किस ऑफ़ द ड्रैगन

What do you want from a Jet Li movie? By the time of Kiss Of The Dragon being released, many of his fans had been vociferous about how his film's were losing realism in the fight scenes. Here, teaming up with Luc Besson & Robert Mark Kamen in the writing room, Li himself set about readdressing the balance for American produced martial artistry. The result is of course a preposterous plot that should duly have been expected, but without doubt for action fans this is a real high kicker that delivers thrill after thrill as Li beats up Paris.

The plot simply sees Li as Chinese intelligence agent Liu Siu-jian who is sent to Paris to aid in the apprehension of a Chinese drug lord. Things go belly up when corrupt cops led by Insp. Richard {Tchéky Karyo} wipe out the target and frame Liu Siu-jian for the murder. But he ain't going to take it on the chin. So with the help of prostitute witness Jessica Kamen (Bridget Fonda), he sets about clearing his name whilst perhaps helping Jessica get her life back on track too. Cue the odd couple forming a tender relationship as they shift from one death defying encounter to another.

The action on offer here is excellently put together, there's minimal CGI and even less wire work involved. This is stunts and martial artistry produced by a master craftsman. From a unique use of a snooker ball to an exhilarating smack down with a class of martial arts students, and on to a tag team scrap with the blonde twins, this has enough biff and bam to fill the Louvre itself. Li is on fire, not only one of the toughest guys on the planet, but also one of the coolest. While Fonda is hugely touching in a stereotypical role and Karyo continues to be one of the best psycho actors in the new millennium.

Flaws and plot holes here? Of course. Does it matter in a buttock kicking action movie? Course not. 7.5/10

The picture is full of tumultuous sequences with frenetic action , surprises , fierce combats and groundbreaking struggles . Classic as well as impressive Chop-Socky in which wild fighting scenes provide an overwhelming view of Jet Li skills . It has lots of fights , as well staged as Jet Li's Hong Kong films . It is set in Paris where a betrayed intelligence officer (Jet Li) enlists the aid of a prostitute (Bridget Fonda) to prove his innocence from a deadly conspiracy while returning a favor to her . Li against time to clear his name and rescue a junkie whore and her daughter . When the secret mission goes wrong he is framed for murder by a nasty as well and amusing villain officer , Insp. Richard (Tchéky Karyo) ; as the Chinese agent will face off a bunch of heinous henchmen across threatening streets of Paris . Then Li has to go on the run pursued by corrupt cops , being his only ally the mistreated call-girl and an old Chinese shopkeeper (Bur Kwouk) .

This moving Chop-Socky displays drama , action-packed , thrills , and wild fighting images . It is an action-filled and violent film , being utterly filmed in Paris . Li shows awesome skills , as he hits , punches and kicks most of Paris hoodlums into tiny pieces . The battle scenes are sliced up by means of flashy quick cuts that sometimes reduce Jet Li's extraordinary athleticism to a little more than the backdrop to a video clip . An exciting art martial movie in which , once again , an oriental Chinesse super cop is sent loan to tackle crime in the West . The style of action in this movie was heavily influenced by comments made during series of messages posted by fans on the Jet Li website forum , immediately after the release of Romeo must die (2000) in the United States , the fans wanted more realistic fighting as in Jet Li's movie Jet Li's Fist of Legend (1994) . The rousing fights include deadly use of fists , feet and palms ; being perfectly staged by expert Corey Yeun . Fights , attacks and exciting combats very well staged by great fighters , in fact , here are only seven wires used in the entire movie, the only scenes involving wire work were when Jet Li had to jump up to kick the pool ball and when Cyril Raffaelli performs his one-and-a-quarter backwards somersault-kick ; the result is a strong entry for art martial buffs . Actors made their owns stunts ; some of the players got injured and to had to be hospitalized during the shooting , some of them suffered mild concussions during filming, after being struck several times during fighting scenes . The only scenes that used CGI are when Jet Li falls down the laundry drop with CG flames surrounding him and in the hotel scene when Jet Li kicks the ball from the pool table . Amid the glamour and grandeur of the scenarios , including luxury hotel , is developed an intrigue about women exploitation and dealing with a Chinese agent who attempts to restore his name .

Colorful and luxurious cinematography by Thierry Arbogast . Adequate musical score fitting to action by Craig Armstrong . This moving film was lavishly co-produced and written by the great producer/director Luc Besson and well realized by Chris Nahon . Director Chris Nahon had to slow down the fight scene between Jet Li and Cyril Raffaelli because they were moving too fast for the camera. Filmmaker Nahon establishes his signature style of kinetically-paced story-telling through sumptuous imagery , leading to international critical acclaim . Chris Nahon was born in France , he is a good director and writer, known for Empire of the wolves (2005) , Blood: the last vampire (2009) and Kiss of the dragon (2001) . Rating : Better than average art martial movie . Worthwhile watching .

The action scenes in "Kiss of the Dragon" are outstanding. The skill of the players, and their direction is nonpareil. One doesn't see any of the little scenes where two or three fighters are jumping up and down waiting for their cues. Pay attention to the fight scene in the police training room. I think its the best I've seen. A trademark of Jet Li films seems to be a display of the highest quality martial arts. His skills, and those of his antagonists, provide detailed and polished confrontations that are simply thrilling. And I love those needles!

The pace of the film is excellent too. The action just keeps coming. There is just enough talking and character interaction to keep the plot alive and well. Bridget Fonda manages well in a role I think was not really designed for her. She is one of those actors who always finds her character and makes it work.

The film is violent, to be sure. And the bad guys are the worst. Their blatant, public methods are almost too much to believe. Still, the pace of the action leaves one little time to ponder details. One element I wish the director had left out is Jet Li dodging about a thousand rounds of full auto gunfire. Everyone seems compelled to shoot such scenes, but two guns raking rounds across the hotel lobby could not possibly miss. It is virtually enfilade fire, and no one could get through that. Otherwise, the firearms action was believable and thrilling to watch.

Even the music, though not my style, seems to work well with the action. The director puts it all together in a wild ride I can recommend to any action film fan.

KISS OF THE DRAGON / (2001) *** (out of four)

By Blake French:

I admire "Kiss of the Dragon" because it's a wake-up call to the increasingly desperate genre of martial arts action movies. After disasters like "Romeo Must Die" and any recent Jackie Chan production, my expectations for "Kiss of the Dragon" were not exactly sky high. It seems as if every movie like this replaces a story and characters with silly special effects and high-tech action sequences involving martial arts fighting. Here, there are solid, visible characters and an involving story. That's a real accomplishment these days.

Jet Li starred in 25 successful Asian films before making his debut in America as the villain in the lackluster "Lethal Weapon 4." His last film, "Romeo Must Die," was a pitiful action extravaganza that borrowed elements from Shakespeare's "Romeo and Juliet." Before this film, I could not stand this martial artist turned actor. Here, he makes a strong name for himself. He co-produces the film, stars in it, and created the original story. According the production notes, Li initially envisioned a dramatic film that combined his trademark martial arts and action heroics with strong, recognizable characters.

"I wasn't interested in making a movie about a big action hero who saves the day," explains Li. "My character, Liu Jiuan, is one of China's best agents, with tremendous abilities in martial arts and acupuncture. He's determined and driven. But he's not a superman; he's human. When his mission goes wrong, Liu initially doesn't know how to handle things."

Liu Jiuan is the most skilled law enforcer in China brought to Paris on a top secret mission where he must assist an unorthodox police official named Richard (Tcheky Karyo) in dealings involving some off the record drug traffic. His mission goes awry and he quickly learns that Richard, who seemingly has a limitless supply of henchmen, is the villainous mastermind behind most of the crime in France. Liu becomes trapped in a dangerous conspiracy-Richard frames him for a murder he tried to stop. Liu also becomes involved with a local American woman named Jessica (Bridget Fonda), who was forced into prostitution when Richard kidnapped her child.

The story feels real, instead of a clothesline for countless gratuitous action sequences. There are plenty of action sequences, however, and the fighting does not involve wires, phony stunts, or computer generated effects like in "Crouching Tiger, Hidden Dragon," and "The Matrix." The fights are grounded and real. "We went back to the basics," explains Jet Li, "keeping the fighting simple and based more in reality." Liu's principle fighting weapons are not guns or swords, but acupuncture needles, which play an important role in the mysterious "kiss of the dragon" revealed at the movie's climax.

"Kiss of the Dragon" is directed by French commercial director Chris Nohan in his feature film debut. He does a good job of involving the audience in the action, and distracting us from some of the film's weaknesses. But no director could conceal some of the bad writing, terrible dialogue, unanswered questions, plausible motives, and stereotypical character traits. "Kiss of the Dragon" is not a great movie, but for Jet Li, this is good stuff nonetheless.

Liu Jian (aka "Johnny") is a top level cop from Bejing on temporary assignment in Paris to aid French police in a sting operation to take down a Chinese heroine kingpin. But things go bad and a double-cross ensues, leaving Liu Jian framed for murder and running for his life. One is thing certain, though, our hero won't be taken without a fight... a really good fight... and a few more after that. Luc Besson's screenplay isn't exactly creative, but given the genre, it's pretty darn good. I know I sure sighed with relief that Liu Jian (played with subtle excellence by Jet Li) wasn't driven by some emotionally haunting past, like the death of a wife and child, as is so typical in super-cop action films. In fact, we get just the opposite--a man who simply loves his job and does it very well, but is still human enough to make mistakes, feel pain and make realistic choices (well, mostly).

The story isn't without its flaws, however. Mindless thugs do play their part and there is an utterance of the most over-used villain line of all time: "Bring him to me alive; I'll deal with him myself" (or something to that affect). But somehow, it doesn't sound quite so corny coming from actor Tcheky Karyo (as Inspector Jean-Pierre Richard), who manages to play the heartless villain with a great deal of intelligence. Rounding out the cast is Bridget Fonda's Jessica, the prostitute with a good heart and, yes, a young daughter in jeopardy. But despite its few formulaic shortcomings, Kiss of the Dragon still delivers.

What really stands out in this film is the way the fight sequences flow with the rest of the story, unlike so many other movies that seem to be constructed around a few preconceived action scenes. It's a martial arts action film done right. Thanks to the superb direction of Chris Nahon, Kiss of the Dragon is classy, well paced and gives us a near perfect blend of drama and levity (no ridiculous one-liners here, but definitely some laughs along the way). Best of all, Nahon engages the audience and makes the story work to a reasonable level of believability.