अपनी भाषा में प्लॉट जोड़ेंTo spice up her ho-hum life, college senior Amy sleeps with Aaron and Dil, her two best friends since the 3rd grade. But her best-laid plans turn their perfect, if predictable, platonic tria... सभी पढ़ेंTo spice up her ho-hum life, college senior Amy sleeps with Aaron and Dil, her two best friends since the 3rd grade. But her best-laid plans turn their perfect, if predictable, platonic triangle into a tangled web of supercharged emotions.To spice up her ho-hum life, college senior Amy sleeps with Aaron and Dil, her two best friends since the 3rd grade. But her best-laid plans turn their perfect, if predictable, platonic triangle into a tangled web of supercharged emotions.
Seamus Dever
- Aaron Miles
- (as Séamus Dever)
Woong-ki Min
- Mishnu
- (as Bianco Min)
Alesha Rucci
- Giggling Blonde
- (as Alesha Clarke)
Nancy Sánchez
- Deaf Woman
- (as Nancy Sanchez)
फ़ीचर्ड समीक्षाएं
I found the box made the film more appealing than it actually is. The script is interesting if not resembling that of a soap opera.
Despite a hard attempt to watch this film, I eventually ended up discarding it for few reasons; It feels like a long soap opera with static, repetitive shots in over-lit sets (or what look like sets), and it's visually dull. Examples being that the colours often seem saturated and dull, while all possibilities for visually boosting the appeal of the film are ignored - even something as simple as altering the depth of field, which is almost always infinite and again, dull.
The sound is well recorded, crisp and clear but again lacking a certain something.
Above all, this feels very much like a student film: undeveloped, simple and shallow on many accounts. The writing, however, could possibly be the saving grace of the film were to be backed up with equally appealing direction, lighting, sound and editing.
This does appear to be a film made in the youth of the said director's career which could explain why it is how it is.
Despite my negative views, I can say that there are no, or not many errors with boom shadows, editing errors, continuity errors in the shots, narrative or lighting and it's obvious much care has been taken to avoid such issues.
As a film that has been placed in the genre of comedy, I feel it has been misplaced. This is a very performance orientated piece which would sit neatly in the genre of drama or docu-drama along side a short such as 'Tape'. With this possibility in mind, it could still be seen as a comedy from a narrative perspective.
I do feel though, that this film could be very useful in a learning environment as something for beginner to intermediate film students to critique as a piece that's not too complex in an particular way, as something at a quality to aim for when producing their first short.
I hope this is a useful review, and that I haven't overlooked the direction the makers were approaching this project from.
Despite a hard attempt to watch this film, I eventually ended up discarding it for few reasons; It feels like a long soap opera with static, repetitive shots in over-lit sets (or what look like sets), and it's visually dull. Examples being that the colours often seem saturated and dull, while all possibilities for visually boosting the appeal of the film are ignored - even something as simple as altering the depth of field, which is almost always infinite and again, dull.
The sound is well recorded, crisp and clear but again lacking a certain something.
Above all, this feels very much like a student film: undeveloped, simple and shallow on many accounts. The writing, however, could possibly be the saving grace of the film were to be backed up with equally appealing direction, lighting, sound and editing.
This does appear to be a film made in the youth of the said director's career which could explain why it is how it is.
Despite my negative views, I can say that there are no, or not many errors with boom shadows, editing errors, continuity errors in the shots, narrative or lighting and it's obvious much care has been taken to avoid such issues.
As a film that has been placed in the genre of comedy, I feel it has been misplaced. This is a very performance orientated piece which would sit neatly in the genre of drama or docu-drama along side a short such as 'Tape'. With this possibility in mind, it could still be seen as a comedy from a narrative perspective.
I do feel though, that this film could be very useful in a learning environment as something for beginner to intermediate film students to critique as a piece that's not too complex in an particular way, as something at a quality to aim for when producing their first short.
I hope this is a useful review, and that I haven't overlooked the direction the makers were approaching this project from.
My first impression watching Monkey Love was that the characters were shallow. Based mostly on excessive use of the "F" word, which is a little hard on my sensibilities. Ten minutes into the movie, I was hooked on the frustrations and feelings of young single people trying to cope with mixed emotions. There are a couple of insane characters in the movie and cuts to silent films, leading to a surreal emotional state in the middle of the show. I found the ending completely satisfying. Overall, I liked the film and came away well entertained and felt good.
This film was... Different. The way it was shot was boring and even annoying. The lines were cliché, or even one step above of that, because it was truly awful. I didn't get how her relationship with her parents pertained to the story. But I love love love Jeremy Renner and Seamus Dever... So I was completely willing to overlook this because it was their early works and they are both onto bigger and better things. Not decent, not OK, but it was there, so I watched it. Probably, most defiantly, won't watch it again. There are better Jeremy Renner films that he did before his "big break", like Dahmer or Neo Ned. And watch Seamus on Castle. Much better options than this. So I give this four stars, two stars for Jeremy, and two more for Seamus.
Hmm.. A crazy film,.. music, editing, everything.. There were few moments when I wanted to fast forward but when the closing credits rolled I was smiling. A silly, light fun.
Monkey Love is a well crafted story about a young girl coming to grips with life as an adult. Actually, it's a funny, interesting, even quirky story about compelling people and their romances. The writing and directing are first rate, and performances by Amy Stewart, Jeremy Renner and Seamus Dever reveal new talent bound for bigger things. What a great way to enjoy a night at the movies...making Monkey Love. Even the music is not the usual collection of the first 8 bars of current pop hits. Enjoy.
क्या आपको पता है
- ट्रिवियाAlesha Rucci's debut.
- इसके अलावा अन्य वर्जनFor the 2005 DVD release some songs where changed in the final cut. And the Copyright Holder was changed to 2005.
- कनेक्शनFeatures The Perils of Pauline (1914)
- साउंडट्रैकQu'est La Vie Sans Coeur
Words & music by Marlene Hajdu
McCormick's Last Chance Publishing, ASCAP
vocal: Rebecca Varon
producer: Marlene Hajdu
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Monos enamorados
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 36 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें