In Deep

The usual quality of BBC police dramas is questionable. They are either depressing (e.g. Messiah) or just plain awful and unbelievable (e.g. Mersey Beat). In Deep gets the mix just right. It doesn't go too far with gadgets, action, abilities of the main characters etc.. but has the right amount to keep you enthralled without going into "yeah - right" territory. I didn't believe Nick Berry could pull it off (I loathe Heartbeat) but he produces a great performance every episode.

The stories are written very well, with twists and turns, humour, drama and action. It is split into two episodes per story, and the suspense that grips you between episodes means that you are sat in front of the tv well in advance to make sure you don't miss it.

If you haven't seen it yet. Do so.

Apparently other reviewers can't separate Nick Berry from his character in Heartbeat. If you can't do this either, I suggest you skip this show and go look up Harbour Lights instead for his sweetness and light. It doesn't help that his wife is very similar blonde actress to the one in Heartbeat. If you can separate the two this is a pretty good crime show. Not as good as Line of Duty which is bloody good, it's still a solid cop drama. Each story is told over two episodes. So they're more complex than the American one hour shows but shorter than Line of Duty's in depth 5-7 episodes. It's sad there's only 3 seasons.

I'm not a fan of either Nick Berry or Stephen Tompkinson - and regardless how much the BBC tries to ram down the throat that these two guys shouldn't be messed with - I just don't buy Nick Berry as a hardman. I don't care how much melodramatic music, lighting or story they pump into the script I just smirk as an unshaven Berry tries to con his way into every eb of the episode's bad guy.

To its credit, the writing isn't bad but the idea's been done many times before - such as "Thief Takers", "99-1", "The Knock" and the inevitable comparison to "The Professionals", which I find quite bemusing.

Sure there's action sequences, stunts and the bravado of these Bodie and Doyle wannabe's - but somehow I just don't care about the characters as much as I want to. I care more about Berry's family and Berry's view on fathership than what he does to sting a drug baron.

Anyway, its not bad for what it is. Another Professionals type show. Shame it doesn't have the charm of Bodie and Doyle, but then again - not many shows have.

I don't buy Nick Berry has a hardman, I'm sorry - but I don't.

Overall: 4/10

Watching in 2021 I cannot see the lure to this series. I like the two main actors and why I stuck with it. The storylines are not overly believable - Pam the wife is a whinny snot character. What I do like is the storylines are willing to look at bent cops. Generally OK if nothing else on.

Well the first episode of this new series has finished and i for one really enjoyed it. It puts a newish twist on cop dramas. The two leads Nick Berry [ Eastenders, Heartbeat ] and Stephen Tompkinson [ Drop the Dead Donkey, Ballykissangel ]have proven themselves elsewhere and seem to gel well. The stories ( this first one at least ) seem to have enough surprises to keep you guessing right to the end. Even though the BBC do seem to have an unfortunate habit of showing too much as a trailer for the second episode at the end of the first, and seem to re-cap 85% of the first at the start of the second.

In the first story Nick's character has to investigate his old Squad, which is now run by his Wife's best friend's husband who is also a close friend of his. "Garth" Tompkinsons character, gets involved with the lives of the Prostitutes he's using to try and get information on a Madame who is running them.

All stories mix and leads to a stage where almost everyone is under suspicion of something and your left guessing till the very end what the outcome will be.

Check this series out. It deserves to run for quite a while...which probably means it'll be cancelled after one season, as seems to be the norm these days for anything that dares to be innovative or different from the diet of soap operas and makeover shows that fill 80% of the schedules these days.