryl Streep, playing Meryl Streep, is a friend for life. Sarah Wynter playing Ann was brilliant, not only in the subtleties of her facial expression but in the small detail of gesture such as rubbing her fingers on a fat lady's shoulder as she ushered her through a medical centre or in responding to the children in the film, including her own. A previous reviewer observes that Ann's character "is at first heart warming but rapidly becomes disturbingly uncomfortable and tense, and oddly enough more so to the viewer than to the characters when the movie ends with a tentative resolve." This is an excellent description of the character's emotional spectrum. For me one of the most memorably tense exchanges was where she challenges her husband with her infidelity. He counter replies, "Is that it then?"

There are truly many layers of meaning to examine in this wonderful movie. A well-earned eight stars!

A previous reviewer believes the two other movies in Nunez "Panhandle Trilogy" are superior to "Coastlines". It is difficult to believe this but they're certainly well reviewed. We'll look forward very much to obtaining copies and watching them.

The dangers of having a narcissistic love one in your life are dramatically portrayed in Coastlines. Be it a relative or a close friend, having a totally self absorbs person close to you (or your family) can be devastating beyond belief.  Sonny's exploitation of Dave and Ann's relationship problems for his own gain coupled with zero sense of how destructive his actions will be to Dave, Ann and the children clearly show how "having" the wrong people around you or your family can ruin your lifes. The movie did a great job portraying this. Dave's decision to bring a "bad apple" like Sonny into his family was a dangerous decision that he even repeats at the end of the movie. Having sex over and over and over with Sonny showed Ann's desperation to escape the sacrifices of being a good parent and spouse. Leaving the "real' life one is in for a criminal with sweet talk and looks demonstrated how short sighted Ann really was. With hotter and more involved sex scenes and a better ending (maybe one where Dave forgives Sonny but has Sonny leave town forever) would have made this movie more enjoyable to watch and more believable. Bringing your best friend who's life is a mess and is banging your wife back home with open arms is not believable. Nice try but came up short in believability.

'Coastlines' is a film that draws you in with superb character development. It takes a methodical approach allowing the players on screen plenty of space to grow their characters. Through the first parts of the film I was riveted; not by flashy Hollywood gimmicks, but through the purity of each actor's performance and their course through the story.

The progression through the middle of the film maintains this steady hand, and we are introduced to branching story lines which keeps the viewer guessing at what's coming next. Is this a revenge film? Is it a story about friendship, or perhaps a story of betrayal? It never becomes clear as to what 'type' of movie you're watching, and this leads to a sense of anticipation as the film is rarely predictable.

I was waiting for some kind of dramatic conclusion near the end, or more appropriately, I was pondering what judgments the film would make on the morality of its characters. 'Coastlines' never makes any bold statements to this effect, however, besides perhaps the thematic allusions to unconditional love. The story takes a foray into complex adult themes without finding a coherent resolution, and I feel this was the bridge too far for 'Coastlines'.

If you are a patient viewer who appreciates the nuances of finely wrought character development then I encourage you to see this film... and draw your own conclusions.

while characters were stereotypical, i allowed a distance cuz i' ve spent quite a lot of time time in the locations. Moments of recognition weren't validated by level of script, although enjoyable for noir-ish elements, but too-oversimplified and limited. Folks in small towns know everything about each other (Appalachicola/ Carabelle, FL) but this script didn't provide the full sense of community or shared knowledge.

There was a broadened sense of family but only in a limited way. Characters were broad and not too realistic. Saw the director's premiere of "Gal Young'un." Without a world-class writer (Rawlings) a possibly-limited was further limiteda. Yet, a simple (overly?) engaging tale with some lovely cinematography. Miami Vice crossed with The Yearling?.\

Victor Nunoz's Coastlines is a nice small town drama with some top players all giving fine work, causing me to wonder why more people haven't heard of it, and how come it didn't get a wider release. In any case, it's low key and really captures the quaint rural vibe of less densely populated areas in the states. The cast is absolutely to die for, consisting mainly of very distinct, frequently garish actors who all play it dead straight and relaxed, which is a huge switch up for most of them. Timothy Olyphant plays Sonny Mann, an ex convict recently released from prison, quietly arriving back to his Florida hometown, and the dregs of the life he left behind. His Pa (the ever awesome Scott Wilson) is conflicted by long simmering resentment, and the love for his son buried just beneath. Sonny reconnects with his best friend Dave Lockhart (Josh Brolin), who has become the town's sheriff in the years gone by. Sparks fly between Dave's wife (Sarah Wynter) and Sonny, creating a rift between the two and illustrating Sonny's unavoidable knack for creating trouble for himself, and those around him. Further tension comes along when the town's local crime lord Fred Vance (William Forsythe at his most genial and sedated) tries to strong-arm Sonny into assisting with nefarious deeds, using his younger brother Eddie (Josh Lucas) to convince him. Even when tragedy strikes and these characters go head to head, it's in the most relaxed, laconic way that permeates southern life. Robert Wisdom has a nice bit, Angela Bettis shows up as a girl with a thing for bad boys, and watch for the late great Daniel Von Bargen as the local Sheriff. This one fits nicely into a niche that leans heavily on small town drama, dips its toes ever so slightly into thriller territory, and is a charming little piece that's worth a look to see these actors on an acting sabbatical.