Jet Boy

A very flawed film with more plot holes than a cheese grater. It is a fairy tale for abused children dressed up as gritty realism. It has a daft storyline and an over-the-top ending that only lacked an appearance from Santa Claus to make it complete. Its failure to represent reality, considering the seriousness of the story line, was getting on my nerves. But the completed movie is greater than the sum of its parts. The acting, particularly of Nathan the abused boy, is very good and regardless of everything that is wrong with the film, I couldn't help but become involved in the action and emotionally invested in the outcome.

«Jet Boy» is not a pleasant movie to watch, not for the sordid elements in the plot, but for the options the leading characters choose in the end, in a hopeless intent to form a "happy home". And worse than that, what begins rather promising turns into a melodrama of few merits: the performances by Branden Nadon as Nathan, the "jet boy", and Dylan Walsh, as Boon, the tough driver who is forced to take Nathan with him in a dangerous trip to Vancouver, related to drug trafficking.

The main issue is that 13-year-old Nathan is a prostitute, abused and battered by adult male patrons, who runs away from Calgary when his junky mother dies of intoxication with bad dope that he provided. He meets Boon in a cafeteria on the road, and suspects that the man is into "something". When Boon makes a phone call, Nathan memorizes and then erases a number which is vital for Boon to call in Vancouver... and so on, the plot gets into cliched territory, giving rutinary psychological answers to many of both characters' ticks, blows and surrender, including a return to Boon's hometown, to his dying father, to his ex-bride and her son, whose apparently idyllic suburban life attracts Nathan and unwittingly Boon too.

Things get tougher, deadlier in Vancouver, and... you know the rest. It gets mellow and improbable, but I tell you, Nadon does a fine job as the kid, and Walsh gives good support as the kind of man who attracts and repels Nathan. Not bad to watch as a surrogate of a TV Movie of the Week.

I found this almost impossible to watch at the start. So sad and depressing that I actually gave up on it. I actually felt angry that such a movie had been made. Only after seeing so many good reviews that I decided to try again.

I'm happy that I did. The acting by Branden Nadon as Nathan is unforgettable.

I've given it 9 out of 10. A truly great movie.

I gave this a 9 out of 10, which is extraordinary for what, in many ways, is a pretty bad film. Sometimes a movie can touch you, like this one does, even though you know it has some terribly bad aspects like cardboard-cutout characters and unbelievable plot turns. In a movie that often has the complexity and production values of an ABC Afternoon Special, there is the stirring performance of Branden Nadon as Nathan, a young male prostitute, latching onto a drifter he wants to be his ... father figure? lover? both? There are many unanswered questions here, opportunities missed, time spent on uninteresting plot lines. But instead of walking away in disgust, Nadon's performance and character just leaves you hungry for more, and wishing scenes had been expanded. There's a scene where Nathan tells a gay teen who has just kissed him, "I just want to be a good kid," and it so excruciating and sweet and sad you wish the scene had gone on forever. When Nathan accompanies the drifter to the drifter's home town, none of the people he encounters there know how worldly he is, or how wounded he is, and how he longs to belong to someone. It's a poignant performance you won't easily forget.

To begin with, yes, I understand this is a Canadian film, which by nature has to be "nice" and cute. But there is really nothing funny, cute or nice about pedophilia. The beginning of the film opens up and promises a harsh, in-your-face slice of life for an underage male prostitute (who honestly does a decent job...I seriously felt sorry for this actor for taking this role/being exposed to this subject matter). But then starts to get "cute" with heart-warming "awwwwe..." moments (remember: Canadian) that you would almost expect on any TV sit-com as it wraps up with its obligatory schmaltz. There are in fact a couple of interesting plot-twists, but they are underplayed by the lackluster writing (and acting), made-for TV filmography and EXTREMELY predictable, linear writing. We actually watched the out-takes/cut scenes which reveal an even worse writing imaginable (someone at least had the sense to hire a very good editor). I would say, if you happen to be a fan of "Nip/Tuck" or want a "feel good" movie about pedophilia knowing it will all work out in the end, then sure...watch it. If not, there are much more accurate, hard-hitting and blunt dramas out there.